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You've selected:
REQUIEM AETERNAM
Sheetmusic to print
60 sheet music found
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1
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51
Requiem
Requiem
#
Eduard Puetz
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download ...
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Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download SKU: S9.Q25979 After Texts from the Old and New Testament. Composed by Eduard Puetz. This edition: piano reduction with solo parts. Downloadable, Piano reduction with solo parts. Duration 18 minutes. Schott Music - Digital #Q25979. Published by Schott Music - Digital (S9.Q25979). Latin.Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduard Pütz (1911–2000) unsere Zeit auf musikalischer aber auch gesellschaftlicher Ebene in vielfältiger Weise wider. Die Komposition wird von drei musikalischen Vorstellungen geprägt: In den Rahmensätzen des Requiems greift Pütz den traditionellen lateinischen Text der Totenmesse auf (Requiem aeternam – Agnus Dei). Der musikalische Charakter dieser Chorsätze ist ernst, erhaben und in der Tonsprache eher konservativ. Pütz knüpft hier an die überlieferten musikali¬schen Traditionen an. In den knappen rezitativähnlichen Solosätzen für Sopran und Bariton hingegen bedient sich Pütz der Klangpalette der Moderne. In den hoch expressiven Passagen der Singstimmen und der feingliedrigen, dissonan¬zenreichen Orchesterbegleitung sind die Einflüsse von Komponisten wie Igor Strawinsky oder Paul Hindemith klar zu erkennen. Mit diesen Klängen setzt Pütz die Thematik der Solosätze eindringlich um: Die vom Komponisten ausgewählten Bibelworte klagen wütend die Schattenseiten der Menschheit an, ihre Bosheit, Unvernunft und Torheit. Gleichzeitig begibt sich der Komponist auf die Suche nach Gott und dem Sinn des Lebens. Deutlich sind hier persönliche Anliegen des Komponisten wie das Streben nach einem dauerhaften Weltfrieden zu spüren, die ihn zeitlebens bewegten. In den beiden dem Chor anvertrauten deutschsprachigen Kirchenchorälen verwendet Pütz erneut traditionellere tonale Klangmuster und schöpft dabei harmonisch aus der musikalischen Tonsprache des Jazz. Die Choräle sind Hilfeschreie und Aufforderungen an Gott, die Menschheit von den Nöten dieser Welt, die sie zum Teil mit verursacht haben, zu befreien.
$18.99 ≈
$25.91
Requiem
Requiem
#
Eduard Puetz
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano solo, baritone solo, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital...
(+)
Soprano solo, baritone solo, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download SKU: S9.Q26234 With texts from the Old and New Testaments. Composed by Eduard Puetz. This edition: wind parts. Parts. Duration 18 minutes. Schott Music - Digital #Q26234. Published by Schott Music - Digital (S9.Q26234). Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduard Pütz (1911–2000) unsere Zeit auf musikalischer aber auch gesellschaftlicher Ebene in vielfältiger Weise wider. Die Komposition wird von drei musikalischen Vorstellungen geprägt: In den Rahmensätzen des Requiems greift Pütz den traditionellen lateinischen Text der Totenmesse auf (Requiem aeternam – Agnus Dei). Der musikalische Charakter dieser Chorsätze ist ernst, erhaben und in der Tonsprache eher konservativ. Pütz knüpft hier an die überlieferten musikali¬schen Traditionen an. In den knappen rezitativähnlichen Solosätzen für Sopran und Bariton hingegen bedient sich Pütz der Klangpalette der Moderne. In den hoch expressiven Passagen der Singstimmen und der feingliedrigen, dissonan¬zenreichen Orchesterbegleitung sind die Einflüsse von Komponisten wie Igor Strawinsky oder Paul Hindemith klar zu erkennen. Mit diesen Klängen setzt Pütz die Thematik der Solosätze eindringlich um: Die vom Komponisten ausgewählten Bibelworte klagen wütend die Schattenseiten der Menschheit an, ihre Bosheit, Unvernunft und Torheit. Gleichzeitig begibt sich der Komponist auf die Suche nach Gott und dem Sinn des Lebens. Deutlich sind hier persönliche Anliegen des Komponisten wie das Streben nach einem dauerhaften Weltfrieden zu spüren, die ihn zeitlebens bewegten. In den beiden dem Chor anvertrauten deutschsprachigen Kirchenchorälen verwendet Pütz erneut traditionellere tonale Klangmuster und schöpft dabei harmonisch aus der musikalischen Tonsprache des Jazz. Die Choräle sind Hilfeschreie und Aufforderungen an Gott, die Menschheit von den Nöten dieser Welt, die sie zum Teil mit verursacht haben, zu befreien.
$29.99 ≈
$40.91
Requiem
Requiem
#
Eduard Puetz
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download ...
