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From the Renaissance
$24.95
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(Duette Fur Altblockfloten). By Fumio Kitamika. Arranged by Fumio Kitamika. For 2 Treble Recorders. Performance score. Standard notation. Published by Universal Edition . performance score.
Instrumentation :
2 Flûte à bec (duo)
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Universal Edition
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Oconcerto Tonorum Melodiae. Fünfstimmige Instrumentalstücke In Den Acht Kirchentönen Für Blockflöten, Renaissance- Oder Andere Instrumente (STOLTZER THOMAS)
26.40
Oconcerto Tonorum Melodiae. Fünfstimmige Instrumentalstücke In Den Acht Kirchentönen Für Blockflöten, Renaissance- Oder Andere Instrumente (STOLTZER THOMAS)
5 Voix (Flûte à Bec et Instruments Renaissance)
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Octo Tonorum Melodiae. Par STOLTZER THOMAS. Frutti Musicali, a series of ensembl...
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Octo Tonorum Melodiae. Par STOLTZER THOMAS. Frutti Musicali, a series of ensemble music from the Renaissance and early Baroque, addresses itself to all friends of early music. Practical editions with authoritative musical texts offer an selection of pieces performable in a variety of instrumental combination, and allow a wide range of musicians to savor the delights of these largely unknown ; musical fruits. Thomas Stoltzer´ s (c. 1480& 1526) ; Octo Tonorum Melodiae are possibly the first five-part cycle conceived entirely for instruments. These eight fantasias in the church modes number among the most original works of their time./ Recueil / 5 Voix (Flûte à Bec et Instruments Renaissance)
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The Renaissance Vihuela And Guitar In Sixtenth-Century Spain (KOONCE FRANK)
46.89
The Renaissance Vihuela And Guitar In Sixtenth-Century Spain (KOONCE FRANK)
Guitare notes et tablatures
-
Intermédiaire
Mel Bay
Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purpo...
(+)
Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures
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Easy Renaissance Pieces For Classical Guitar
29.30
Easy Renaissance Pieces For Classical Guitar
Guitare notes et tablatures
Guitare classique
[Partition + CD]
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Facile
Amsco Wise Publications
Easy Renaissance Pieces For Classical Guitar brings to life some of the best-kno...
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Easy Renaissance Pieces For Classical Guitar brings to life some of the best-known Lute works of the Renaissance, including many musical selections from the plays of William Shakespeare, such as 'Greensleeves,' 'Where the Bee Sucks' and 'When That I Was a Little Tiny Boy'. Many of the great Lute composers are represented here, including Dowland, Johnson and even King Henry VIII. Easy Renaissance Pieces For Classical Guitar is designed for the beginner and intermediate guitarist and includes 61 pieces with an accompanying audio CD performed by Jerry Willard. With standard notation and TAB. / Guitare et Guitare Tablatures Et Guitare Classique
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Renaissance Music for Flute (HOLENKO JOHN)
28.80
Renaissance Music for Flute (HOLENKO JOHN)
Flûte traversière
[Partition]
Mel Bay
Par HOLENKO JOHN. This collection includes over 70 compositions from the Renaiss...
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Par HOLENKO JOHN. This collection includes over 70 compositions from the Renaissance presented as melodies with accompanying chord changes. This simple format makes the material suitable for flute. The music includes some well-known Renaissance melodies such as \'Greensleeves\' and \'La Folias\', along with rarer dance pieces and song melodies. Some of these melodies come from as early as the 1400s and others as late as the 1600s. The music in this book is excellent for flutists looking to expand their repertoire, build an early music ensemble, or for instructional purposes. The book also comes with a few \'Grounds\' (jamming chord progressions), rhythmic accompaniment ideas and performance notes. / Date parution : 2022-06-08/ Recueil / Flûte Traversière
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Guitar Masterworks Lite: Renaissance
15.70
Guitar Masterworks Lite: Renaissance
Guitare
Alfred Publishing
Intended for both working guitarists and those who play strictly for the enjoyme...
