Matériel : Partition + Accès audio
Add unique flute sounds to your palette of colors. The flute is capable of a great range of sounds: buzzing and whistling, clicking and growling, and much more! This book shows you how to do dozens of different inventive effects, with etudes that put them in a musical context. The accompanying online recordings provide play-along tracks for the etudes and examples of each sound effect in isolation. With this book you'll learn to: Perform essential advanced flute techniques such as circular breathing, fourth-octave playing, and beatboxing- Use percussive techniques, such as tongue/lip pizzicato, clicks, and finger slaps- Explore sounds unique to isolating the mouthpiece- Master alternate fingerings and different types of vibrato- Create hybrid instruments such as the 'flunette, 'flax, and 'flumpet- Play pitch bends, harmonics, as well as wind and jet-whistle sounds- Sing and whistle while playing- Create electronic sounds and produce low B's- and more! / Flûte
SKU: HL.48188359
UPC: 888680861360. 9x12 inches.
?Ruffling feathers by Michaël Levinas is a piece for Flute in which the player reproduces the sound of ruffling feathers. With no degree of difficulty given, the player still requires the mastery of some techniques learnt in the intermediate level and above. Quite challenging, it differentiates itself from classical pieces due to the presence of many effects: trills, glissandos, fast rhythms, sound of the tongue. A guide of all the effects present in this piece appears at the end of the book. Michaël Levinas (born in 1949) was the student of the Olivier Messiaen.andrdquo.
SKU: HL.14015939
ISBN 9788759888469. 9.5x14.25x0.125 inches.
Illuminatio ns - Capriccio For Flute And Orchestra was composed by Erik Norby in 1977. Programme Note: The title should rightly be pronounced in French (same spelling), as the piece was composed for and is dedicated to French flute virtuoso Jean-Pierre Rampal, who premiered ILLUMINATIONS in connection withhimreceiving the Danish Sonnings Musikpris in 1978. The title reflects my endeavour to create different illuminative effects in sound, for which the flute is an excellent medium, with its apparent ability to transform light phenomena into musical shapes. Tue music in ILLUMINATIONS sometimes sounds like glittering reflections, sometimes like a roaring bonfire. The absence of ordinaryflutes in the orchestra further enables the soloist to shine above a darker orchestral background. Several motives and shapes are illuminated along the way, and the music progresses in kaleidoscopic pattems of prismatic refractions. Erik Norby.