(+)
Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download SKU: S9.Q25963 After Texts from the Old and New Testament. Composed by Eduard Puetz. This edition: score. Downloadable, Score. Duration 18 minutes. Schott Music - Digital #Q25963. Published by Schott Music - Digital (S9.Q25963). Latin.Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduard Pütz (1911–2000) unsere Zeit auf musikalischer aber auch gesellschaftlicher Ebene in vielfältiger Weise wider. Die Komposition wird von drei musikalischen Vorstellungen geprägt: In den Rahmensätzen des Requiems greift Pütz den traditionellen lateinischen Text der Totenmesse auf (Requiem aeternam – Agnus Dei). Der musikalische Charakter dieser Chorsätze ist ernst, erhaben und in der Tonsprache eher konservativ. Pütz knüpft hier an die überlieferten musikali¬schen Traditionen an. In den knappen rezitativähnlichen Solosätzen für Sopran und Bariton hingegen bedient sich Pütz der Klangpalette der Moderne. In den hoch expressiven Passagen der Singstimmen und der feingliedrigen, dissonan¬zenreichen Orchesterbegleitung sind die Einflüsse von Komponisten wie Igor Strawinsky oder Paul Hindemith klar zu erkennen. Mit diesen Klängen setzt Pütz die Thematik der Solosätze eindringlich um: Die vom Komponisten ausgewählten Bibelworte klagen wütend die Schattenseiten der Menschheit an, ihre Bosheit, Unvernunft und Torheit. Gleichzeitig begibt sich der Komponist auf die Suche nach Gott und dem Sinn des Lebens. Deutlich sind hier persönliche Anliegen des Komponisten wie das Streben nach einem dauerhaften Weltfrieden zu spüren, die ihn zeitlebens bewegten. In den beiden dem Chor anvertrauten deutschsprachigen Kirchenchorälen verwendet Pütz erneut traditionellere tonale Klangmuster und schöpft dabei harmonisch aus der musikalischen Tonsprache des Jazz. Die Choräle sind Hilfeschreie und Aufforderungen an Gott, die Menschheit von den Nöten dieser Welt, die sie zum Teil mit verursacht haben, zu befreien.
$33.99 ≈
$46.37
Requiem
Requiem
#
Eduard Puetz
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download ...
(+)
Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download SKU: S9.Q25989 After Texts from the Old and New Testament. Composed by Eduard Puetz. This edition: set of parts. Downloadable, Set of parts. Duration 18 minutes. Schott Music - Digital #Q25989. Published by Schott Music - Digital (S9.Q25989). Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduard Pütz (1911–2000) unsere Zeit auf musikalischer aber auch gesellschaftlicher Ebene in vielfältiger Weise wider. Die Komposition wird von drei musikalischen Vorstellungen geprägt: In den Rahmensätzen des Requiems greift Pütz den traditionellen lateinischen Text der Totenmesse auf (Requiem aeternam – Agnus Dei). Der musikalische Charakter dieser Chorsätze ist ernst, erhaben und in der Tonsprache eher konservativ. Pütz knüpft hier an die überlieferten musikali¬schen Traditionen an. In den knappen rezitativähnlichen Solosätzen für Sopran und Bariton hingegen bedient sich Pütz der Klangpalette der Moderne. In den hoch expressiven Passagen der Singstimmen und der feingliedrigen, dissonan¬zenreichen Orchesterbegleitung sind die Einflüsse von Komponisten wie Igor Strawinsky oder Paul Hindemith klar zu erkennen. Mit diesen Klängen setzt Pütz die Thematik der Solosätze eindringlich um: Die vom Komponisten ausgewählten Bibelworte klagen wütend die Schattenseiten der Menschheit an, ihre Bosheit, Unvernunft und Torheit. Gleichzeitig begibt sich der Komponist auf die Suche nach Gott und dem Sinn des Lebens. Deutlich sind hier persönliche Anliegen des Komponisten wie das Streben nach einem dauerhaften Weltfrieden zu spüren, die ihn zeitlebens bewegten. In den beiden dem Chor anvertrauten deutschsprachigen Kirchenchorälen verwendet Pütz erneut traditionellere tonale Klangmuster und schöpft dabei harmonisch aus der musikalischen Tonsprache des Jazz. Die Choräle sind Hilfeschreie und Aufforderungen an Gott, die Menschheit von den Nöten dieser Welt, die sie zum Teil mit verursacht haben, zu befreien.
$55.99 ≈
$76.38
Requiem aeternam (Downloadable)
Requiem aeternam (Downloadable)
#
J
#
Requiem aeternam
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
STB choir, viola or cello, and organ - Moderately Easy - Digital Download SKU: MQ.50-7085-E Composed by J. Christopher Pardini. All Saints/All Souls, Fun...