(+)
Intended for both working guitarists and those who play strictly for the enjoyment of great music, this collection of Renaissance favorites transcribed for guitar will add something special to any party or social gathering. Including popular pieces such as John Dowland's 'Orlando Sleepeth,' 'Tarleton's Riserrectione,' and 'Mrs. Winter's Jump,' Luis de Milán's 'Pavan I' and 'Pavan III,' and Luis de Narváez's 'Diferencias sobre 'Guárdame las Vacas,'' this edition will provide a repertoire of crowd-pleasing Renaissance tunes for any event. A special section about plucked instruments of the Renaissance is included to make this book more useful and enjoyable to own. / Guitare
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Renaissance and Elizabethan Music for Banjo (DATESMAN KYLE)
28.80
Renaissance and Elizabethan Music for Banjo (DATESMAN KYLE)
Banjo
[Partition + Accès audio]
Mel Bay
Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissanc...
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Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissance and Elizabethan Music for Banjo consists entirely of music from these early periods and provides banjo players with \'growing material\''that is, the opportunity to play in a number of different keys besides G major. This detail alone will expand your banjo horizon by requiring the use of unusual chord shapes. Written for classical banjo enthusiasts who want to further enhance their musicianship, some selections reveal one of the earliest aspects of music theory, that of modal scales. Various compositional forms and unfamiliar tempos are also introduced in arrangements that will help you become less dependent on the open fifth string. This type of music would be extremely difficult to learn by ear, so a book of tablatures should prove to be invaluable. Every piece is presented first in a vertical chord arrangement, which was the way it was originally intended' and then arranged in a linear horizontal style more familiar to modern players. Every tune is accompanied by performance notes supported by a helpful glossary. Written in tablature only with access to online audio, these pieces also make great finger-limbering exercises! Includes access to online audio. / Date parution : 2022-01-18/ Recueil / Banjo
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50 Standards : Renaissance Et Baroque - Version Française
25.30
50 Standards : Renaissance Et Baroque - Version Française
Traîté
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Facile
Anne Fuzeau Productions
Avec Variantes, Exemples Et Conseils Pour Jouer Et Improviser Sur Tous Instrumen...
(+)
Avec Variantes, Exemples Et Conseils Pour Jouer Et Improviser Sur Tous Instruments. Par AUTEURS DIVERS. Anne Fuzeau Classique vous propose des ouvrages sur la musique en général.Le présent recueil propose un panorama de ces basses obstinées, chansons et danses de la Renaissance et du Baroque qui circulaient d'une publication ou d'un manuscrit à l'autre, de pays en pays et sur lesquelles, au fil des décades et même des siècles, les compositeurs n'avaient cesse de proposer des variations, les musiciens d'improviser.Se référant aux compilations de ' standards ' utilisés par les jazzmen, Pascale Boquet et Gérard Rebours présentent ici, sur une centaine de pages de musique, 50 pièces dans leur version de base, avec leurs transpositions, et un choix de 210 variantes et airs dérivés les plus significatifs - le tout ponctué d'explications, de commentaires, de références et de notes historiques, et précédé d'une généreuse analyse théorique et pratique de l'improvisation. Sans oublier le glossaire, la liste des sources et la bibliographie.Classées par ordre progressif, les pièces de ce recueil peuvent être utilisées à trois niveaux : - - - - - - Le débutant jouera les airs, souvent faciles, tels quels. - - - - - Le musicien un peu familiarisé avec le sujet pourra commencer à écrire quelques diminutions ou variations. - - - - - L'expérience aidant, il pourra ensuite se lancer dans l'improvisation, ' sans filet ', comme il se doit.De plus, tout instrument et groupe instrumental, ancien ou moderne, pourra aborder ce répertoire dans lequel : - - - - - - Les instruments mélodiques (flûtes, violons, violes, hautbois,...) auront