Dvd Jazz Master Class Series Benny Golson

Etre un artiste c'est également être un professeur. Directement ou indirectement, à travers son travail ou ses mots, l'artiste enseigne. La collection 'Jazz Master Class' présente les plus importants artistes de jazz en atelier. Ils jouent, parlent de leur concert et de leur travail puis les étudiants de l'atelier jouent et les artistes commentent leur travail. Nous espérons que ces enregistrements enrichiront votre travail. En anglais, 2 h 19 d'enregistrement. / Saxophone

Par TOOTS THIELEMANS. Etre un artiste c'est également être un professeur. Directement ou indirectement, à travers son travail ou ses mots, l'artiste enseigne. La collection 'Jazz Master Class' présente les plus importants artistes de jazz en atelier. Ils jouent, parlent de leur concert et de leur travail puis les étudiants de l'atelier jouent et les artistes commentent leur travail. Nous espérons que ces enregistrements enrichiront votre travail. En anglais, 2 h 19 d'enregistrement. / Concert/Doc anglais / Accessoire / Harmonica

Dans cette série de DVD, les artistes jouent, parlent de leurs vies et leurs travaux, des élèves jouent pour eux, ils commentent et instruisent ces élèves. Méthode de trompette en anglais avec Terry Clark, qui a notamment joué avec de grands noms du jazz comme Duke Ellington ou encore Count Basie. / Trompette

Louisiana Masters Series-Part of being an artist is being a teacher. Directly or indirectly through their work or their words artists teach. In this series of DVDs some of the most important jazz artists are presented in a unique master class setting.They perform they talk about their lives and work students play for them and they comment and instruct those students. Students discuss their expectations before the class and their thoughts after the class. Viewers will observelearning taking place and come to understand how great artists think perform and teach. This DVD features a Gatemouth Brown performance recorded in September of 2004 at Loyola University in New Orleans with a master class aswell as an interview at Gatemouth Brown's home with Loyola students. Running time: 2 hours 1 minute.

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards. Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: "Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker)

For use with all Bb, Eb, C, and Bass Clef instruments, the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues and other split-track choices on the included CD, this first-of-its-kind package helps you master improvisation while playing some of the greatest tunes of all time.For study: each tune includes a split track with:Melody cue with proper style and inflectionProfessional rhythm tracksChoruses for soloingRemovable Bass partRemovable Piano partFor Performance, each tune also has:An additional full stereo accompaniment track (no melody)Additional choruses for soloingThis volume features 10 songs: Dear Old Stockholm, Gypsy in My Soul, I Hear a Rhapsody, Ill Wind (You're Blowin' Me No Good), Mean to Me, On Green Dolphin Street, Pure Imagination, Robbin's Nest, Rosetta and Smoke Gets in Your Eyes. / Tout Instrument

Jazz Piano Solos Series Volume 4-18 classics from jazz masters of the '40s and '50s such as Charlie Parker Dizzy Gillespie Miles Davis Thelonious Monk Sonny Rollins Bud Powell Ella Fitzgerald and others. Tunes include: Anthropology · Au Privave · Billie's Bounce · Doxy · Half Nelson · In Walked Bud · Lady Bird · Lemon Drop · Manteca · Oleo · Ruby My Dear · Well You Needn't · Woodyn' You · and more.

A Jazzy Christmas Book 2 is the great follow up to the popular A Jazzy Christmas Book 1 for solo Piano, containing a further 13 jazz arrangements of more of your favourite Christmas classics.This book is the next instalment in the series for the pianist who is tired of the same old arrangements of traditional seasonal songs that have been heard and played many times before. This songbook includes even more arrangements of festive favourites, with an interesting and exciting jazz twist. These songs are guaranteed to get the attention and respect of your audience. Expertly arranged by Paul Honey, songs like Jingle Bells, O Come All Ye Faithful and Santa Baby get the jazz-treatment in this follow-up edition.Pianists and audiences will enjoy playing and hearing these innovative and cool twists on the Yuletide classics. The jazzy melodies and unexpected chords breathe new life into the tired old tunes, and listeners will enjoy hearing how these versions differ from the ones they are familiar with. As with the first book, the challenge of these pieces presents yet another enjoyable part of the series. After you've mastered the traditional songs, these new and reinvigorated versions will keep your audience on their toes, and will keep your fingers working. So, whether you have already mastered the first book and you are hungry for more jazz-inspired Christmas, or you just prefer the tunes included in this one, the jazz harmonies, rhythms and melodies of these arrangements in A Jazzy Christmas are sure to bring a freshness to your soundtrack this Christmas. / Piano