Egyptian March, Op. 335

Contents: At The Hop; Basin Street Blues; Don't Be Cruel; Don't Worry Be Happy; I Dreamed A Dream; It's So Easy; Jingle-Bell Rock; Kokomo; Louie Louie; The Phantom Of The Opera; Somewhere Out There; Surfin' USA; This Is MyCountry; Tuxedo Junction; Walk Like An Egyptian.

Music through the Ages in Two Volumes. Par DENLEY IAN. Morceaux de temps est une passionnante série de répertoire qui explore la richesse de la musique écrite du seizième siècle à nos jours. Les pièces sont présentées chronologiquement au sein de chaque volume et tous comprennent l'année où ils ont été écrits que sa série permet à l'élève d'obtenir une sensation réelle pour les différents styles de musique à travers le temps, en fournissant la confiance de la performance et de l'expérience dès les premiers stades. Le livre se révélera une source inestimable, variée de plus du étude et considérant reperA policier Lot (The Pirates Of Penzance) (Sullivan) - salle de bal Waltz (la veuve joyeuse) (Lehar) - mars de Brian Boru - Buonaparty (Vaughan Williams) - gâteau-marche (Easy danses Ii) (Seiber) - bovins-appel (25 chansons folkloriques norvégien et danses Op.17) (Gr Damkol Damkol (Beizai) - East Meets West (Denley) - Gopak (Moussorgski) - Little Drummer Boy - mars (Anna Magdalena Notebook) (C.P.E. Bach) - mars de les Egyptiens (Aida) (Verdi) - Menuet (12 Danses allemandes) (Haydn) - Menuet (Telemann) - Pavana PSIS/ Recueil / Basson

Marching briskly in cut time this raucous energetic piece has an ancient Egyptian sound and theme. Both hands play in bass clef adding power and mystery. Hear the battle scene as left hand echoes right deeper and darker. Easy to execute and exciting to play!

Par STRAUSS JOHANN. / Niveau : Elémentaire / Répertoire / Choeur (SATB) et Orchestre à vent

Ballet héroïque in a prologue and 3 acts-With a brief foreword (Fr/Eng) containing salient information on the genesis of the work the synopsis and the edition. Les F'tes de l?Hymen et de l?Amour was performed on 15 March 1747 on the occasion of the second marriage of the Dauphin Louis Ferdinand de Bourbon and Maria Josepha of Saxony in the Man'ge de la Grande 'curie in Versailles. This second collaboration between Rameau and Cahusac makes use of the ?ballet h'ro'que? genre usually known today as ?op'ra-ballet? based on various story lines which run independently of each other. The score is based on a libretto inspired byEgyptian mythology and freemasonry. Rameau's ?Les F'tes de l'Hymen et de l'Amour? was long considered second-rate because its premi're was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas such as ?Za's? ?Zoroastre? and ?Les Bor'ades?. Working together with his librettist Cahusac Rameau sought to weave the dance numbers choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from ?Aru'ris? a scoring found nowhere else in his ?uvre. For the first time this scholarly-critical edition of ?Les F'tes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music including two recent musical discoveries. As most of the performance material for the premi're has vanished this edition is based on the version prepared for the Acad'mie Royale de Musique in 1748.