la charge de - jouer et de varier ces airs et ces danses. - - - - - Les instruments polyphoniques (claviers, luths, guitares, harpes) pourront les accompagner de nombreuses façons à partir de la basse chiffrée, mais aussi en réaliser des versions autonomes en jouant et variant les deux parties ensemble. - - - - - Les instruments graves (basse de viole, basson, violoncelle,....) assureront la ligne de basse sans oublier d'y introduire eux aussi variations et diminutions.Enfin, ce sera l'occasion d'explorer une partie conséquente du répertoire de base des XVIe et XVIIe siècles, d'approfondir certains aspects harmoniques, mélodiques et stylistiques propres à chaque époque, chaque pays, voire chaque auteur, et d'élargir son approche de la musique ancienne en y introduisant cette dimension pas encore assez familière : l'improvisation.Sommaire : Avant-ProposGenèse'Standards'Principes éditoriauxImproviser (G.R.)Le geste improvisatoireDiminutions, fredons, passages, gloses, divisionsImproviser, selon les traitésUne leçon de diminutionsConseils pratiques pour improviser (P.B.)Analyse de deux grands standards : - - 1-La Passemezzo (P.B.) - - 2-Les folies (G.R.)50 standards Renaissance et BaroqueGlossaireSources : - - 1-Traités - - 2-Sources musicales - - 3-Compilations musicales manuscritesBibliographieLes auteursRemerciementsIndex des 50 StandardsIndex des compositeurs et des ouvrages / Niveau : Facile / Date parution : 2006-01-01/ Recueil / Traîté
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Easy Concert Pieces Vol.3
23.60
Easy Concert Pieces Vol.3
Guitare
[Partition + CD]
Schott
The third volume for guitar in the Easy Concert Pieces series. The selection of ...
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The third volume for guitar in the Easy Concert Pieces series. The selection of pieces, from Renaissance to twentieth-century works, is suitable for students with about 3 years of playing experience. Includes a CD of all pieces to aid and motivate practice. There are many favourite guitar pieces, but also several lesser-known gems along with arrangements of popular piano works. Organised chronologically, this is a journey through five centuries of guitar and lute history, from John Dowland to Francis Poulenc: a great repertory for concerts or competitions and the perfect complement to any guitar method. / Niveau : Facile à Moyen / Recueil / Guitare Classique
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Guitar Music From Tres Libros De Musica (WATERS ERIC)
23.60
Guitar Music From Tres Libros De Musica (WATERS ERIC)
Guitare Tablatures Classique
-
Intermédiaire
Mel Bay
The Oldest Surviving Music For The Guitar. Par WATERS ERIC. En 1546, quarante-qu...
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The Oldest Surviving Music For The Guitar. Par WATERS ERIC. En 1546, quarante-quatre ans après le dernier voyage de Christophe Colomb et alors que les Conquistadors espagnols ont balayé les Amériques, Alonso Mudarra a publié son Tres libros de música (trois livres de la musique). Ces livres, consacrés essentiellement à la musique pour la vihuela, voix et harpe contiennent aussi des six pièces qui sont décrits par The New Harvard Dictionary of Music comme ' la premier imprimée musique ' pour la guitare. Dans ce cas - qui serait la guitare Renaissance de 4 plats. Dans la musique de guitare de Tres libros de música, George Washington University guitare instructeur Eric Waters a transcrit et édité ces six sélections de la tablature original du XVIe siècle. Chaque pièce est présentée dans la notation musicale standard et une adaptation moderne de la tablature originale (avec les rythmes mesures imprimés ci-dessus). Tablature et la musique sont imprimés séparément pour éliminer les virages de la page. Le CD d'accompagnement pour ce livre a été enregistré sur une guitare 1995 du concert traditionnel 1-A José Ramirez (650 mm chaîne... / Niveau : Intermédiaire / Classic - Solos / Tablatures / Guitare Tablatures Classique
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Renaissance Guitar Cd
46.10
Renaissance Guitar Cd
Guitare
[Partition + Accès audio]
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Intermédiaire
Music Sales
The first in this book-and-CD anthology of solos, duets and songs covering four ...
