Grace - SATB

Introit: Lord In The Strength Of Grace is a work by John Joubert for Unaccompanied SATB Choir. The work was composed in 1981 and revised in 2011 for George Vass the Canterbury Chamber Choir and the 2012 Presteigne Festival. 

Christmas Cantata-It was into the shadows and winter of this world that Christ came to bring us the light and warmth of his salvation.This new cantata Winter's Grace from renowned composer Joseph M. Martin celebrates this great light and washes the sanctuary with the messages of hope peace joy and love using a program of candles Scriptures prayers and music. The incorporation of familiar carols will engage the listener and ease the learning process.A full line of support products is available to facilitate your presentation of this dramatic new work including a digital resource kit featuring art work PowerPoint visuals a Bible study practice hints interpretive movement options plus other helpful aids to make your presentation a success.Includes: A Winter's Song; Celebration for Advent; Hope Peace Joy and Love; Carols of Adoration; Let the Earth Resound With Praise!; A Silent Holy Night and more.

Gabriel Jackson's O Thou That Art The Light for SATB unaccompanied.This exquisite miniature sets an intimate prayer by St Augustine of Hippo asking for God's grace to know and serve Him. Simple and homophonic it is infused with Jackson's characteristic passion and luminosity and would be ideal as a general purpose introit or used specifically within a Service of Light.

Description The Ultimate Gospel Choir Book - Volume 5 features 17 great gospel songs for mixed voices (SAB/SATB), soloist and Piano. Arranged by Jeff Guillen. Songlist Blessing (Go With Peace) Come, O Come, Our Voices Raise Free At Last Gospel Medley Higher Ground It Is Well It's Alright I've Got A Feeling Jesus Loves Me Milky White Way Morning Praise Pilot Me Proem (Grace and Peace) Ride On King Jesus Sometimes I Feel Study War No More Sweet By And By

SATB a cappella-Inspired by Grace Noll Crowell's lovely poem this setting has immediate appeal to both school and church use. The music moves beautifully with the words making the composer's marking with awe and wonder come true.

The poem I Sing Of A Maiden is one of the best known of the anonymous medieval hymns deceptive in its simplicity and full of grace and faith. The setting by Lennox Berkeley also has a deceptivesimplicity but reveals on repeated listenings or performances a harmonic integrity and subtlely that has made it a work that will continue to be performed and enjoyed for a long time to come. Lennox Berkeley wascomposing and having his works performed before he finished school then upon meeting Ravel was introduced to legendary teacher Nadia Boulanger in Paris with whom he studied. He mixed with the great artistic and musicalnames of prewar Paris before returning to Britain where he later met and lived with Benjamin Britten before the arrival of Peter Pears in Britten’s life. Berkeley was professor of composition at the Royal Academy of Musicand himself composed more than two hundred works of music many of them of enduring value.

Kirby Shaw has arranged this 19th Century American Melody for unaccompanied SATB choir. One of the world's most treasured songs this is a powerful and unostentatious setting that emphasises the song’s reverence and cogency.

We Have All the Time in the World is the classic James Bond theme featuring the warm graceful vocals of Louis Armstrong. Beloved for its sophisticated smooth sound the track - written by John Barry and Hal David - has transcended its tie to cinema becoming one of the most requested songs at weddings anniversaries and other celebrations.This brand new arrangement by Thomas Lydon for SATB choir brings this standard to the Novello Choral Pops series - the perfect number for choirs seeking a stylish soulful number to add to their repertoire.