Flute and Bongos No. 2

Composed by Michael Colquhoun. Alry Publications #F27. Published by Alry Publications

By Sondra K. Tucker. For SATB with Piano or Organ, opt. Flute, opt. Percussion, opt. Guitar. Choral. Christmas, Epiphany. Moderately Easy

For Band. By Larry Clark. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Baritone (Treble Clef in Bb), Baritone (Bass Clef), Tuba, Bells, Xylophone, Timpani, Snare Drum, Bass Drum, Claves, Suspended Cymbal, Tambourine, Bongos, Shaker, Wind Chimes, Flute, Oboe, Clarinet I, Clarinet II, Bass Clarinet (in Bb), Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Baritone (in Treble Clef), Baritone (Bass Clef), Tuba, Mallet Percussion, Timpani, Percussion I, Snare Drum, Bass Drum, Claves, Percussion II, Suspended Cymbal, Tambourine, Bongos, Shaker, Wind Chimes. This edition: complete set. Carl Fischer Young Performance Series. Classical. Level: Grade 2-2.5. Score and Set of Parts. 24 pages. Published by Carl Fischer.

((Cherokee Hymn)). By Traditional. Arranged by James Green. For Choral, Drums, Flute, Tambourine, Bongos, String Bass, Shaker, Flute or other melody instrument (2-Part/3-Part any combination). Walton Choral. 16 pages. Walton Music #WW1493. Published by Wa

By John Foley. For Voices: SAB, assembly. Instruments: 2 flutes, B trumpet, percussion (bongos, congas) (instruments optional). Keyboard accompaniment. Celebration Series Sacred. Level: easy. 14 pages. Published by GIA Publications.

Chamber Music Cello, Clarinet in Bb (Bass Clarinet), Flute (Piccolo, Persian scale preferred),, Piano, Violin, agogo bells, alto Flute), bongos, brake drum, chimes, cowbell, crotales, deep tam-tam, finger cymbal, glockenspiel, marimba, medium) and more

SKU: PR.416414100

Composed by Melinda Wagner. Premiere: New York New Music Ensemble, Jeffrey Milarsky, conductor; Sonic Boom Festival, Cooper Union, New York, NY. Contemporary. Study Score. With Standard notation. Composed 2000. 58 pages. Duration 16 minutes. Theodore Presser Company #416-41410. Published by Theodore Presser Company (PR.416414100).

UPC: 680160601547. 8.5 x 11 inches.

By Steven Burnett. Men's choir. For TBB Chorus, Keyboard, Flute, Tambourine, Tom-Tom, Bongos, Triangle. Carl Fischer Performance Series for Chorus. Choral. Choral Part(s). 10 pages. Published by Carl Fischer.

Chamber Music Cello, Clarinet in Bb (Bass Clarinet), Flute (Piccolo, Persian scale preferred),, Piano, Violin, agogo bells, alto Flute), bongos, brake drum, chimes, cowbell, crotales, deep tam-tam, finger cymbal, glockenspiel, marimba, medium) and more

SKU: PR.41641410L

Composed by Melinda Wagner. Premiere: New York New Music Ensemble, Jeffrey Milarsky, conductor; Sonic Boom Festival, Cooper Union, New York, NY. Contemporary. Large Score. With Standard notation. Composed 2000. 58 pages. Duration 16 minutes. Theodore Presser Company #416-41410L. Published by Theodore Presser Company (PR.41641410L).

UPC: 680160601554. 11 x 17 inches.

By Greg Yasinitsky. For jazz ensemble (Kendor Konvertible for 9-17 players) plus optional flute, clarinet, F horn, tuba and vibes. Jazz Gateway Series. Latin. Easy. Score and set of parts. Duration 4 minutes, 45 seconds. Published by Kendor Music Inc (KN.