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The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. / Niveau : Intermédiaire / Rép International / Recueil / Guitare
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Ancient Noels
18.10
Ancient Noels
Dulcimer
Mel Bay
Ancient carols, Renaissance rhythms,and haunting medieval hymns recapturethe spi...
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Ancient carols, Renaissance rhythms,and haunting medieval hymns recapturethe spirit of Christmas from antiquity.This book features note-for-notetranscriptions of hammered dulcimerarrangements from Ancient Noels byMaggie Sansone and Ensemble Galilei forthe beginning to advanced player. Innotation and tablature. Ancient carols, Renaissance rhythms,and haunting medieval hymns recapturethe spirit of Christmas from antiquity.This book features note-for-notetranscriptions of hammered dulcimerarrangements fromAncient Noels byMaggie Sansone and Ensemble Galilei forthe beginning to advanced player. Innotation and tablature./ Recueil / Dulcimer
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Mastering The Guitar (Uk Edition): Guitar
9.99
Mastering The Guitar (Uk Edition): Guitar
Guitare
Kevin Mayhew
Mastering The Guitar Is An Innovative Exciting And Comprehensive Way To Learn T...
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Mastering The Guitar Is An Innovative Exciting And Comprehensive Way To Learn The Guitar. Written In Notation And Tablature It Covers Guitar Solo And Accompaniment Styles Ranging From Celtic To Classic To Cajun; FromFlamenco To Fiddle Tunes; From Renaissance To Rock To Reggae; From Baroque To Blues To Bluegrass; And From Latin To Country To Jazz. A Special Feature Of This Method Is That It Teaches Both Flatpicking And Fingerstyle Solo AndAccompaniment Techniques.
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The Renaissance Recorder - Treble Recorder And Piano
22.00
The Renaissance Recorder - Treble Recorder And Piano
Flûte à bec Soprano, Piano
Boosey and Hawkes
A Selection of Renaissance TunesInstrument : treble recorder and pianoNombre de ...
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A Selection of Renaissance TunesInstrument : treble recorder and pianoNombre de Pages : 56Steven Rosenberg writes in the preface:This book is intended to give recorder players a repertoire of solo pieces from the Renaissance. Solo literature for the recorder is often dominated by music of the baroque era, while the music of Renaissance is primarily preformed by consorts. I hope that this collection will expand the solo repertoire by bringing to recorder players some of the most beautiful melodies of this period. I have performed all of these pieces in public and have taken care only to include music that is of performance quality. Some of the pieces are grouped in suites, but you should feel free to play them in the order of your choice. For those of you equally at home on descant (soprano) and treble (alto), fell free to intersperse pieces from the companion book for descant recorder.The edition is part of the ABRSM Summer 2006 syllabus (grades 1-3) and the Trinity syllabus 2007 (grade 6).Content : Four Elizabethan Masque Dances: 1. The Fairy Masque (Johnson) - Four Elizabethan Masque Dances: 2. Wilson's Love (Anon) - Four Elizabethan Masque Dances: 3. The Witches - Second Dance (Anon) - Four Elizabethan Masque Dances: 4. The King's Mistress (Anon) - Three English Country Dances from John Playford's Dancing Master: 1. The Merry Milkmaids - Three English Country Dances from John Playford's Dancing Master: 2. Dissembling Love (or The Lost Heart) - Three English Country Dances from John Playford's Dancing Master: 3. Newcastle - Two Country Dances from John Playford collection: 1. Bellamira - Two Country Dances from John Playford collection: 2. Pell-mell - Allemande (1) (Susato) - Allemande (2) (Susato) - Lady Bannings Almand (Sturte) - Le coeur est bon (Susato) - Pass et medio (Susato) - Pavane Mille regretz (Susato) - Recercada quinta (Ortiz) - Recercada segunda (Ortiz) - Recercada segunda sobre 'O Felici Occhi Miei' (Ortiz) - Ronde Mon amy (Susato) - Ronde III (Susato) - Ronde IV (Susato) - Ronde V (Susato) - Ronde VI (Susato) - The Leaves be Green (Phalese) - What if a Day (Dowland) - Woodycock (Anon)
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Rob MacKillop: Renaissance Lute Repetoire: Guitar: Instrumental Collection
18.99
Rob MacKillop: Renaissance Lute Repetoire: Guitar: Instrumental Collection
Guitare notes et tablatures
Mel Bay
Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a s...
