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The Six, for Bassoon Duet
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157 sheet music found
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151
Turkish March by Beethoven for Bassoon Duet
Turkish March by Beethoven for Bassoon Duet
#
2 Bassoons (duet)
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
#
Woods Only, Arrangements
#
SheetMusicPlus
Bassoon,Instrumental Duet - Level 2 - SKU: A0.1150434 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6...
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Bassoon,Instrumental Duet - Level 2 - SKU: A0.1150434 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #750609. Published by Woods Only, Arrangements (A0.1150434). This arrangement adapted for bassoon duo was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99
Bach: Wachet auf for Bassoon & Piano
Bach: Wachet auf for Bassoon & Piano
#
Bassoon, Piano (duet)
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Bassoon &
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Bar...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555069. Published by jmsgu3 (A0.549851). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Turkish March by Beethoven for Flute and Bassoon
Turkish March by Beethoven for Flute and Bassoon
#
Flute, Bassoon (duet)
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
#
Woods Only, Arrangements
#
SheetMusicPlus
Bassoon,Flute,Instrumental Duet - Level 2 - SKU: A0.1150428 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Per...
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Bassoon,Flute,Instrumental Duet - Level 2 - SKU: A0.1150428 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #750605. Published by Woods Only, Arrangements (A0.1150428). This arrangement adapted for flute and bassoon duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99
Turkish March by Beethoven for Clarinet and Bassoon
Turkish March by Beethoven for Clarinet and Bassoon
#
Clarinet, Bassoon (duet)
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
#
Woods Only, Arrangements
#
SheetMusicPlus
Bassoon,Clarinet,Instrumental Duet - Level 2 - SKU: A0.1150431 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic ...
(+)
Bassoon,Clarinet,Instrumental Duet - Level 2 - SKU: A0.1150431 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #750608. Published by Woods Only, Arrangements (A0.1150431). This arrangement adapted for clarinet and bassoon duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99
Tchaikovsky: Chinese Dance from Nutcracker Suite for Bassoon & Piano
Tchaikovsky: Chinese Dance from Nutcracker Suite for Bassoon & Piano
#
2 Bassoons (duet)
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Chinese Dance fro
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549781 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Childr...
(+)
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549781 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and parts. 11 pages. Jmsgu3 #3535059. Published by jmsgu3 (A0.549781). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Bassoon & Piano
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Bassoon & Piano
#
2 Bassoons (duet)
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Waltz of the Flow
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549828 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Childr...
(+)
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549828 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and parts. 48 pages. Jmsgu3 #3549777. Published by jmsgu3 (A0.549828). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Bassoon & Piano
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Bassoon & Piano
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2 Bassoons (duet)
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549806 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Childr...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549806 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and parts. 16 pages. Jmsgu3 #3541659. Published by jmsgu3 (A0.549806). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo parts: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: March from Nutcracker Suite for Bassoon & Piano
Tchaikovsky: March from Nutcracker Suite for Bassoon & Piano
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2 Bassoons (duet)
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: March from Nutcra
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549670 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Childr...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549670 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and parts. 20 pages. Jmsgu3 #3519035. Published by jmsgu3 (A0.549670). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is a classic Christmas program favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.Â
$32.95
Tchaikovsky: Arabian Dance from Nutcracker Suite for Bassoon & Piano
Tchaikovsky: Arabian Dance from Nutcracker Suite for Bassoon & Piano
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2 Bassoons (duet)
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549760 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Childr...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549760 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and parts. 17 pages. Jmsgu3 #3533265. Published by jmsgu3 (A0.549760). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Scene 10 from Swan Lake for Bassoon & Piano
Tchaikovsky: Scene 10 from Swan Lake for Bassoon & Piano
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2 Bassoons (duet)
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swa
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549607 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instru...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - SKU: A0.549607 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and parts. 16 pages. Jmsgu3 #3513263. Published by jmsgu3 (A0.549607). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
Turkish March by Beethoven for Bassoon
Turkish March by Beethoven for Bassoon
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Bassoon, Piano (duet)
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EASY
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Classical
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.1155641 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and par...