Jazz Ensemble plus 2 flutes, oboe, 2 clarinets, bass clarinet, bassoon, F horn, tuba & percussion xylophone, opt. bells - Grade 3

SKU: KN.52115

Composed by Alexander Borodin. Arranged by Sammy Nestico. Kendor Jazz Archive Series. Swing. Score and set of parts. Kendor Music Inc #52115. Published by Kendor Music Inc (KN.52115).

Opening with a light waltz in the style intended by Borodin, the music gives way to a medium swing style featuring bucket-muted brass and sax section solis. For best results, good breath support and sensitivity to dynamic changes are recommended.

Jazz Ensemble plus 2 flutes, oboe, 2 clarinets, bass clarinet, bassoon, F horn, tuba & percussion xylophone, opt. bells - Grade 3

SKU: KN.52115S

Composed by Alexander Borodin. Arranged by Sammy Nestico. Kendor Archive Editions. Kendor Music Inc #52115S. Published by Kendor Music Inc (KN.52115S).

Opening with a light waltz in the style intended by Borodin, the music gives way to a medium swing style featuring bucket-muted brass and sax section solis. For best results, good breath support and sensitivity to dynamic changes are recommended.

Choral SAB choir, piano accompaniment with optional flute and drum

SKU: HP.C6251

Composed by Pepper Choplin. Piano with Optional Percussion Part: Cabasa or Shaker & Congas or Bongos. World Music, Outreach, General Worship, Communion, Lord's Supper. Octavo. 12 pages. Hope Publishing Company #C6251. Published by Hope Publishing Company (HP.C6251).

UPC: 763628162511. Pepper Choplin.

Original Composition This charming communion anthem celebrates the unity of sharing the act of breaking bread with all believers worldwide proclaiming, there is room for everyone. Imbued with a unique global flavor enhanced by flute and light percussion, this is the ideal anthem for World Communion Sunday. Percussion Part: Cabasa or Shaker, Congas or Bongos.

Choir; flute

SKU: HP.C6113C

Composed by Pepper Choplin. Arranged by Pepper Choplin. Piano with Optional Percussion Part: Cabasa or Shaker & Congas or Bongos. General Worship, Communion, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C6113C. Published by Hope Publishing Company (HP.C6113C).

UPC: 763628961138. Pepper Choplin.

Original Composition This charming communion anthem celebrates the unity of sharing the act of breaking bread with all believers worldwide proclaiming, there is room for everyone. Imbued with a unique global flavor enhanced by flute and light percussion, this is the ideal anthem for World Communion Sunday. Percussion Part: Cabasa or Shaker, Congas or Bongos.

Choir; flute

SKU: HP.C6113P

Composed by Pepper Choplin. Arranged by Pepper Choplin. Piano with Optional Percussion Part: Cabasa or Shaker & Congas or Bongos. General Worship, Communion, Sacred. Percussion parts. Hope Publishing Company #C6113P. Published by Hope Publishing Company (HP.C6113P).

UPC: 763628261139. Pepper Choplin.

Original Composition This charming communion anthem celebrates the unity of sharing the act of breaking bread with all believers worldwide proclaiming, there is room for everyone. Imbued with a unique global flavor enhanced by flute and light percussion, this is the ideal anthem for World Communion Sunday. Percussion Part: Cabasa or Shaker, Congas or Bongos.

Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet 3, Dumbek, Euphonium, Euphonium T.C., Finger Cymbals, Flute 1, Flute 2, Glockenspiel, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3 and more. - Grade 3

SKU: CF.CPS261

Composed by Patrick Glenn Harper. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+4 +4+4+4+4+8+8+6+4+8+1+2+2+ 2+4+8+4+32 pages. Duration 5:22. Carl Fischer Music #CPS261. Published by Carl Fischer Music (CF.CPS261).

ISBN 9781491161272. UPC: 680160919864.