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Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures reset in guitar tab. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vicenzo Galilei (father of the famous astronomer), and many others, including vihuela composers, Narváez and Milán. Together, this collection provides in guitar tab a beautiful and extensive overview of music for the Renaissance lute. TUNING: To get Renaissance lute tuning on a guitar, all you need to do is tune the 3rd string, G, down one semitone to Fâ?¯. That's it. Then just read the tab as normal. This edition is in guitar tablature. There is a separate edition in lute tablature, Renaissance Lute Repertoire-Lute Tablature Edition.
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Renaissance Lute Repertoire
28.80
Renaissance Lute Repertoire
Luth
-
Intermédiaire
Mel Bay
Guitar Tablature Edition. Renaissance Lute Repertoire-Guitar Tablature Edition c...
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Guitar Tablature Edition. Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures reset in guitar tab. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vicenzo Galilei (father of the famous astronomer), and many others, including vihuela composers, Narváez and Milán. Together, this collection provides in guitar tab a beautiful and extensive overview of music for the Renaissance lute. TUNING: To get Renaissance lute tuning on a guitar, all you need to do is tune the 3rd string, G, down one semitone to F♯.That's it. Then just read the tab as normal. This edition is in guitar tablature. There is a separate edition in lute tablature, Renaissance Lute Repertoire-Lute Tablature Edition. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Tablatures / Luth
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Calling All Dawns
21.80
Calling All Dawns
Chorale SATB
Alfred Publishing
Calling All Dawns est une chanson du cycle en trois mouvements: jour, nuit et à...
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Calling All Dawns est une chanson du cycle en trois mouvements: jour, nuit et à l'aube. Chaque mouvement correspond à une phase différente de la vie. La vie, la mort et la renaissance. En bref, c'est 5 chansons sur la vie, sur la mort de 3 chansons, et 4 chansons au sujet de renaissance. Il ya des chants de joie, de mystère et de difficultés, ce qui reflète la complexité de notre mortalité. Il ya des chansons de plus profond, plus sombre tristesse pour nous accompagner à travers la mort. Et enfin, il ya des chants de triomphe et joie qui nous apportent rugissant à la vie, à commencer un nouveau cycle. Parties orchestrales disponibles à la location. / Choeur Mixte (SATB)
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Complete Anthology Of Medieval And Ranaissance Music For Guitar (RENBOURN JOHN)
42.29
Complete Anthology Of Medieval And Ranaissance Music For Guitar (RENBOURN JOHN)
Guitare notes et tablatures
-
Intermédiaire
Mel Bay
and Renaissance Music For Guitar. Par RENBOURN JOHN. A collection of 28 fingerst...
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and Renaissance Music For Guitar. Par RENBOURN JOHN. A collection of 28 fingerstyle guitar solos and duets by fingerstyle guitarist John Renbourn. These solos are drawn from Medieval and Renaissance lute dance tunes and solos. All solos are in notation and tablature. The online audio contains 17 of the solos from the book. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures
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John Holenko: Renaissance Tunebook: C Clef Instrument: Instrumental Album
18.99
John Holenko: Renaissance Tunebook: C Clef Instrument: Instrumental Album
Instruments en Do
[Partition]
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Intermédiaire
Mel Bay
This collection includes over 70 compositions from the Renaissance presented as ...
