9 Inventionen

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Inventionen und Sinfonien qui a été écrite pourPiano. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5150 . / Piano / Partition

Epigramme älterer Dichter, Musik nach Inventionen von Johann Sebastian Bach. Par ZIMMERMANN HEINZ WERNER. / Répertoire / 10 Parties Mixtes et Piano

nach den/ based on the „Zweistimmige Inventionen“ BWV 772-786 . Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: David, Ferdinand/ Répertoire / Violon et Alto

Vorwort
4 Faksimiles
Claves signatae
Explication unterschiedlicher Zeichen
Applicatio, BWV 994
Praeambulum 1 BWV 924
Wer nur den lieben Gott läßt walten, BWV 691
Praeludium 2 BWV 926
Jesu, meine Freude, BWV 753
Allemande 1 BWV 836
Allemande 2 BWV 837
Praeambulum BWV 927
Praeambulum BWV 930
Praeludium BWV 928
Menuet 1 BWV 841
Menuet 2 BWV 842
Menuet 3 BWV 843
Praeludien aus 'Das Wohltemperierte Klavier I' (veränderte Fassungen):
BWV 846a-851, 853-857
Pièce pour Clavecin, composée par J.C. Richter- Praeludium ex c
BWV 924a
Praeludium ex d BWV 925
Praeludium ex eBWV 932
Praeludium BWV 931
Baß-Skizze in g-moll BWV fehlt
Fuga à3 BWV 953
Praeambulum 1-15 (Zweistimmige Inventionen) BWV 772-786
Suite A-dur von G.Ph. Telemann, BWV 824
Partita di Signore Steltzeln(mit Menuet-Trio BWB 929)
Fantasia 1-15 (Dreistimmige Sinfonien) BWV787-801

Der Geburtstag der Infantin. Par SCHREKER FRANZ. Der Geburtstag Der Infantin/ Répertoire / Piano 4 Mains

Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general