SKU: CA.2101015
ISBN 9790007197957. Language: Latin.
At the time Gervais composed his Grand Motet Miserere he held a post as director of the Chappell Royale in the Court of Louis XIV. This was one of the most important positions in music in France at that time. In addition to operas, he was highly regarded for compositions in this representative genre of sacred music until the end of the Ancien Regime. The setting of Psalm 50 consists of a succession of individual movements (choruses, soli, and duets through quartets), which, thanks to his experience with works for the stage, the composer was able shape dramatically not only with respect to the texts of individual movements, but also with a view to the large chorus which concludes the work. Score and part available separately - see item CA.2101000.
SKU: CA.2101049
ISBN 9790007074319. Language: Latin.
SKU: CA.2101014
ISBN 9790007197940. Language: Latin.
SKU: CA.2101012
ISBN 9790007197926. Language: Latin.
SKU: CA.2101011
ISBN 9790007197919. Language: Latin.
SKU: CA.2101013
ISBN 9790007197933. Language: Latin.
SKU: CA.2101000
ISBN 9790007058838. Language: Latin.
At the time Gervais composed his Grand Motet Miserere he held a post as director of the Chappell Royale in the Court of Louis XIV. This was one of the most important positions in music in France at that time. In addition to operas, he was highly regarded for compositions in this representative genre of sacred music until the end of the Ancien Regime. The setting of Psalm 50 consists of a succession of individual movements (choruses, soli, and duets through quartets), which, thanks to his experience with works for the stage, the composer was able shape dramatically not only with respect to the texts of individual movements, but also with a view to the large chorus which concludes the work.
SKU: CA.2101019
ISBN 9790007139889. Language: Latin.
At the time Gervais composed his Grand Motet Miserere he held a post as director of the Chappell Royale in the Court of Louis XIV. This was one of the most important positions in music in France at that time. In addition to operas, he was highly regarded for compositions in this representative genre of sacred music until the end of the Ancien Regime. The setting of Psalm 50 consists of a succession of individual movements (choruses, soli, and duets through quartets), which, thanks to his experience with works for the stage, the composer was able shape dramatically not only with respect to the texts of individual movements, but also with a view to the large chorus which concludes the work. Score and parts available separately - see item CA.2101000.