Matériel : Partition
SKU: AP.1-ADV7404
ISBN 9783892215592. UPC: 805095074048. English.
True to its title, this original composition, Funky Tango, is a groovin' journey in the style of Argentina's most famous dance music. Solos (written or improvised) for all four saxes (AATBar) make this a great piece to highlight all quartet members. Composed by Ed Harlow.
SKU: BT.DHP-1185888-401
ISBN 9789043155502. English-German-French-Dut ch.
This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. This work is a musical collage of impressions following the composers visit to Italy. The solo part can also be performed on trumpet or euphonium. Deze compositie is geschreven in opdracht van het Osaka Kyoiku University Wind Orchestra. De wereldpremière werd samen met trompetsolist Osamu Kumashiro uitgevoerd onder leiding van de componist, die zich tijdens een bezoek aan Firenze heeft laten inspireren door de beroemde Ponte Vecchio (oude brug). Het werk is een muzikale collage van indrukken die Yagisawa in Italië heeft opgedaan. De solopartij kan ook op trompet of euphonium worden gespeeld. Dieses Werk wurde vom Blasorchester der Osaka Kyoiku Universität in Auftrag gegeben. Die Welturaufführung fand mit dem Trompeter Osamu Kumashiro als Solist und unter der Leitung des Komponisten statt. Der Komponist hat sich während einer Reise nach Florenz von der berühmten Ponte Vecchio (Alte Brücke“) inspirieren lassen. Das Werk ist eine musikalische Collage mit den Eindrücken des Komponisten von seiner Italienreise. Die Solostimme kann auch mit dem Trompete oder Euphonium gespielt werden.Cette œuvre est une commande de Osaka Kyoiku University Wind Orchestra. La première mondiale eut lieu avec Osamu Kumashiro, trompette solo, sous la direction du compositeur, qui s’était inspiré du célèbre Ponte Vecchio (le vieux pont) lors d’une visite Florence. Cette œuvre est un collage musical des impressions du compositeur de son voyage en Italie. La partie solo de cette œuvre se pre te aussi a une interpre tation avec un trompette ou baritone.
SKU: BT.AMP-178-400
9x12 inches. English-German-French-Dut ch.
Philip Sparke’s Classic Christmas brings together 25 of the most popular Christmas carols, which can either be played with the CD accompaniments or with organ or piano using the separate accompaniment book which fits with all the instrumental books. They can be performed as solos and are all in suitable keys to accompany congregational singing. 25 bekende kerstliederen verzameld en gepresenteerd door Philip Sparke. Er is afzonderlijk een orgel/pianoboek verkrijgbaar, dat bruikbaar is in combinatie met alle instrumentboeken. Philip Sparkes Classic Christmas versammelt 25 der beliebtesten Weihnachtslieder in einem einfachen, aber effektiven Format, das sich für viele Aufführungsvarianten eignet: als Soli bei Vorspielen, Konzerten oder im Gottesdienst. Die Lieder können entweder zur beiliegenden CD-Begleitung oder mit Orgel oder Klavier unter Verwendung des separaten Begleitbuchs (AMP 175, passend zu allen Instrumenten) vorgetragen werden.
SKU: HL.841331
ISBN 9780793595556. UPC: 073999593716. 9x12 inches. Book/Online Audio.
Master Solos book/online audio packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famous performing artists and educators (see below), and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers â?? different for each instrument â?? and a piano accompaniment book. The accompanying audio is uniquely designed to serve in practice and performance situations, and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first track features the solo performance with piano accompaniment providing tempo and musical style, and the second track is the piano accompaniment only, designed for rehearsal. The recorded accompaniment can also be used in performances. Flute by Gary Sigurdson, Oboe by Don Jaeger, Bassoon by Leonard Sharrow, Bb Clarinet by Ramon Kireilis, Eb Alto Saxophone by Larry Teal, Bb Trumpet/Cornet by Robert Getchell, Horn by Louis Stout, Trombone by Buddy Baker, Baritone Horn by Larry Campbell, Tuba by Daniel Perantoni, Percussion by Peter Magadini. All books edited by Linda Rutherford. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
SKU: CA.928421
ISBN 9790007302146. German.
