Matériel : Partition + CD
Arranger : Gundula Gruen Artist : Rima Staines A collection of 63 gypsy tunes from Eastern Europe and the Balkans, collected and arranged for any Bb instrument with chord symbols. The CD was recorded live. Countries represented include Russia, Hungary, Romania, Ex-Yugoslavia, Poland, Czech Republic, Slovakia, Bulgaria, Romany Tunes and some Virtuoso gypsy pieces to finish. Difficulty level ranges from easy to advanced! Traditional Ajde Jano Ara More Katama Arestelle Bihári Nóta Bringing in the Sheep Buba Maro Cossack's Farewell Csak Egy Kislán Van a Világon Czárdás Deep Sorrow Djunjuritsa Dui Dui Desu Dui Ederlezi Egy Cica, Két Cica Fuli Tschai Gankino Geamparale Halljátok Cigányok Haragszom a Töködre Heissa Troika Hollá, Repül a Szan Hora de la Risipiti Hora Matishore Hora Nunzi Hungarian Romance Jai Mamo Jai Souvent Pléuré Jaj de Szép Kék Szeme Jovano, Jovanke Katjusha Kikko Kolo Resavka Korobuchka Lakre Bala Makedonsko Devojce Maros Vize Me Hum Mato Minek a Szöke énnékem Moscova Nane Cocha, Nane Gat Nane Love O Postari Zavel Ochi Chornye 2/4 Ochi Chornye 3/4 Opa Cupa Petyorshka Promoroaca Prsi, Prsi Rachenitsa Riabinushka Romany Czárdás Rumunska Igra Sedlak Serbian Rumba Silent Fields Song of the Kujaviacy Suga a Fülébe Taljanska Tama Daleko Ze Dode Zigano
SKU: HL.14035705
ISBN 9780711948075. 9.0x12.0x0.158 inches.
Distance and Enchantment is a musical essay considering the strikingly common occurrence of people who disappear from home never to return. It takes the form of two meditations on traditional songs which are played together without a break, amounting to a single movement of about eleven minutes duration. The first song, The Dark Eyed Gipsy tells of a woman who of her own accord leaves her home to roam the unknown world with a band of gipsies; and the second A ghaoil lig dhachaigh gu m'mathair mi tells of a girl who wanders a little too far from home on a dark night and is stolen away by the fairies. Scored for Violin, Cello, Viola and Piano. Score and parts included.
SKU: HL.49018017
ISBN 9790001152419. 9.0x12.0x0.2 inches.
After completing his studies with Zoltan Kodaly, the Hungarian composer Mathias Seiber (1905-1960) first worked as a musician in a dance orchestra on an ocean liner which gave him the opportunity to listen to jazz music in New York. From 1928 he taught the first jazz class worldwide at Dr. Koch's Conservatoire in Frankfurt. In the winter term of 1928/29, 19 students had registered with whom he gave a public concert on 3 March 1929 which was broadcast by Radio Frankfurt. After the Nazis had seized power, the jazz class was dissolved, Seiber lost his job and emigrated to London.In 1932 he wrote his piano cycle 'Leichte Tanze' (Easy Dances), one of the early examples of the adoption of jazz forms and styles in so-called serious music. The present arrangement for orchestra is easily playable and is aimed at youth and amateur orchestras. Instrumentation: 2 flutes, clarinet, oboe (ad lib.), alto saxophone, trumpet, bassoon and strings. Movements: Cake Walk - Novelty Foxtrot - Gipsy Tango - Waltz - Walzer - Blues - Charleston.
SKU: BT.DHP-1053822-010
Klezmer was originally the name given to the music of the Yiddish speaking Jews in Eastern Europe. The klezmer musicians played dance music, mainly at weddings. Historically string instruments such as the violin were predominantly used, but later (after ca. 1900) other instruments and in particular the clarinet were added as melodic instruments. In klezmer music in addition to Balkan influences oriental and gipsy influences can also be found. Jacob de Haan composed Klezmania in this style, based on the well-known Hebrew song Hava Nagila.Klezmer is van oorsprong de benaming voor de muziek van de Jiddisch sprekende joden in met name Oost-Europa. De klezmermuzikanten speelden onder meer dansmuziek op bruiloften. Van oudsher werden voornamelijk snaarinstrumenten alsde viool gebruikt. Later (na ca. 1900) kwam daar vooral de klarinet als melodie-instrument bij. In de klezmermuziek zijn naast veel Balkan-invloeden ook oriëntaalse en zigeunerinvloeden terug te vinden. In deze stijl componeerde Jacobde Haan Klezmania, waarin hij het bekende Hebreeuwse lied Hava Nagila verwerkte.Mit Klezmer wurde ursprünglich die Musik der jiddisch sprechenden Juden in Osteuropa bezeichnet. Klezmer-Musiker spielten vornehmlich Tanzmusik auf Hochzeiten und Familienfeiern. In der oft zugleich fröhlichen und melancholischen Klezmer-Musik finden sich neben Anklängen der Musik des Balkans auch Einflüsse aus dem Orient und der Zigeunermusik. In diesem einzigartigen Stil komponierte Jacob de Haan sein Stück Klezmania, in welchem er das bekannte hebräische Lied Hava Nagila verwendete.« Klezmer » est le nom donné la musique inspirée par les traditions des communautés juives de langue yiddish installées en Europe de l’Est. La musique klezmer est une musique métissée d’influences balkanes, orientales et tziganes. Klezmania s’inscrit dans cette lignée. Jacob de Haan y développe un standard du répertoire : Hava Nagila.
