Matériel : Partition
Dans la méditation une passacaille est construit sur la base de douze groupes différents dans le piano, la série commence dans la troisième barre après une brève introduction, est complètement répété trois fois, et en contrepoint de la mélodie vibraphone jamais transformer. Encadrement du mouvement de l'introduction est répétée à la fin.Le caractère de la deuxième mouvement Ostinato est moulé par un ascendant de quatre notes motif contrasté par un amortisseur-pédalé huit ton séquence se développer en une courte mélodie. Grâce à de nombreuses interactions de cette idée musicale du compositeur déploie une amusante Rondo qui intègre aussi des rythmes de jazz.Daniela Koreimann / Vibraphone Et Piano
SKU: HL.48182123
UPC: 888680851330. 9.5x12.25x0.051 inches.
John White: Duettino (Flute & Piano).
SKU: LM.25308
ISBN 9790230953085.
ATTA IGNANT : La Magdalena - BACH : Menuet en Sol (flute et piano) - Menuet en Sol (2 flutes) - CAGNARD : Scherzando (flute et piano ou 3 flutes) - ESPEJO : Andantino - FRESCOBALDI : Canzona - GRIEG : Princesse - HAENDEL : Bourree - MOZART : Duettino (2 flutes et piano) - RACHMANINOFF : Melodie - TANAKA : Au printemps (2 flutes) - Du Ja et du Pan (2 flutes) - URBAIN : Elegie - WERNER : Feuille d'album.
SKU: BA.BA04070
ISBN 9790006495870. 33 x 26 cm inches. Text Language: Italian. Text: Paolo Antonio Rolli.
Handel’s “Deidamia” was premièred on 10 January 1741 only a few weeks after “Imeneo”.The librettist Paoli Rolli , a previously unsucessful librettist for Handel, delivered with his finest work “Deidamia”. On 10 February 1741 the third and final opera performances of this work took place under Handel’s direction. Oddly enough “Deidamia” would not be performed again until the beginning of the 20th century. This opera is based on the themes of humour and seriousness. The personal harmonising of Heroism (Achilles) and Love ( Deidamia ) build on the essential dramatic features of this work. “Deidamia” is the last great opera in a series of masterpieces: “Orlando”, “Poro”, “Ezio”, “Ariodante”, “Alcina”, “Serse” and “Imeneo”. The vocal score is based on the Urtext of the Halle Handel Editon.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.5023700
ISBN 9790007087548.
SKU: HL.49043954
ISBN 9783795748265. UPC: 841886021105. 9.25x12.0x0.386 inches.
This 'treasure chest' contains - in chronological order - easy original piano pieces by classical composers, some of them arranged as duets by well-known contemporaries. The earliest pieces are from the 18th Century, stylistically they range from Classical to Romantic, through to Jazz, Rock and Pop. The collection also features an improvisatory piece with partly graphic notation. All of the pieces are approachable and even the sometimes more demanding Secondo parts are well within the range of piano students and amateur players.
SKU: BT.DMP112069
SKU: VD.ED17538
ISBN 9790202035382. 12 x 9 inches.