Dû bist mîn is probably the best-known love song written in old German that has survived from the Middle Ages. It is often attributed to the famous poet Walther von der Vogelweide, who died around 1230. Unfortunately, the original 12th-century melody to which these verses were possibly has not been handed down. In his setting, Wolfgang König (*1947) delightfully interweaves the sounds of the medieval period with 21st-century music. Parallel fifths are juxtaposed with major-minor harmonies and saxophone solos embellish the choral movements that are also supported by a simple piano accompaniment. The choir consists of six voices divided into two groups. The antiphonal calls between the male and female singers mirror the love song's text: “Dû bist min, ich bin dîn: des solt dû gewis sîn†(You are mine; I am thine; of this you can be sure).
SKU: CA.928400
ISBN 9790007301002. German.
SKU: CF.CPS234
ISBN 9781491156346. UPC: 680160914883. 9 x 12 inches.
Mercury - the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst's major orchestral suite The Planets that Mercury utilizes such light and swift themes. There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst's orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13-20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work. One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience. Rehearsal Notes and Suggestions As stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!.Mercury – the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst’s major orchestral suite The Planets that Mercury utilizes such light and swift themes.There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst’s orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13–20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work.One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience.Rehearsal Notes and SuggestionsAs stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!
SKU: CF.CPS234F
ISBN 9781491156353. UPC: 680160914890. 9 x 12 inches.
SKU: BT.DHP-1185814-010
English-German-French- Dutch.
This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. The solo part can also be performed on euphonium or alto saxophone. Deze compositie is geschreven in opdracht van het Osaka Kyoiku University Wind Orchestra. De wereldpremière werd samen met trompetsolist Osamu Kumashiro uitgevoerd onder leiding van de componist, die zich tijdens een bezoek aan Firenze heeft laten inspireren door de beroemde Ponte Vecchio (oude brug). Het werk is een muzikale collage van indrukken die Yagisawa in Italië heeft opgedaan. De solopartij kan ook op euphonium of altsaxofoon worden gespeeld.Dieses Werk wurde vom Blasorchester der Osaka Kyoiku Universität in Auftrag gegeben. Die Welturaufführung fand mit dem Trompeter Osamu Kumashiro als Solist und unter der Leitung des Komponisten statt. Der Komponist hat sich während einer Reise nach Florenz von der berühmten Ponte Vecchio (Alte Brücke“) inspirieren lassen. Das Werk ist eine musikalische Collage mit den Eindrücken des Komponisten von seiner Italienreise. Die Solostimme kann auch mit dem Euphonium oder Altsaxophon gespielt werden.Cette œuvre est une commande de Osaka Kyoiku University Wind Orchestra. La première mondiale eut lieu avec Osamu Kumashiro, trompette solo, sous la direction du compositeur, qui s’était inspiré du célèbre Ponte Vecchio (le vieux pont) lors d’une visite Florence. Cette œuvre est un collage musical des impressions du compositeur de son voyage en Italie. La partie solo de cette œuvre se pre te aussi a une interpre tation avec un euphonium ou saxophone alto.Ponte Vecchio è stato commissionato dall’Orchestra di fiati dell’Universit di Osaka Kyoiku. La prima esecuzione assoluta è stata affidata al trombettista Osamu Kumashiro, in veste di solista, con la direzione del compositore stesso, che si è ispirato al celeberrimo Ponte Vecchio durante una visita a Firenze. La parte solistica può anche essere eseguita su eufonio o sassofono contralto.
SKU: BT.DHP-1185814-140
SKU: BT.DHP-1185887-401
ISBN 9789043155496. English-German-French-Dut ch.
This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. This work is a musical collage of impressions following the composers visit to Italy. The solo part can also be performed on trumpet or alto saxophone. Deze compositie is geschreven in opdracht van het Osaka Kyoiku University Wind Orchestra. De wereldpremière werd samen met trompetsolist Osamu Kumashiro uitgevoerd onder leiding van de componist, die zich tijdens een bezoek aan Firenze heeft laten inspireren door de beroemde Ponte Vecchio (oude brug). Het werk is een muzikale collage van indrukken die Yagisawa in Italië heeft opgedaan. De solopartij kan ook op trompet of altsaxofoon worden gespeeld.Dieses Werk wurde vom Blasorchester der Osaka Kyoiku Universität in Auftrag gegeben. Die Welturaufführung fand mit dem Trompeter Osamu Kumashiro als Solist und unter der Leitung des Komponisten statt. Der Komponist hat sich während einer Reise nach Florenz von der berühmten Ponte Vecchio (Alte Brücke“) inspirieren lassen. Das Werk ist eine musikalische Collage mit den Eindrücken des Komponisten von seiner Italienreise. Die Solostimme kann auch mit dem Trompete oder Altsaxophon gespielt werden.Cette œuvre est une commande de Osaka Kyoiku University Wind Orchestra. La première mondiale eut lieu avec Osamu Kumashiro, trompette solo, sous la direction du compositeur, qui s’était inspiré du célèbre Ponte Vecchio (le vieux pont) lors d’une visite Florence. Cette œuvre est un collage musical des impressions du compositeur de son voyage en Italie. La partie solo de cette œuvre se pre te aussi a une interpre tation avec un trompette ou saxophone alto.