Sahar a is an exciting programmatic work for concert band that musically paints a picture of a fantastical desert crossing in three contrasting sections. The first section depicts a large caravan moving across the giant dunes. The second section describes a visit to a palace in a mystical oasis city. The third section brings the piece to an epic close as the caravan outruns a sandstorm to reach their final destination. Performance Notes You may use a set of congas in addition to or in lieu of the dumbek part to bring out that pitched drum sound. At m. 4, emphasize the accented quarter notes in the horns and euphonium. Measures 17-26, make sure that the sixteenth note marimba part is heard clearly. In measures 48-92, this entire middle section may be played in a rubato style at the director's discretion to achieve maximum musical expression. Be sure to emphasize the crescendo-decrescendo dynamics in this entire section. In measures 56-61, be sure that the syncopated flute and clarinet parts are heard clearly. and the flute and oboe are heard as well mm. 76-81. The descending eighth notes in the bass clarinet and tuba part should be brought out in mm. 76-81. Measures 109-112, make sure to bring out the trills in the Flute and oboe parts and sustain them all the way through the measure with a release immediately on beat 1 of the following measure. And finally, mm. 125-126, emphasize the F Horn and Alto Saxophone parts.
Sahara is an exciting programmatic work for concert band that musically paints a picture of a fantastical desert crossing in three contrasting sections. The first section depicts a large caravan moving across the giant dunes. The second section describes a visit to a palace in a mystical oasis city. The third section brings the piece to an epic close as the caravan outruns a sandstorm to reach their final destination.Performance NotesYou may use a set of congas in addition to or in lieu of the dumbek part to bring out that pitched drum sound. At m. 4, emphasize the accented quarter notes in the horns and euphonium. Measures 17-26, make sure that the sixteenth note marimba part is heard clearly. In  measures 48-92, this entire middle section may be played in a rubato style at the director’s discretion to achieve maximum musical expression. Be sure to emphasize the crescendo-decrescendo dynamics in this entire section. In measures 56-61, be sure that the syncopated flute and clarinet parts are heard clearly. and the flute and oboe are heard as well mm. 76-81. The descending eighth notes in the bass clarinet and tuba part should be brought out in mm. 76-81.Measures 109-112, make sure to bring out the trills in the Flute and oboe parts and sustain them all the way through the measure with a release immediately on beat 1 of the following measure. And finally, mm. 125-126, emphasize the F Horn and Alto Saxophone parts.

Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet 3, Dumbek, Euphonium, Euphonium T.C., Finger Cymbals, Flute 1, Flute 2, Glockenspiel, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3 and more. - Grade 3

SKU: CF.CPS261F

Composed by Patrick Glenn Harper. Cps. Full score. 32 pages. Duration 5:22. Carl Fischer Music #CPS261F. Published by Carl Fischer Music (CF.CPS261F).

ISBN 9781491161715. UPC: 680160920402.

Sahar a is an exciting programmatic work for concert band that musically paints a picture of a fantastical desert crossing in three contrasting sections. The first section depicts a large caravan moving across the giant dunes. The second section describes a visit to a palace in a mystical oasis city. The third section brings the piece to an epic close as the caravan outruns a sandstorm to reach their final destination. Performance Notes You may use a set of congas in addition to or in lieu of the dumbek part to bring out that pitched drum sound. At m. 4, emphasize the accented quarter notes in the horns and euphonium. Measures 17-26, make sure that the sixteenth note marimba part is heard clearly. In measures 48-92, this entire middle section may be played in a rubato style at the director's discretion to achieve maximum musical expression. Be sure to emphasize the crescendo-decrescendo dynamics in this entire section. In measures 56-61, be sure that the syncopated flute and clarinet parts are heard clearly. and the flute and oboe are heard as well mm. 76-81. The descending eighth notes in the bass clarinet and tuba part should be brought out in mm. 76-81. Measures 109-112, make sure to bring out the trills in the Flute and oboe parts and sustain them all the way through the measure with a release immediately on beat 1 of the following measure. And finally, mm. 125-126, emphasize the F Horn and Alto Saxophone parts.
Sahara is an exciting programmatic work for concert band that musically paints a picture of a fantastical desert crossing in three contrasting sections. The first section depicts a large caravan moving across the giant dunes. The second section describes a visit to a palace in a mystical oasis city. The third section brings the piece to an epic close as the caravan outruns a sandstorm to reach their final destination.Performance NotesYou may use a set of congas in addition to or in lieu of the dumbek part to bring out that pitched drum sound. At m. 4, emphasize the accented quarter notes in the horns and euphonium. Measures 17-26, make sure that the sixteenth note marimba part is heard clearly. In  measures 48-92, this entire middle section may be played in a rubato style at the director’s discretion to achieve maximum musical expression. Be sure to emphasize the crescendo-decrescendo dynamics in this entire section. In measures 56-61, be sure that the syncopated flute and clarinet parts are heard clearly. and the flute and oboe are heard as well mm. 76-81. The descending eighth notes in the bass clarinet and tuba part should be brought out in mm. 76-81.Measures 109-112, make sure to bring out the trills in the Flute and oboe parts and sustain them all the way through the measure with a release immediately on beat 1 of the following measure. And finally, mm. 125-126, emphasize the F Horn and Alto Saxophone parts.

