Double Concerto E flat Major

SKU: BR.OB-5509-27

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

ISBN 9790004338506. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

SKU: BR.OB-4867-26

ISBN 9790004323328. 10 x 12.5 inches.

Carl Maria von Weber wrote the present concerto in 1811 for the Munich bassoon player Georg Friedrich Brandt. The date of the world premiere is not known; what is ascertained, however, is a performance in Prague on 19 February 1813 by Brandt, to whom the work was dedicated.Along with Mozarts B-flat major Concerto K. 191 (186e), Webers bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Weber illustrates the instruments qualities by using a different form in each movement, as we can see in its primary themes: the opening movement is dominated by a rhythmically striking theme; cantabile passages set the tone for the more lightly scored Adagio; and in the closing Rondo. Allegro, the soloist can demonstrate his virtuosity from the very beginning through large intervallic leaps and rapid runs.

Along with Mozart's B-flat major Concerto K. 191 (186e), Weber's bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument.

SKU: BA.BA10982-85

ISBN 9790006565559. 32.5 x 25.5 cm inches. Key: D minor.

Johann Joseph Rosler (1771-1812) was a composer, conductor and pianist who was active in Prague and Vienna. Later he was in the service of Prince Franz Joseph von Lobkowitz. His Piano Concerto No. 2 in E-flat major of 1803 is a fitting companion to the piano concertos of Beethoven; indeed, his first Piano Concerto in D major was mistakenly attributed to Beethoven until 1925.
Now Rosler's second Piano Concerto is appearing in print for the first time. This is due to editor Alena Honigova discovering and identifying an autograph score which is the only preserved source in the Prague Conservatory archive. In this Urtext edition Honigova takes into account the distinctive features of Rosler's handwriting and the division of parts in the score, as befits the performance practice of his day.

SKU: CA.3440214

ISBN 9790007212667. Key: E flat major. Language: all languages.

Works for keyboard with and without accompaniment make up the core of Johann Christoph Friedrich Bach's oeuvre. The Concerto in E flat major belongs to Bach's last creative period during which he once again concerned himself intensely with orchestral music in the form of symphonies, keyboard concertos and concertos for keyboard with another solo instrument. Score and part available separately - see item CA.3440200.

SKU: BR.OB-15119-26

ISBN 9790004340332. 10 x 12.5 inches.

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trumpet that could produce the chromatic tones of an entire scale a unique achievement at that time. The work features unmistakable allusions to Mozart and even has a literal quote from a Cherubini opera in the final movement. Today, Hummel's concerto, next to the Haydn piece, is considered as THE classical trumpet concerto. It is no doubt thanks to this unique status that the work has been available in a transposition to E flat major since 1957, a version that better suits the B flat trumpet widely used today. The Urtext edition respects this performance-practical aspect: The piano reduction as well as the study score contain both versions. The score and orchestral parts can be obtained in two different editions.While this being one of the few urtext, it may be the only edition published in both the original tonality of E major and the often-preferred key of E-flat major. Additionally, the edition contains some interesting insights on the concerto and keyed trumpet. (Luis C. Engelke, Music Reviews Editor).

SKU: BR.OB-15131-26

In Cooperation with G. Henle Verlag

ISBN 9790004342671. 10 x 12.5 inches.

Prank or Color Code?Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.

SKU: BR.OB-15118-26

In Cooperation with G. Henle Verlag

He re you will find the E major version (original key) of this concerto.

ISBN 9790004340387. 10 x 12.5 inches.

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trumpet that could produce the chromatic tones of an entire scale a unique achievement at that time. The work features unmistakable allusions to Mozart and even has a literal quote from a Cherubini opera in the final movement. Today, Hummel's concerto, next to the Haydn piece, is considered as THE classical trumpet concerto. It is no doubt thanks to this unique status that the work has been available in a transposition to E flat major since 1957, a version that better suits the B flat trumpet widely used today. The Urtext edition respects this performance-practical aspect: The piano reduction as well as the study score contain both versions. The score and orchestral parts can be obtained in two different editions.

SKU: CA.3440213

ISBN 9790007212650. Key: E flat major. Language: all languages.

Works for keyboard with and without accompaniment make up the core of Johann Christoph Friedrich Bach's oeuvre. The Concerto in E flat major belongs to Bach's last creative period during which he once again concerned himself intensely with orchestral music in the form of symphonies, keyboard concertos and concertos for keyboard with another solo instrument. Score and part available separately - see item CA.3440200.

SKU: CA.3440209

ISBN 9790007212629. Key: E flat major. Language: all languages.

Works for keyboard with and without accompaniment make up the core of Johann Christoph Friedrich Bach's oeuvre. The Concerto in E flat major belongs to Bach's last creative period during which he once again concerned himself intensely with orchestral music in the form of symphonies, keyboard concertos and concertos for keyboard with another solo instrument. Score and parts available separately - see item CA.3440200.