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This collection includes over 70 compositions from the Renaissance presented as melodies with accompanying chord changes. This simple format makes the material suitable for any C melody instrument and/or any instrument that canplay chord changes. The music includes some well known Renaissance melodies such as 'Greensleeves' and 'La Folias' along with rarer dance pieces and song melodies. Some of these melodies come from as early asthe 1400s and others as late as the 1600s. The music in this book is excellent for instrumentalists looking to expand their repertoire build an early music ensemble or for instructional purposes. The book also comes with a few'Grounds' (jamming chord progressions) rhythmic accompaniment ideas and performance notes.
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Andrea Damiani: Method for Renaissance Lute (english version): Lute:
47.50
Andrea Damiani: Method for Renaissance Lute (english version): Lute:
Ut Orpheus
This manual is a guide to the study of the Renaissance lute taking the student ...
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This manual is a guide to the study of the Renaissance lute taking the student on a step-by-step journey through technical matters and exercises of increasing difficulty. It is aimed at both the beginner and those who would like to improve their own technique. Special attention has been given to those who have specialized in guitar so where necessary some important differences between the techniques of the two instruments have been underlined. All the material has been set out following a rational approach to the various challenges. To this end I thought it useful to write many of the exercises myself especially those at the beginning of the course. I hope toguide the student from the technical basics to a level sufficient for playing music of intermediate difficulty. Of course any material regarding technique will help the student progress to higher levels.The main areas covered are: hand positions according to Renaissance practice; study of appropriate sonority; development of contrapuntal sensitivity; idiomatic techniques; introduction to the different Renaissance musical forms; recognition of different interrelational forms.
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Renaissance Lute Repertoire
28.80
Renaissance Lute Repertoire
Luth
-
Intermédiaire
Mel Bay
Lute Tablature Edition. Renaissance Lute Repertoire-Lute Tablature Edition can b...
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Lute Tablature Edition. Renaissance Lute Repertoire-Lute Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vincenzo Galilei (father of the famous astronomer) and many others, including vihuela composers Narváez and Milán. Together, this collection provides a beautiful and extensive overview of music for the renaissance lute. This edition is in French lute tablature. There is a separate edition in guitar tablature, Renaissance Lute Repertoire-Guitar Tablature Edition. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Tablatures / Luth
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Rob MacKillop: Renaissance Lute Repetoire: Lute: Instrumental Collection
18.99
Rob MacKillop: Renaissance Lute Repetoire: Lute: Instrumental Collection
Luth
Mel Bay
Renaissance Lute Repertoire-Lute Tablature Edition can be viewed as either a sup...
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Renaissance Lute Repertoire-Lute Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vincenzo Galilei (father of the famous astronomer) and many others, including vihuela composers Narváez and Milán. Together, this collection provides a beautiful and extensive overview of music for the renaissance lute. This edition is in French lute tablature. There is a separate edition in guitar tablature, Renaissance Lute Repertoire-Guitar Tablature Edition.
18.99 GBP - vendu par Musicroom GB
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Renaissance Recorder Anthology 3 Vol. 3
23.60
Renaissance Recorder Anthology 3 Vol. 3
Flûte à bec Alto, Piano
[Partition + CD]
-
Intermédiaire
Schott
31 Works for Treble (Alto) Recorder and Piano. Peter Bowman and Kathryn Bennetts...
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31 Works for Treble (Alto) Recorder and Piano. Peter Bowman and Kathryn Bennetts present the third volume in the Renaissance Recorder Anthology series. Featuring well-known and lesser known pieces scored for treble recorder and keyboard instrument from the Renaissance period. Including CD. / Niveau : 3 / Date parution : 2017-11-20/ Recueil / Flûte à Bec Alto et Piano
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Jerry Weseley Harris: Three Renaissance Pieces for Treble Voices Vol. 1: SSA:
13.75
Jerry Weseley Harris: Three Renaissance Pieces for Treble Voices Vol. 1: SSA:
Shawnee Press
A wonderful set of three tremendous songs by composers from the Renaissance era....
