SKU: M7.RSE-1000
ISBN 9790002003260. German.
The operas of Richard Strauss are among the most frequently performed stage works of the 20th Century. His instinct for musical shape and dramatic stage design, his brilliant orchestration as well as his collaboration with eminent writers such as Hugo von Hofmannsthal truly set his works apart. In this Richard Strauss Edition 8 works for the stage are made available for the very first time as study scores: * Two early works, Guntram and Feuersnot * Two ballets Josephs Legende and Schlagobers * The complete incidental music to Der Bürger als Edelmann (originally a part of the first version of Ariadne auf Naxos) * And three rarely performed operas, Die ägyptische Helena, Friedenstag and Die Liebe der Danae. The Richard Strauss Edition comprises 18 volumes and is available with either a linen or leather binding. Each volume contains important orchestral information, information about the first performance and a facsimile page of the autograph score.
SKU: HL.48011650
UPC: 073999840155. 9.0x12.0x0.15 inches.
Oboe Solo.
SKU: HL.48030306
UPC: 884088934675.
SKU: HF.FH-7076
ISBN 9790203470762. 8.3 x 11.7 inches.
Richard Strauss: 1. Der Burger als Edelmann; 2. Eine Alpensinfonie; 3. Guntram; 4. Feuersnot; 5. Salome; 6. Elektra.
SKU: TM.06005SET
SKU: HL.48030305
UPC: 884088934668.
SKU: TM.06006SC
March (Alceste), Menuet (Iphigenie en Aulide), Grazioso (Paride e Elena), Slave Dance (Iphigenie en Aulide).
SKU: HL.49047172
UPC: 196288143406.
When the 24-year-old Richard Strauss, assistant conductor in Munich, began the composition of his third tone poem in the summer of 1888, he saw himself close to the aspiration prescribed by his mentor Alexander Ritter: to become the successor of Richard Wagner as a musical dramatist. Strauss had already been working on the text of his first opera Guntram for a year and additionally devoted himself to programmatic orchestral works oriented to the musical language of Liszt and Wagner in order to prepare himself compositionally for his new task. With the aid of Strauss and other musicians including Ludwig Thuille and Friedrich Rösch who had been gathering for “Ritter's round table†in Munich between 1886 and 1889, RitterÂ’s intention was to achieve success on a broad front with the New German School following the death of its two protagonists Wagner and Liszt. We do not know whether Ritter and his supporters jointly planned Strauss's compositional path towards opera, determined the subjectsof his prospective tone poems and considered various strategies of their musical realization, but the influence of this group shouldnot be underestimated. It cannot be ruled out that the number of three tone poems was fixed, as was their sequence of composition, which would progressively achieve its zenith in an increasing orientation to Liszt and Wagner. The circle could possibly have also discussed initial links to literary subjects (Macbeth and Don Juan) and ultimately the abstention from this practice in the third and final tone poem. The subject of the work, or rather in StraussÂ’s formulation its “poetic modelâ€, has occasionally been interpreted from an autobiographical aspect. Strauss however did not experience serious illness until May 1891 and once more in June 1892, long after Tod und Verklärung had been composed. Even without an external reason, the material would have been only too attractive for an admirer of Wagner and Liszt like Strauss, not to mention for his mentor Alexander Ritter. The concept of 'death and transfiguration' had already played a central role in LisztÂ’s symphonic poems Tasso and Prometheus.
SKU: HL.48009436
UPC: 073999273182. 9.0x12.0x0.392 inches.
SKU: TM.06006SET
SKU: TM.06005SC
SKU: M7.ART-42009
ISBN 9783866420090.
Ab sofort müssen Sie im Unterricht nicht mehr mühsam auf die üblichen Klarinettennoten zurückgreifen, sondern benutzen diese für die Besonderheiten der Kinderklarinette ausgelegte Schule. Aufbauend auf der kinderfreundlichen Griffschrift wird der Schüler langsam auf den spielerischen Umgang mit Noten herangeführt. Die Schule richtet sich an sechs- bis achtjährige Kinder und ist für die ersten ein bis zwei Unterrichtsjahre gedacht. Sie eignet sich sowohl für den Einzel- als auch für den Gruppenunterricht und ist seit Jahren in der Unterrichtspraxis erprobt. Viele zusätzliche Spielstücke im Anhang machen es möglich, den Unterricht entsprechend den Jahreszeiten zu gestalten. So kann zu jeder Zeit mit dem Unterricht begonnen werden. Anwendbar und mit Grifftabellen für alle aktuell erhältlichen Instrumente von Adler-Heinrich, Guntram Wolf, Moeck, Kunath und Jupiter.