SKU: CA.3440212

ISBN 9790007212643. Key: E flat major. Language: all languages.

Works for keyboard with and without accompaniment make up the core of Johann Christoph Friedrich Bach's oeuvre. The Concerto in E flat major belongs to Bach's last creative period during which he once again concerned himself intensely with orchestral music in the form of symphonies, keyboard concertos and concertos for keyboard with another solo instrument. Score and part available separately - see item CA.3440200.

SKU: CA.3440219

ISBN 9790007144463. Key: E flat major. Language: all languages.

Works for keyboard with and without accompaniment make up the core of Johann Christoph Friedrich Bach's oeuvre. The Concerto in E flat major belongs to Bach's last creative period during which he once again concerned himself intensely with orchestral music in the form of symphonies, keyboard concertos and concertos for keyboard with another solo instrument. Score and parts available separately - see item CA.3440200.

SKU: CA.3440211

ISBN 9790007212636. Key: E flat major. Language: all languages.

Works for keyboard with and without accompaniment make up the core of Johann Christoph Friedrich Bach's oeuvre. The Concerto in E flat major belongs to Bach's last creative period during which he once again concerned himself intensely with orchestral music in the form of symphonies, keyboard concertos and concertos for keyboard with another solo instrument. Score and part available separately - see item CA.3440200.

SKU: BR.OB-5300-26

You will find the original cadenzas under Mo zart, 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for t. Solo concerto; Classical. Part. 8 pages. Duration 35'. Breitkopf and Haertel #OB 5300-26. Published by Breitkopf and Haertel (BR.OB-5300-26).

ISBN 9790004335130. 10 x 12.5 inches.

Robert Levin's brilliant and inspired recording (with Christopher Hogwood and the Academy of Ancient Music) and Breitkopf's new edition have two things in common: their historically well-founded approach and the editorial team consisting of Robert Levin and Cliff Eisen. Here, Urtext signifies an eschewal of a final version that never existed and that Mozart himself had never even envisaged. On the contrary, Levin and Eisen pursue an editorial philosophy tailored to Mozart and his music: Standardization is the greatest aesthetic threat in the performance of Mozarts concertos. To prepare the score of the new edition, the editors were able to consult the autograph, located in Krakow, for the very first time. The new edition clearly incorporates a much broader base of findings than any previous edition, including the NMA. At the same time, the score and piano reduction offer a wealth of additional information on performance practice gleaned from further authentic sources, including observations on continuo practice, instruments, size and disposition of the orchestra, ornaments, tempo and character, cadenzas and flourishes.

SKU: BR.OB-15129-26

In Cooperation with G. Henle Verlag

ISBN 9790004342084. 10 x 12.5 inches.

Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a donkey in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well.Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann Andre. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition.

with parts for horn in F and Eb major.

SKU: HH.HH008-IPT

ISBN 9790708024620.

This double concerto displays Valentini's originality in development of musical form and thematic material. The ritornello from the second movement Allegro is appended to the final Presto giving the concerto a satisfying completeness. An important addition to the repertoire of violin double concertos.

SKU: HH.HH008-STR

ISBN 1 904229 10 7.

This double concerto displays Valentini's originality in development of musical form and thematic material. The ritornello from the second movement Allegro is appended to the final Presto giving the concerto a satisfying completeness. An important addition to the repertoire of violin double concertos.

SKU: HH.HH008-MIN

ISBN 9790708024385.

This double concerto displays Valentini's originality in development of musical form and thematic material. The ritornello from the second movement Allegro is appended to the final Presto giving the concerto a satisfying completeness. An important addition to the repertoire of violin double concertos.

SKU: HH.HH008-KBD

ISBN 9790708024408.

This double concerto displays Valentini's originality in development of musical form and thematic material. The ritornello from the second movement Allegro is appended to the final Presto giving the concerto a satisfying completeness. An important addition to the repertoire of violin double concertos.

SKU: CA.5009415

ISBN 9790007223274. Key: A flat major. Language: all languages.

We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.

SKU: BR.OB-15127-27

ISBN 9790004347522. 10 x 12.5 inches.

Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was undeniably one of the most accomplished works of art of its kind. Emphasized was also the great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato. The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler's new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition.

SKU: BR.OB-14679-27

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

ISBN 9790004340929. 10 x 12.5 inches.

Mozart no doubt proved a powerful source of inspiration in the genre of the piano concerto when Ludwig van Beethoven was composing his first work in this genre (B-flat major op. 19) in Bonn. In 1793 the young composer first wrote a final rondo with an inserted Andante, as Mozart had done in his Concerto K. 482. Beethoven then selected a different closing solution and kept the score of the B-flat major Rondo in his desk. There the work was rediscovered only after the composers death, and printed shortly afterward. The autograph thus represents Beethovens earliest surviving and complete orchestral score. The new Urtext edition of the score and orchestral parts is based on the new Beethoven Complete Edition (Henle).