SKU: BT.DHP-1185860-401
ISBN 9789043155489. English-German-French-Dut ch.
This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. This work is a musical collage of impressions following the composers visit to Italy. The solo part can also be performed on euphonium or alto saxophone. Deze compositie is geschreven in opdracht van het Osaka Kyoiku University Wind Orchestra. De wereldpremière werd samen met trompetsolist Osamu Kumashiro uitgevoerd onder leiding van de componist, die zich tijdens een bezoek aan Firenze heeft laten inspireren door de beroemde Ponte Vecchio (oude brug). Het werk is een muzikale collage van indrukken die Yagisawa in Italië heeft opgedaan. De solopartij kan ook op euphonium of altsaxofoon worden gespeeld.Dieses Werk wurde vom Blasorchester der Osaka Kyoiku Universität in Auftrag gegeben. Die Welturaufführung fand mit dem Trompeter Osamu Kumashiro als Solist und unter der Leitung des Komponisten statt. Der Komponist hat sich während einer Reise nach Florenz von der berühmten Ponte Vecchio (Alte Brücke“) inspirieren lassen. Das Werk ist eine musikalische Collage mit den Eindrücken des Komponisten von seiner Italienreise. Die Solostimme kann auch mit dem Euphonium oder Altsaxophon gespielt werden.Cette œuvre est une commande de Osaka Kyoiku University Wind Orchestra. La première mondiale eut lieu avec Osamu Kumashiro, trompette solo, sous la direction du compositeur, qui s’était inspiré du célèbre Ponte Vecchio (le vieux pont) lors d’une visite Florence. Cette œuvre est un collage musical des impressions du compositeur de son voyage en Italie. La partie solo de cette œuvre se pre te aussi a une interpre tation avec un euphonium ou saxophone alto.
SKU: AP.1-ADV7525
UPC: 805095075250. English.
This five-part suite stands for lifestyle, fun, and emotion, and incorporates blues, jazz, gospel, and soul. The compositions encourage both ensemble and solo playing since every part presents one of the musicians of the quintet as a soloist. The solos are written in the style of famous saxophonists (Sonny Rollins, Dexter Gordon, Charlie Parker, Dave Sanborn) and can be used by the individual musicians as a basis to create their own improvisations. For advanced students, but also for students at music colleges and professional musicians who wish to enrich their repertory with groovy and gripping jazz tunes. The free improvisation parts are suitable for every level of difficulty. Titles: I. Count Peanuts * II. West Side Blue * III. Box E * IV. Blue Spirit * V. 3 for 5.
SKU: AP.20305US
ISBN 9783947998531. UPC: 038081558301. German.
It is not only the great success of Nathan Evans' re-release of The Wellerman on social media that is responsible for the great popularity of sea shanties and naval songs. Such songs create a unique mood, a touch of adventure and wanderlust for the big, wide world. Hardly anyone can elude it and with Vahid Matejko's Sea Shanty Play-Alongs there are now the most beautiful sea shanties and naval songs skillfully arranged as an instrumental play-along series for recorder, flute, clarinet, saxophone, trumpet (opt. baritone T.C.), trombone (opt. baritone B.C.), violin, and accordion (piano).The varied arrangements have a wide stylistic range and offer echoes from rock, Latin, funk, big band to orchestral and Caribbean influences. Thus, each song has its own musical and instrumental appeal, to which the parts and/or solos specially composed by arranger Vahid Matejko also contribute. The original polyphonic choral vocals are replaced by polyphonic instrumental backings.Each of the ten titles was recorded live by excellent professional musicians and is available in two different versions: — a demo-track which features a live trombone performance by Ludwig Nuss, lead trombonist and soloist of the famous WDR-broadcast big band and one of the best trombone players in the German music scene and— a minus-one mix for you to play-along.This edition is also suitable for Baritone B.C. players.