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A wonderful set of three tremendous songs by composers from the Renaissance era. All in delightful settings for SSA Upper Voice choir edited by Jerry Weseley Harris. Two cheerful and energetic pieces by Thomas Morley and one affected yet glorious piece by Thomas Weelkes. Besides their obvious musical talents these two contemporaries shared not only a Christian name and occupation but also an acquaintance with William Shakespeare and the patronage of Queen Elizabeth I. It is unsurprising that the music of these two contemporaries of the Renaissance period have survived and it is only fitting that works by these two friends should appear in this one edition.
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Frank Koonce: Renaissance Vihuela and Guitar In Sixteenth: Guitar: Instrumental
30.99
Frank Koonce: Renaissance Vihuela and Guitar In Sixteenth: Guitar: Instrumental
Guitare notes et tablatures
[Partition]
-
Intermédiaire
Mel Bay
Century Spain-Scholarly editions which serve different purposes than performanc...
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Century Spain-Scholarly editions which serve different purposes than performance editions are not often designed with the modern guitarist in mind. For instance Renaissance vihuela tablatures are usually transcribed with the open firststring as G not E. Most are presented in double-staff notation a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore these editions sometimes give idealized but not realistic solutions for voicing note duration and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections edited for modern guitar from the seven books for vihuelathat were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology edited for modern guitar from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.
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English Medievl And Renaissance (GREENBERG STEVE)
17.50
English Medievl And Renaissance (GREENBERG STEVE)
Piano, Voix
[Partition]
Dover Publications
Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six...
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Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods. Approximately half the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg / Musique religieuse / Recueil / Chant et Piano
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Renaissance Anthology A Vol.4: Piano or Keyboard: Instrumental Album
9.95
Renaissance Anthology A Vol.4: Piano or Keyboard: Instrumental Album
Piano seul
[Partition]
Spartan Press
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book...
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Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - vendu par Musicroom GB
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Airs of the Court (from Ancient Airs and Dances, Suite No. 3)
Orchestre d'harmonie
[Conducteur et Parties séparées]
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Intermédiaire/avancé
Hal Leonard
Composed by Ottorino Respighi (1879-1936). Arranged by Robert Longfield. MusicWo...
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Composed by Ottorino Respighi (1879-1936). Arranged by Robert Longfield. MusicWorks Grade 4. Renaissance. Score and parts (softcover). Published by Hal Leonard (
$75.00
$71.25
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Bridal Chorus From Lohengrin For String Trio Score And Parts
Trio à Cordes: violon, alto, violoncelle
[Conducteur et Parties séparées]
Schott
Bridal Chorus from Lohengrin. (String Trio - Violin, Viola, Cello). By Richard W...
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Bridal Chorus from Lohengrin. (String Trio - Violin, Viola, Cello). By Richard Wagner (1813-1883). For String Trio. String. Score and parts. 20 pages. Schott Music #ED20376. Published by Schott Music
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Bridal Chorus From Lohengrin Piano Trio Score And Parts
Piano Trio: piano, violon, violoncelle
[Conducteur et Parties séparées]
Schott
Bridal Chorus from Lohengrin. Composed by Richard Wagner (1813-1883). Arranged b...
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Bridal Chorus from Lohengrin. Composed by Richard Wagner (1813-1883). Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical, Wedding. Score and parts. 16 pages. Schott Music #CB 207. Published by Schott Music
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Bridal Chorus From Lohengrin For 4 Cellos Score And Parts
4 Violoncelles
[Conducteur et Parties séparées]
Schott
Bridal Chorus from Lohengrin. Composed by Richard Wagner (1813-1883). Arranged b...
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