Acoustic Artistry

Par BENNETT STEPHEN. In what is neither an instructional nor a concert-style format, acoustic guitar master and acknowledged harp guitar pioneer Stephen Bennett plays ten captivating harp guitar solos, demonstrating the capabilities of this rarely heard instrument in a relaxed recording studio setting. With one exception, the traditional fiddle tune Westphalia Waltz, Stephen composed all of the music heard here. Stephen introduces each tune with insightful remarks about harp guitar history, the tunings he developed for the additional six bass strings, and the events or circumstances that inspired his compositions. One of the original advertising claims made for harp guitars was that they would do to the standard guitar what the piano did to the harpsichord - that is, make it obsolete. That may or may not occur, but in this video you will at least hear some of the inherent possibilities of the harp guitar. Ultimately, you may find yourself thinking that those early claims might not be so farfetched - indeed, magic happens when these instruments are in the right hands, and Stephen Bennett clearly has those hands. Join Stephen for an intimate introduction to this largely forgotten instrument and allow yourself to fall under the spell of the harp guitar! / Acoustic Music - Concert/Documentary / Accessoire / Guitare Harpe

Guitarist educator and historian Stefan Grossman was a student of acoustic blues and gospel singer/guitarist Rev. Gary Davis. Beginning when he was 15 Stefan studied with Davis on weekends spending eight to ten hours at his house in Harlem absorbing all he could. While studying with Rev. Davis he met and studied with other country blues guitarists: Mississippi John Hurt Son House Skip James Mance Lipscomb and Fred McDowell.In the early 1960s Stefan formed the Even Dozen Jug Band (which also included such future luminaries as John Sebastian Steve Katz Maria Muldaur and David Grisman). In 1966 he worked with the alternate rock band the Fugs beforemoving to Great Britain in 1967. In 1969 he co-founded Kicking Mule Records with Ed Denson a label that showcased acoustic fingerstyle guitar. Many of these albums that Stefan produced during this period are finally being re-released on CD on his own label.From 1967 to 1987 Stefan Grossman lived in Great Britain and Italy and toured worldwide. He performed and recorded with John Renbourn for 15 years and they produced four albums together.Stefan's solo discography goes all the way back to 1966 when he recorded How to Play Blues Guitar with Rory Block (now released as Country Blues Guitar SGGW103). Since that time he has recorded over 30 solo albums and has written numerous books highlighting the playing of legendary bluesmen from the 1920s and 1930s.Nowadays Stefan divides his time between the USA and England. He continues to do concerts and workshops worldwide and remains one of the world's foremost authorities on acoustic blues guitar. The Guitar Artistry of Stefan Grossman brings together performances from 1965 to today. He performs solo with the Even Dozen Jog Band with John Renbourn as well as Duck Baker. In between the music Stefan weaves together the story behind his playing.An 87 page PDF booklet is included on the DVD. This details

Doc Watson was a legendary performer who blended his traditional Appalachian musical roots with bluegrass country gospel and blues to create a unique style and an expansive repertoire. His flatpicking style elevated the acoustic guitar to solo status in bluegrass and country music and whose interpretations of traditional American music profoundly influenced generations of folk and rock guitarists.Doc was born in Deep Gap North Carolina on March 3 1923 into a family already rich in musical tradition. His mother Annie Watson sang traditional secular and religious songs and his father General Watson played the banjo which was Doc's first instrument as well.In 1953 Doc met Jack Williams a local piano player and played rockabilly/swing music for seven years a period and a style that he later revisited in the album Docabilly. But he also continued to play acoustic traditional music with his family and with his banjo playing neighbor Clarence Tom Ashley. In 1960 spurred by the growing folk revival folklorists Ralph Rinzler and Eugene Earle came south to record Ashley and heard Doc Watson in the process. These sessions resulted in Doc's first recordings Old-Time Music at Clarence Ashley's.In 1961 the Friends of Old-Time Music invited Doc Ashley Clint Howard and Fred Price to perform at a now-legendary concert in New York City and one year later Doc gave his first solo performance at Gerde's Folk City in Greenwich Village. From then on he was a full-time professional playing a wide range of concerts clubs colleges and festivals including the Newport Folk Festival and Carnegie Hall.In the late 1960s Doc was joined on the road by his son Merle who provided both musical and emotional companionship; with Merle playing guitar and banjo and serving as partner and driver the father-son team expanded their audience nationwide. Sadly Merle died in 1985 from a tractor accident.A series of over 50 remarkable recordings including collaborations with Flatt & Scruggs Chet Atkins and