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Bassoon,Piano - Level 2 - SKU: A0.1155641 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755945. Published by Woods Only, Arrangements (A0.1155641). This arrangement adapted for bassoon and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
O Christmas Tree, (O Tannenbaum), Jazz style, for Oboe and Bassoon Duet
O Christmas Tree, (O Tannenbaum), Jazz style, for Oboe and Bassoon Duet
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Oboe, Bassoon (duet)
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INTERMEDIATE
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Sacred music
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Ernst Anschütz
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David McKeown
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O Christmas Tree,
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.594309 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Pra...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.594309 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6574659. Published by David McKeown (A0.594309). O Christmas Tree, (O Tannenbaum), is a much-loved Christmas song. This version is arranged as a duet in a Jazz Waltz/Swing style for one Oboe and one Bassoon. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of O Christmas Tree is Polish in origin and dates back to the sixteenth century. The lyrics we know and love were added much later by German composer Ernst Anschütz in 1824. The lyrics were originally a homage to the fir tree, using the evergreen foliage as a metaphor for constancy and loyalty. The association with Christmas appeared later in the nineteenth century.With a performance time of three minutes and a half minutes, this version of O Christmas Tree is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.O Christmas Tree is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in jazz waltz music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several busy passages to keep players on their toes. The melody is played four times, the last in 4/4 time with a short coda. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Ding Dong Merrily on High, Jazz Style, for Oboe and Bassoon Duet
Ding Dong Merrily on High, Jazz Style, for Oboe and Bassoon Duet
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Oboe, Bassoon (duet)
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INTERMEDIATE/ADVANCED
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Christmas
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Traditional
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David McKeown
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Ding Dong Merrily on High, Jaz
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 4 - SKU: A0.594029 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & ...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 4 - SKU: A0.594029 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6534985. Published by David McKeown (A0.594029). Ding Dong Merrily on High is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Shuffle/Swing style for one Oboe and one Bassoon. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Ding Dong Merrily on High first appeared in a French book of secular dance tunes during the sixteenth century. The Christmas lyrics we know and love were added much later by English composer and rector George Ratcliffe Woodward and first published in 1924. With a performance time around of three minutes, this version of Ding Dong Merrily on High is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz shuffle style is a fun and fresh take on this familiar traditional tune.Ding Dong Merrily on High is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played twice, with short bell-chiming intros and outros. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Ave Verum Corpus K. 618 arranged for Bassoon Duet
Ave Verum Corpus K. 618 - Bassoon Duet
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2 Bassoons (duet)
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Andrew Middleton
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Ave Verum Corpus K. 618 - Bass
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Andrew Middleton
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.736119 Composed by Wolfgang Amadeus Mozart. Arranged by Andrew Middleton. Christian,Clas...
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.736119 Composed by Wolfgang Amadeus Mozart. Arranged by Andrew Middleton. Christian,Classical,Sacred. Score and parts. 6 pages. Andrew Middleton #6345407. Published by Andrew Middleton (A0.736119). Composed by W.A. Mozart in 1791 only six months before the composers death, Ave Verrum Corpus is the setting of a 14th century Eucharist hymn to celebrate the Feast of Corpus Christi. This arrangement for bassoon duet is ideal for beginner-early intermediate ensembles. This arrangement would also be ideal for cello duet too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$5.99
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
He's Got The Whole World in His Hands, Gospel Song for Oboe and Bassoon Duet
He's Got The Whole World in His Hands, Gospel Song for Oboe and Bassoon Duet
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Oboe, Bassoon (duet)
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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He's Got The Whole World in Hi
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 4 - SKU: A0.590117 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise ...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 4 - SKU: A0.590117 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6168367. Published by David McKeown (A0.590117). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for one Oboe and one Bassoon. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Arioso by Bach for Bassoon Duet
Arioso by Bach for Bassoon Duet
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2 Bassoons (duet)
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BEGINNER
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Classical
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Bassoon Due
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Woods Only, Arrangements
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SheetMusicPlus
Bassoon,Instrumental Duet - Level 1 - SKU: A0.1041940 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. 5 pages. Wood...
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Bassoon,Instrumental Duet - Level 1 - SKU: A0.1041940 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. 5 pages. Woods Only, Arrangements #646729. Published by Woods Only, Arrangements (A0.1041940). This easy arrangement for bassoon duet was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$3.99
Denmark: The Two National Anthems
Denmark: The Two National Anthems
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Concert band
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EASY
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Patriotic
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Ditlev Ludvig Rogert
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Colin Kirkpatrick
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Denmark: The Two National Anth
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Large Ensemble - Level 2 - SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatr...
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Large Ensemble - Level 2 - SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
Hava Nagila, Klezmer tune for Oboe and Bassoon Duet
Hava Nagila, Klezmer tune for Oboe and Bassoon Duet
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Oboe, Bassoon (duet)
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INTERMEDIATE
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Klezmer
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Traditional
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David McKeown
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Hava Nagila, Klezmer tune for
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.588881 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Sc...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - SKU: A0.588881 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6020749. Published by David McKeown (A0.588881). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Bassoon.Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Moldau for Bassoon and Piano
The Moldau for Bassoon and Piano
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Bassoon, Piano (duet)
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EASY
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Classical
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Bedrich Smetana
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Diego Marani
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The Moldau for Bassoon and Pia
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Diego Marani
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.606412 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score...
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Bassoon,Piano - Level 2 - SKU: A0.606412 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Diego Marani #215617. Published by Diego Marani (A0.606412). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement in original key for bassoon with piano accompaniment is suitable for classroom, repertoire and recital.
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The Six, for Bassoon Duet