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piano, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2 and more.

SKU: PR.41641382L

For Piano and Orchestra. Composed by Lowell Liebermann. Spiral. Contemporary. Large Score. With Standard Notation. Op. 72. Duration 20 minutes. Theodore Presser Company #416-41382L. Published by Theodore Presser Company (PR.41641382L).

UPC: 680160590896. 11 x 14 inches.

Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in B-flat, 2 Bassoons, 4 Horns, 2 Trumpets in C, 3 Trombones, Timpani, Percussion (3 players): Tubular Bells, Glockenspiel, Cymbals, Triangle, Xylophone, Vibraphone, Wood Block, Suspended Cymbal, Snare Drum, Bass Drum, Bongos, Cowbell, Tam-tam, Gunshot, Solo Piano, Strings.

Duet Duet for 2 Med Voices with piano

SKU: HP.9038

Composed by Pepper Choplin. Piano with Optional Percussion Part: Cabasa or Shaker & Congas or Bongos. General Worship, Global, Lord's Supper, Mission. Vocal Score. 12 pages. Hope Publishing Company #9038. Published by Hope Publishing Company (HP.9038).

UPC: 763628190385.

Origi nal Composition This charming communion anthem celebrates the unity of sharing the act of breaking bread with all believers worldwide proclaiming, there is room for everyone. Imbued with a unique global flavor enhanced by flute and light percussion, this is the ideal anthem for World Communion Sunday. Percussion Part: Cabasa or Shaker, Congas or Bongos.

Chamber Music Bass Clarinet, Celesta, Cello, Flute, Mezzo-soprano voice, Oboe, Percussion, Viola, Violin

SKU: CF.FE189S

Composed by Samuel Adler. Large Score. With Standard notation. 41 pages. Duration 10 minutes. Carl Fischer Music #FE189S. Published by Carl Fischer Music (CF.FE189S).

ISBN 9780825877520. UPC: 798408077525. 9.5 x 13 inches.

Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth Testimonium, a festival to preserve Jewish heritage. The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist. It is dedicated to Recha Freier, the originator and prime mover of the festival. Nuptial Scene is based on a simple medieval poem of prenuptial instruction. Part of it is in Catalan and part in Hebrew. The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492. A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a new song for a new bride. When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty. This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction. When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills -- the dress, the party, the dancing. In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent. Therefore, during the mother's ardent pleas, instructions, admonitions, and even innuendos, the daughter's mind wanders and dreams of dancing. Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance. At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit -- with the use of improvised melodic lines for which only the gestural outlines are given -- she goes into a kind of rapturous trance. The daughter, however, seems unmoved, and she falls asleep. The mother calms down, puts her head on the daughter's shoulder, and quietly muses, then also closes her eyes. --Samuel Adler  .
Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth “Testimonium”, a festival to preserve Jewish heritage.  The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist.   It is dedicated to Recha Freier, the originator and prime mover of the festival.Nuptial Scene is based on a simple medieval poem of prenuptial instruction.  Part of it is in Catalan and part in Hebrew.  The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492.  A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a “new song” for a “new bride”.When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty.  This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction.  When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills — the dress, the party, the dancing.  In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent.  Therefore, during the mother’s ardent pleas, instructions, admonitions, and even innuendos, the daughter’s mind wanders and dreams of dancing.  Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance.  At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit — with the use of improvised melodic lines for which only the gestural outlines are given — she goes into a kind of rapturous trance.  The daughter, however, seems unmoved, and she falls asleep.  The mother calms down, puts her head on the daughter’s shoulder, and quietly muses, then also closes her eyes.—Samuel Adler .

