Water Music Score

Par HAENDEL GEORG FRIEDRICH. This authentic arrangement of ten movements from the Water Music suites dates from Handel's lifetime, but is published here for the first time, edited by the distinguished Handel scholar Donald Burrows. Its simple, light scoring makes it excellently suited to use by schools and small instrumental groups. It can be performed in many different combinations from the original two violins, bassoon and continuo to string quartet or wind-based group. / Rép Classique / Répertoire / Scores

The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - 50 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - 50 CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio+Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Tout Instrument

Par SCOTT STAIDLE. Ce livre remplissages la nécessité pour les duos de violon intermédiaire à avancé approprié pour les mariages ainsi que récitals, parties et réceptions. Ces paramètres non accompagnés serait également utiles comme sight-reading de matériel dans l'enseignement des studios. Sélections dans ce volume comprennent : l'Air en ' D'and Jesu, du Joy of Man désirant (Bach) - Allegro (Fiocco) - Amazing Grace (trad.) - Bridal Chorus (Wagner) - Chaccone (Vitali) - Kanon (Pachelbel) - Menuetto (Boccherini) - Ode à la joie (Beethoven) - Rondeau (Mouret) - Serenade (Haydn) - trompette volontaire (Purcell) - marche nuptiale (Mendelssohn) - Water Music (Haendel) - et ' Hiver ' des quatre saisons (Vivaldi). Scores comprennent les marquages dynamiques and les indications de l'archet. / Niveau : Intermédiaire / Classic - Duets / Recueil / 2 Violons

The music of Handel is considered the culmination of the Baroque period of music history, and his Water Music (1717) has endured in popularity for nearly 300 years! Performed from a barge traveling on the River Thames, King George I is said to have liked the music so much that he ordered it repeated several times. Originally three suites each consisting of multiple movements, Johnnie Vinson has skillfully adapted this arrangement for young players using 'Alla Hornpipe' from the Suite in D Major, and the 'Air' and 'Allegro' from the Suite in F Major.

This authentic arrangement of ten movements from the Water Music suites dates from Handel’s lifetime but is published here for the first time edited by the distinguished Handel scholar Donald Burrows. Its simple light scoring makes it excellently suited to use by schools and small instrumental groups. It can be performed in many different combinations from the original two violins bassoon and continuo to string quartet or wind-based group.

Le tube de Deep Purple de 1972 Smoke on the Water est probablement l?une des chansons rock les plus emblématiques jamais écrites. Inspiré de faits réels ce thème est toujours populaire de génération en génération même pour la jeunesse d?aujourd?hui. Cet arrangement fut réalisé spécialement pour ensemble flexible à quatre voix pour permettre aux plus jeunes de jouir de la magie de Deep Purple dès le début.

A Boy and a Girl is a tender delicate poem put to music by Eric Whitacre. It was commissioned by the 2002 California All-State Chorus.

Work for Chamber dating from 1988.The composer writes:MINNEWATER means ‘love water’/‘love lake’ but when I began to compose the work this direct meaning of the title was not very important to me. Rather the word itself had a magical sound. Later on however it occurred to me that the piece was full of mumbling swells and swarming cascades and the sensation of water is perhaps most perceptible towards the end where lots of falling water movements are felt behind the emphasized rhythmic surface. Falls that moreover quite literally at the end sinks into the water. MINNEWATER has a subtitle: THOUSANDS OF CANONS which directly refers to a compostion techniquewhere all layers and elements in the music constantly are imitated; possibly waves imitating each other? The mudded and impalpable beginning of the work takes its starting point in one of my earlier pieces the sextett LES TUCHINS (in fact the first 5 or 6 pages of the two pieces are quite identical but in MINNEWATER it is all ‘blown up’ to a larger ensemble). Quite soon however the thread to LES TUCHINS is cut off and it goes its own way; From the mumbling in the start - through swarming trills and pointilistic staccato movements - to a long section where the trumpet appears as a soloist and in a way conducts the movements of the remaining ensemble right to the rhythmic final section of the piece. MINNEWATER was commissioned by the Danish Radio for the German Ensemble Modern

15'; for five instruments and wind chimesPublished 2005for alto flute/piccolo (doubling gong and wind-chimes) bass clarinet in Bb (doubling wind chimes) piano violin (doubling wind chimes) 'cello (doubling windchimes)Commissioned by Father Arthur E. Bridge for Ars Musica Australis for the Kammer EnsembleFirst performance: 3 June 2006 Riverside Theatre Parramatta SydneyScore.