German Mass D 872

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocal soloists necessary

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.Urtext from the New Schubert EditionStandard work in the church music repertoireCan be accompanied by organ or wind instrumentsNo vocal soloists necessary

Hier Liegt Vor Deiner Majestät. Par HAYDN JOHANN MICHAEL. Although the music of the younger Haydn brother was highly regarded by his contemporaries, his music was forgotten in the 19th century and still waits to be rediscovered. One of his more well-known works is the central piece on the present CD, the German Mass “Hier liegt vor deiner Majestät” MH 560 [Here before thy majesty], a work which is musically the epitome of south-German/Austrian Catholicism and which to this day is still a part of church music practice in this region. / Messe / Répertoire / Choeur SATB, 2 Clarinettes (2 Violons), 2 Bassons,

Hier Liegt Vor Deiner Majestät. Par HAYDN JOHANN MICHAEL. Although the music of the younger Haydn brother was highly regarded by his contemporaries, his music was forgotten in the 19th century and still waits to be rediscovered. One of his more well-known works is the central piece on the present CD, the German Mass “Hier liegt vor deiner Majestät” MH 560 (Here before thy majesty), a work which is musically the epitome of south-German/Austrian Catholicism and which to this day is still a part of church music practice in this region. / Messe / Répertoire / Choeur SATB, 2 Clarinettes (2 Violons), 2 Bassons,

Franz Schubert (1797-1828) great Austrian composer was a supreme melodist and master of lieder. This transcription is based on his Sanctus (Holy Holy Holy) from his German Mass in F. (ca. 1815) for four-part choir and lends itself well to the expressive qualities of the modern brass quintet.

Franz Schubert (1797-1828) great Austrian composer was a supreme melodist and master of lieder. This transcription is based on his Sanctus (Holy Holy Holy) from his German Mass in F. (ca. 1815) for four-part choir and lends itself well to the expressive qualities of the modern brass quintet.

Mozart, Wolfgang Amadeus Missa C major K. 220 (196b) Sparrow Mass Arranged for female choir SMezAA Details Edition no.: BA 5693 ISMN: 9790006523382 Volume / Series: Female Choir Arranger: Breuer, Heribert Language(s) of work: Latin Language(s) of text: German, English Product format: Score Includes the following individual parts: Voice, Mixed choir, Orchestra Binding: Stapled Pages / Format: III, 44 S. - 31,0 x 24,3 cm Mozart?s ?Missa in C major? (K. 220), nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started ?Bärenreiter Female Choir? series. Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorus parts. He has thereby retained the work?s original substance while giving it a wholly new and delightful sound. ? Arrangement for female choir (SMezAA) based on the Urtext of the ?New Mozart Edition? ? Idiomatic piano reduction Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.

Description Schubert's magnificent but simple 'Deutche Messe' for SATB voices, which may be performer a capella or with the Organ accompaniment given here. The text is given in German and in an English translation by John Dresler, who also arranged the Organ/Piano reduction of the original orchestral accompaniment. Songlist Deutche Messe Mass In F

Par DE HAAN JACOB. English-German-French-Dutch / Niveau : 3 / Répertoire / Choeur (SATB) et Concert Band, Combo

Gabriel Masson provides advanced trombonists with excellent studies to improve technique. With instruction in French English and German  12 Études Variées for Trombone cannot be missed. This Masson study book covers a range of techniques including intervals breath control articulation accidentals compelx rhythms slides chromaticism scalic and arpeggiac passages performance directions and ornamentation among other aspects. For all aspiring advanced trombonists Masson's 12 Études Variées is essential to ensure technical progression to ahigh standard.

Vol. 2: Lyric-Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique