SKU: HL.50603819
ISBN 9781705148723. UPC: 196288023814. 9.0x12.0x0.236 inches.
The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, and it came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well. Tenth volume is divided into two parts: In the first half, earlier, hitherto unpublished pieces line up from Suite, written in 1943, to the 1980s, providing insight into the development of Kurtág's musical language. The second half includes pieces composed between 2002 and 2011. The movements, often aphorismic in their briefness, hide associations with various aspects of European music history. Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, and beloved family members - and thereby to all music-loving people.This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.
SKU: AP.16-MY1929
UPC: 029156035995. English.
A 22 x 28 folding game board and two color-keyed sets of 25 cards per set. Activity begins as a simple matching game and progresses to many intriguing games using notes and rests. The cards show single notes and rests and basic combinations of notes. Eight time signatures are used for lots of great games. Visit www.musicmindgames.com.
SKU: AP.16-MY1940
ISBN 9780769253756. UPC: 029156007619. English.
Two decks of 52 cards each. Single notes and rests become playing cards to make regular card games amazingly musical. Also used as money with Musopoly (MY1941). (20 rests, 32 notes) Visit www.musicmindgames.com.
SKU: AP.16-MY1930
UPC: 029156010558. English.
Use these 12 large, 8 1/2 x 9 cards with magic slates (purchased separately) for beginning dictation and writing chords. Some assembly required. Visit www.musicmindgames.com for more information.
SKU: AP.16-MY1938
ISBN 9780769253763. UPC: 029156009330. English.
Each card contains one sign, symbol, word or musical example. Enlarged from actual printed music. 168 3 1/2 x 3 1/2 cards. Visit www.musicmindgames.com.
SKU: AP.16-MY1933
UPC: 029156013351. English.
Identify combinations of short melodic patterns, at two learning levels, with 12 two-sided, 11 x 14 cards of melodies. Packaged with these cards are 200 transparent, magnetic Magic Notes and a Magic Wand. Use with the Bingo Cards/Dictation Slates for learning values of notes and rests, and to write chords and scales. Visit www.musicmindgames.com.
SKU: AP.16-MY1942
ISBN 9780769253749. UPC: 029156007626. English.
Twinkle (13 cards), Minuet in G (33 cards), America the Beautiful (17 cards) are all 4'x 6. Each card is a single measure for students to reassemble. Visit www.musicmindgames.com.
SKU: HL.14006569
The two volumes comprising Children's Singing Games were first published in 1894. They were collected by Cecil John Sharp (1859-1924) and Alice Bertha Gomme (1853-193 8), both of whom were highly regarded for their work in recording and preserving folk music and lore during the last years of the nineteenth century. Gomme was also one of the first people to study children's games, publishing two volumes of The Traditional Games of England, Scotland, and Ireland.
Volume One of Children's Singing Games contains six musical games for infant or junior age children. They are sure to bepopular with today's children, having entertained countless generations before them!
SKU: HL.14008374
ISBN 9781846096150. UPC: 884088435202. 8.25x11.75x0.105 inches.
The Full Score for Peter Maxwell Davies' fourth in a series of ten string quartets commissioned by the Naxos Recording company, first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace, Oslo, Norway, as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004, with the intention of producing something lighter and much less fierce than its predecessor, an unpremeditated and spontaneous reaction to the illegal invasion of Iraq. I returned to the well-known Brueghel picture of children's games (1560, now in Vienna), which had been the inspiration for my sixth Strathclyde Concerto, for flute and orchestra. These illustrations liberated my musical imagination, but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of the work. Suffice it to say that there is vigorous play - leap-frog, bind the devil with a cord, truss, wrestling - alongside quieter pastimes - masks, guess whom I shall choose, courting, odds and evens. The single movement juxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture, taking liberties which would never be present in, for instance, Brunelleschi architectural drawings, so here, with a constant sequence of transformation processes, I have distorted the neat, precise implications of modal progression, expressed in the unison opening phrase (from F to B through A sharp/B flat), so that the ear is led, en route, into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus. As work on the quartet progressed I became aware that I was reading into, and behind the games, adult motives and implications, concerning aggression and war, with their consequences. It was impossible to escape into innocent childhood fantasy. The nature of the F to B progression underlying the whole construction derives from a passage in the development of the first movement of Mahler's Third Symphony, and the opening of Schoenberg's Second String Quartet. However, unlike in these models, here a real - if temporary - sense of resolution occurs at the close of the quartet: as when the curtain falls on the reconciled Count and Countess in 'Figaro' one wonders how long the F/B truce will hold, and games break out again. The quartet is dedicated to Giuseppe Rebecchini, Roman architect, and friend since the nineteen-fifties.
SKU: HL.50601465
ISBN 9790080150740. UPC: 888680970147. 9.0x12.0x0.178 inches. Hungarian, English, German. Gyorgy Kurtag.
Signs, Games and Messages are series for solo instruments and small chamber ensembles. Each of the three notions refers to an essential factor in Kurtág’s music. Signs ties it with the composer's period of study in Paris as a young man, when he could not compose, merely put graphic signs on the paper. Games links with his nine-volume series for the piano with that title. Messages conveys the very personal content of these works, in that these short pieces are meant to be diary-entries and missives to musiciansand friends important to Kurtág. The collection – like the earlier five series for string instruments – does not form a coherent cycle. The pieces can be played individually or in various orders or mixed with from Signs, Games and Messages written for other instruments.
SKU: HL.49015424
ISBN 9790001083218.
The cat wants to catch the bird * On an out-of-tune church organ * The Cuckoo is hiding * Silent keys sound * Computer Games * Water Games * Thunderstorm * Box of Bricks * Frightening Story * Chimes * Stones fall into the water and draw circles * spiritual on black keys * cluster Song * on the intercity -.
SKU: M7.APUE-516179
ISBN 9781875516179. English.
A great resource for teachers! This NEW EDITION has even more Fun & Games with TEMPLATES YOU CAN COPY for your own students only. 21 games for: Music classroom Music studio Online lessons Skills covered include: note reading, learning a new song, memory building, rhythm, learning dynamics, learning and revising scales, breath control, practice methods, interval practice, aural skills and more. Suitable for Primary/Elementary class music or for instrumental students Beginners to Grade 3. An excellent way to keep your students focused and enthusiastic in music lessons! A handbook full of innovative and interesting games to play with students. (Music Teacher Magazine, UK).
SKU: BT.EMBZ15074
English-German-Hungari an.
Signs, Games and Messages are series for solo instruments and small chamber ensembles. Each of the three notions refers to an essential factor in Kurtág s music. Signs ties it with the composer s period of study in Paris as a young man, when he could not compose, merely put graphic signs on the paper. Games links with his nine-volume series for the piano with that title. Messages conveys the very personal content of these works, in that these short pieces are meant to be diary-entries and missives to musicians and friends important to Kurtág.The collection - like the earlier five series for string instruments - does not form a coherent cycle. The pieces can be playedindividually or in various orders or mixed with from Signs, Games and Messages written for other instruments.