Chamber Music Bass Clarinet, Celesta, Cello, Flute, Mezzo-soprano voice, Oboe, Percussion, Viola, Violin

SKU: CF.FE189

Composed by Samuel Adler. Set of Score and Parts. With Standard notation. 41+4+4+4+2+3+3+3+3 pages. Duration 10 minutes. Carl Fischer Music #FE189. Published by Carl Fischer Music (CF.FE189).

ISBN 9780825877513. UPC: 798408077518. 9.5 x 13 inches.

Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth Testimonium, a festival to preserve Jewish heritage. The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist. It is dedicated to Recha Freier, the originator and prime mover of the festival. Nuptial Scene is based on a simple medieval poem of prenuptial instruction. Part of it is in Catalan and part in Hebrew. The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492. A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a new song for a new bride. When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty. This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction. When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills -- the dress, the party, the dancing. In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent. Therefore, during the mother's ardent pleas, instructions, admonitions, and even innuendos, the daughter's mind wanders and dreams of dancing. Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance. At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit -- with the use of improvised melodic lines for which only the gestural outlines are given -- she goes into a kind of rapturous trance. The daughter, however, seems unmoved, and she falls asleep. The mother calms down, puts her head on the daughter's shoulder, and quietly muses, then also closes her eyes. --Samuel Adler  .
Nuptial Scene was commissioned by the Jerusalem Symphony Orchestra in cooperation with the city of Jerusalem for the celebration of the fourth “Testimonium”, a festival to preserve Jewish heritage.  The work was written in September, 1975, and premiered in Jerusalem in February, 1976, with the Jerusalem Symphony, Juan Pablo Izquierdo conducting, and Adi Etzion as soloist.   It is dedicated to Recha Freier, the originator and prime mover of the festival.Nuptial Scene is based on a simple medieval poem of prenuptial instruction.  Part of it is in Catalan and part in Hebrew.  The poem originated in Catalonia, where a highly developed Jewish community existed until the expulsion of 1492.  A mother is instructing her daughter in the ways and strategies of marriage and rejoicing with a “new song” for a “new bride”.When I initially planned the setting for this lovely poem, I realized that the age of the daughter would be about twelve, for girls in that historical period were married at puberty.  This set in motion a scheme for the composition, since my oldest daughter was thirteen at that time, and I used her psyche to give me direction.  When a girl of twelve or thirteen thinks of a wedding, she is completely captivated by its frills — the dress, the party, the dancing.  In her imagination, the reality of a husband or any kind of domestic responsibility would be nonexistent.  Therefore, during the mother’s ardent pleas, instructions, admonitions, and even innuendos, the daughter’s mind wanders and dreams of dancing.  Musically, the rather straight, somber rhythm and melody of the song are interrupted by an independent, faster dance speed of the bongos and by scattered fragments of an actual medieval Spanish-Jewish dance.  At the point where the mother speaks of sensuous marital problems, she herself becomes excited, and in a nostalgic, dreamlike spirit — with the use of improvised melodic lines for which only the gestural outlines are given — she goes into a kind of rapturous trance.  The daughter, however, seems unmoved, and she falls asleep.  The mother calms down, puts her head on the daughter’s shoulder, and quietly muses, then also closes her eyes.—Samuel Adler .

