Gluck Christoph Willibald - Alceste - L'avant Scene Opera N°73

In 1774 Gluck had committed himself to supplying six stage works to the Académie Royale de Musique in Paris. This job he fulfilled partially by reworking works which had already been premiered in Vienna, such as 'Orfeo ed Euridice? (BA 5845-90).In the case of 'Alceste? which was premiered in 1776 and which was the prototype of the so-called reform opera, the composer created a completely new version. The libretto was translated from the former Italian into French and was altered at the same time, but also the music was fundamentally changed: Gluck newly composed the recitatives and rearranged, enlarged or cut scenes. The initial rejection of the work by the audience caused him to further alter the third act, for example by adding the character of Hercules as Alceste's saviour. In this form the opera finally became a big success.The Bärenreiter vocal score has been carefully revised, corrected, newly engraved and brought up to Bärenreiter standards.- Revised and newly engraved Urtext edition based on the Gluck Complete Edition- French libretto with singable German translation- Preface (Ger/Eng/Fr)- Idiomatic, uncluttered piano reduction / Chant Et Piano

French Operatic Arias. Par GLUCK CHRISTOPH WILLIBALD. This volume contains French operatic arias for baritone from works that opera reformer Christoph Willibald Gluck was commissioned to compose for the Paris Opéra: “Iphigénie en Aulide” (1774) | “Cythère assiégée” (1775) | “Alceste” (1776) | “Armide” (1777) | “Iphigénie en Tauride” (1779). The informative text sections contain a Foreword (Fr/Eng), a brief account of the dramatic context and a literal English translation of each aria. About the series: Christoph Willibald Gluck: French Operatic Arias. For the first time all the arias from Christoph Willibald Gluck’s French operas are being published in arrangements for voice and piano. This series, a coproduction with the Centre de musique baroque de Versailles (CMBV), presents this collection according to voice register in four volumes. With their wealth of arias and informative texts, these volumes offer a rich treasure-trove from works by this major 18th-century opera composer for use in voice lessons, auditions and recitals./ Recueil / Baryton et Piano

Voici une partition musicale pour Violon que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Classique Violon N0023 Alceste:Pantomime. C'est l'éditeur Leduc sous la référence AL19336 qui a les droits pour éditer cette partition. / Violon / Partition

Contents : Verdi: Rittorna vincitor! (Aida) - Oh patria mia (Aida) - Tu che le vanita (Don Carlo) - Ernani, involami (Ernani) - Madre, pietosa Vergine (La Forza del Destino) - Pace, pace Mio Dio (La Forza del Destino) - Salce, Salce and Ave Maria (Otello) - Come in quest' ora bruna (Simon Boccanegra) - Tacea la Notte placida (Il Trovatore) - D'amor sull'ali rosee (Il Trovatore) - Gluck: Divinites du Styx (Alceste) - Smetana: Marenka's Aria (The Bartered Bride) - Puccini: Mi chiamano Mimì (La Bohème) - In quelle trine morbide (Manon Lescaut) - Bizet: Je dis que rien ne m'epouvante (Carmen) - Massenet: Pleurez! pleurez, mes yeux! (Le Cid) - Il est doux, il est bon (Herodiade) - Obeissons quand leur voix appelle (Manon) - Offenbach: Elle a fui, la tourterelle (Les Contes D'Hoffmann) - Mozart: Come scoglio (Così fan tutte) - Non mi dir (Don Giovanni) - Deh vieni, non tardar (Le Nozze di Figaro) - Porgi, amor, qualche ristoro (Le Nozze di Figaro) - Ach, ich fühl's (Die Zauberflöte) - Tchaikovsky: Tatiana's Letter Scene (Eugene Onegin) - Gounod: The King of Thule and the Jewel Song (Faust) - Beethoven: Abscheulicher! wo eilst du hin' (Fidelio) - J. Strauss: Klange der Heimat (Die Fledermaus) - Mein Herr Marquis (Adele's Laughing Song) (Die Fledermaus) - Wagner: Traft ihr das Schiff' (Der Fliegender Hollander) - Einsam in truben Tagen (Lohengrin) - Euch Luften (Lohengrin) - Dich, theure Halle (Tannhäuser) - Allmacht'ge Jungfrau (Tannhäuser) - Mild und leise (Tristan und Isolde) - Der Manner Sippe (Die Walkure) - C.M. von Weber: Und ob die Wolke (Der Freischütz) - Wie nahte mir der Schlummer (Der Freischütz) - Ozean! du Ungeheuer (Oberon) - Meyerbeer: Parmi les pleurs (Les Huguenots) - Leoncavallo: Stridono lassu (Pagliacci) - Monsigny: Il regardait mon bouquet (Le Roi et le Fermier).