Shapes Patterns And Lines For Jazz Guitar

Jim Ferguson, un des noms plus importants dans l'instruction de la guitare jazz, vous aide à vous libérez la puissance improvisation des formes touche - utilisé par de nombreux grands du guitare - avec ce livre. Matériel comprend des nombreux patrons majeurs, mineurs et dominantes axée sur la corde et les surimpressions, avec une foule d'idées et de concepts pour vous aider à les assembler en solos de dynamiques. Quatre solos complètes sur les communes chanson formulaires/progressions sont inclus avec un CD de 28-track. Notation standard et l'onglet. / Guitare / 32 pages / niveau : Intermédiaire/Avancé / Partition/Cd Set - Format: 11,75 X 8,75

Gig Savers Complete Edition-Corey Christiansen: Jazz Guitar Essentials combines nine of the author's previous editions into a comprehensive book that explains the key concepts of jazz Guitar in an accessible approach. Each chapterincludes melodic/harmonic examples with fretboard diagrams standard notation and tablature. Part 1 includes lessons on jazz lines with chapters on digital patterns guide tones and targeting. Part 2 presents thebasics of chord construction and voicing techniques. Triads seventh chords and chords with tensions/embellishments are covered including their inversions drop and quartal voicings. Part 3 presents comprehensive warm-upand technical exercises. Studies begin at the most basic level and progress in difficulty. This chapter provides guitarists with tools for constructing their own technical exercises. Part 4 presents accompaniment patternsfor a wide variety of pop styles such as folk rock/blues country/bluegrass jazz and some Latin styles including bossa nova and samba. Basic fingerstyle accompaniment patterns are taught with rhythmic notation and stringnumbers. Part 5 presents alternate changes and substitutions for the blues that can be easily transposed. (Chapters 3 4 and 5 also are presented in Rock Guitar Essentials: Gig Savers Complete Edition). Part 6includes lessons on common jazz chord substitutions. Topics include chord embellishment alteration degree substitution (iii for I vi for I ii for V) tritone substitution and many other tricks for spicing up chordprogressions. Part 7 covers jazz Guitar comping an essential role in accompaniment. A number of chord shapes and rhythms are taught in the style of Freddie Green bebop and more modern styles. Blues progressions and anetude are included for practicing your comping. Part 8 presents a wealth of information about playing over the last two measures of jazz tunes. The method breaks down the harmonic structures frequently found at the end of