Whether Guy Davis is appearing on Late Night TV programs or nationally syndicated radio shows in front of 25 000 people at Madison Square Garden or an intimate gathering of students at a Music Camp Guy feels the instinctive desire to give each listener his 'all'. His 'all' is the Blues.Guy can tell you stories of his great-grandparents and his grandparents their days as track linemen and of their interactions with the KKK. He can also tell you that as a child raised in middle-class New York suburbs the only cotton he's personally picked is his 'BVDs' up off the floor. He's a musician composer actor director and writer. But most importantly Guy Davis is abluesman. The blues permeates every corner of Davis' creativity.Throughout his career he has dedicated himself to reviving the traditions of acoustic blues and bringing them to as many ears as possible through the material of the great blues masters African American stories and his own original songs stories and performance pieces. In 1993 he performed Off-Broadway as legendary blues player Robert Johnson in Robert Johnson: Trick the Devil. He received rave reviews and became the 1993 winner of the Blues Foundation's ?Keeping the Blues Alive Award?. Looking for more ways to combine his love of blues music and acting Davis created material for himself. He wrote In Bed with the Blues: The Adventures of Fishy Waters -- an engaging and moving one-man show. The Off-Broadway debut in 1994 received critical praise from the New York Times and the Village Voice. Of Davis' live performance one reviewer observed that his style and writing ?sound so deeply drenched in lost black traditions that you feel that they must predate him. But no they don't. He created them.?These days Davis concentrates much of his efforts on writing and performing his Blues music. He has released nine albums for Red House Records all of which have garnered rave reviews and

The definitive work on the design and construction of an acoustic archtop guitar this updated second edition features 288 pages of content including 24 color pages and 4 tear-outs. See what industry greats have said about this book: “I know of no other work offering comprehensive step by step coverage of the making of an acoustic jazz guitar.”– George Gruhn “This book is for everyone who loves woodworking loves guitars appreciates artistry and believes that organic materials like spruce maple and ebony can only achieve their highest function through the hands of a craftsman.”– Howard Paul“I can think of no one more knowledgeable and qualified to share his years of expertise than master luthier Robert Benedetto.”– Dick Boak

Premier Piano Express is designed for students who need a fast-paced approach to piano study. Based on the concepts and music from Premier Piano Course, this All-in-One Accelerated Course integrates Lesson, Theory, Technique, and Performance pages. Book 2 continues the steady development of artistry and keyboard skills that began in Book 1. The book is organized into skills-based units that feature clear explanations of important musical concepts. Worksheets within each unit provide review and strengthen understanding. Included with the book is a CD-ROM that contains both audio performances on acoustic piano and orchestrated accompaniments for selected pieces. / Piano

Prenez votre acoustiques jouer à l'extérieur de la boîte avec des techniques prolongé pour guitare classique et fingerstyle. Cette approche novatrice livre / CD Pack dispose d'une exploration en profondeur dans une variété de taper, taper, et les méthodes de percussion. Comprend les charges d'exercices, des conseils utiles et des études de composition, plus un CD avec 99 pistes de démonstration. Enseigne: bases tapant, tapant une seule ligne, en tapant intervalliques and polyphoniques, les bases de gifles, des lignes de gifles, les bases de percussions, les rudiments des techniques complémentaires, des études de composition, notation standard et tablature, et bien plus encore! / Guitare