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Cabasa, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet 4, Contrabass, Contrabassoon, Cowbell, Crash Cymbals, Euphonium, Flute 1, Flute 2, Flute 3, Flute 4, Glockenspiel, Güiro and more.

SKU: PR.11540205L

For Wind Symphony and Piano. Composed by Carter Pann. Contemporary. Large Score. With Standard notation. Composed 2009. 42 pages. Duration 10 minutes. Theodore Presser Company #115-40205L. Published by Theodore Presser Company (PR.11540205L).

UPC: 680160632886. 11 x 14 inches.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Cabasa, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet 4, Contrabass, Contrabassoon, Cowbell, Crash Cymbals, Euphonium, Flute 1, Flute 2, Flute 3, Flute 4, Glockenspiel, Güiro and more.

SKU: PR.11540205F

For Wind Symphony and Piano. Composed by Carter Pann. Sws. Wind Band Select. Contemporary. Full score. With Standard notation. Composed 2009. 42 pages. Duration 10 minutes. Theodore Presser Company #115-40205F. Published by Theodore Presser Company (PR.11540205F).

ISBN 9781598062977. UPC: 680160594276. 9x12 inches. Key: Bb mixolydian.

Carter Pann’s Richard and Renée was written as a gift for two musician friends of his, Renée Kershaw and Dick Floyd. The first movement, “Renée’s Reply,” is a musical portrait of the time the composer spent with his friend in Italy. According to Pann, “the music strives for a poignancy inspired by this new event in their relationship accompanied by a backdrop so beautiful it defies words. A writer/composer (anyone, for that matter) cannot live on the Amalfi Coast and remain unchanged, unmarked.” The second movement, “Floyd’s Fantastic Five-Alarm Foxy Frolic,” is in a playful ragtime style, with an ending that the composer describes as “over the top.” Duration: 13’.

Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Bongos, Castanets, Clarinet 1, Clarinet 2, Contrabass, Cymbal, English Horn, Flute 1, Flute 2, Flute 3, Horn 1, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion, Piccolo and more.

SKU: PR.416415930

A Klezmer Concerto For Violin And Orchestra. Composed by Noah Bendix-Balgley. Arranged by Samuel Adler. With Standard notation. 150 pages. Duration 22 minutes. Theodore Presser Company #416-41593. Published by Theodore Presser Company (PR.416415930).

UPC: 680160639441. 11 X 17/9.5 X 13 inches.

Band Bassoon 1, Bassoon 2, Bongos, Clarinet 1, Clarinet 2, Clarinet 3, Congas, Flute, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Percussion 5, Suspended Cymbal and more.

SKU: PR.115404350

Free at Last!. Composed by Adolphus Hailstork. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #115-40435. Published by Theodore Presser Company (PR.115404350).

UPC: 680160691272.

Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Bongos, Castanets, Clarinet 1, Clarinet 2, Contrabass, Cymbal, English Horn, Flute 1, Flute 2, Flute 3, Horn 1, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion, Piccolo and more.

SKU: PR.41641593P

A Klezmer Concerto For Violin And Orchestra. Composed by Noah Bendix-Balgley. Arranged by Samuel Adler. With Standard notation. Duration 22 minutes. Theodore Presser Company #416-41593P. Published by Theodore Presser Company (PR.41641593P).

UPC: 680160639465. 9.5 x 13 inches.

Orchestra Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Bassoon 3, Bongos, Cello, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Contrabass, Flute 1, Flute 2, Flute 3, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Oboe 3 and more.

SKU: PR.446411600

Full Score. Composed by Henri Lazarof. Full score. With Standard notation. Composed 2000. Duration 16 minutes. Theodore Presser Company #446-41160. Published by Theodore Presser Company (PR.446411600).

UPC: 680160531660.