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STB choir, viola or cello, and organ - Moderately Easy - Digital Download SKU: MQ.50-7085-E Composed by J. Christopher Pardini. All Saints/All Souls, Funeral. Score & instrument part. 12 pages. MorningStar Music Publishers - Digital Sheet Music #50-7085-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-7085-E). English.J. Christopher Pardini's Requiem aeternam is a solemn and harmonically engaging composition for STB voices with viola or cello and organ. It begins with an ethereal statement of the E minor theme with words from the Requiem Mass, first by TB voices and then repeated with treble voices. (One might consider using children's voices.) A viola interlude leads into the middle section in E major, where voices gently but insistently entreat God to shine perpetual light on the dead. The original theme, this time with voices at pianissimo, returns after another viola interlude. The viola takes up the prayer theme in the end, sparingly underscored by voices, and harmonies gently move back to E major to accompany the choir's final, hopeful Amen. A substitute part for cello is also available.
$2.65 ≈
$3.62
Requiem aeternam
Requiem aeternam
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Brass Quartet: 4 horns
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EASY
#
Anton Bruckner
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Edition Maulwurf
#
Requiem aeternam
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Edition Maulwurf
#
SheetMusicPlus
French Horn Quartet Horn - Level 2 - Digital Download SKU: A0.1274315 Composed by Anton Bruckner. Arranged by Edition Maulwurf. 19th Century,Religious,Ro...
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French Horn Quartet Horn - Level 2 - Digital Download SKU: A0.1274315 Composed by Anton Bruckner. Arranged by Edition Maulwurf. 19th Century,Religious,Romantic Period,Sacred. 5 pages. Edition Maulwurf #866453. Published by Edition Maulwurf (A0.1274315). Anton BrucknerRequiem aeternamarrangement for horn quartetduration: ca 1m 20sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$6.99 ≈
$9.54
Meditation on Requiem Aeternam, Op. 155 (Organ Solo) by Vidas Pinkevicius
Meditation on Requiem Aeternam, Op. 155 (Organ Solo) by Vidas Pinkevicius
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Organ
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EASY
#
Sacred music
#
Vidas Pinkevicius
#
Meditation on Requiem Aeternam
#
Vidas Pinkevicius
#
SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1119178 Composed by Vidas Pinkevicius. Contemporary,Praise & Worship,Religious,Sacred. Score. 4 pages. Vidas P...
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Organ - Level 2 - Digital Download SKU: A0.1119178 Composed by Vidas Pinkevicius. Contemporary,Praise & Worship,Religious,Sacred. Score. 4 pages. Vidas Pinkevicius #720593. Published by Vidas Pinkevicius (A0.1119178). If you're looking for some meditative music suitable for funerals, All Soul's Day and other memorial occasions, I hope you will enjoy this Meditation on Gregorian chant tune Requiem Aeternam. In this colourful piece, sections of the chant alternate with a refrain, reminding of flowing water.
$4.99 ≈
$6.81
Requiem Aeternam
Requiem Aeternam
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Piano, Voice
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INTERMEDIATE
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Jeff Crull
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Requiem Aeternam
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Jeff Crull
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1208519 Composed by Jeff Crull. Classical,Religious,Sacred. Score. 9 pages. Jeff Crull #806615. Pu...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1208519 Composed by Jeff Crull. Classical,Religious,Sacred. Score. 9 pages. Jeff Crull #806615. Published by Jeff Crull (A0.1208519). A short piece (NOT a full mass) using lyrics from the Requiem mass and some original lyrics mixed in. Great for funerals, the Lenten season or any similarly-themed concert. For SATB and small group (SSA) with piano accompaniment.
$1.99 ≈
$2.71
DIES IRAE from REQUIEM by G. Verdi
DIES IRAE from REQUIEM by G. Verdi
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Giuseppe Verdi
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Alessandro Macrì
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DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Capp...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00 ≈
$12.28
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
$76.38
Drei Stücke für ein Requiem / Three Pieces for a Requiem
Drei Stücke für ein Requiem / Three Pieces for a Requiem
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Organ
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EASY
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Felix Bräuer
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Drei Stücke für ein Requiem
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Felix Bräuer
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1312547 Composed by Felix Bräuer. 21st Century,Contemporary,Religious,Sacred,Traditi...
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Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1312547 Composed by Felix Bräuer. 21st Century,Contemporary,Religious,Sacred,Traditional. Individual part. 24 pages. Felix Bräuer #901401. Published by Felix Bräuer (A0.1312547). Drei Stücke für ein Requiem / Three Pieces for a Requiemfor organ solo, organ with choir, organ with solo.1. Requiem aeternam, 2. Lux aeterna, 3. In Paradisum.
$15.00 ≈
$20.46
Requiem Octet ... In Memoriam Gunther Schuller (2015) for flute, clarinet, 2 bassoons, 2 trumpets, 2
Requiem Octet ... In Memoriam Gunther Schuller (2015) for flute, clarinet, 2 bassoons, 2 trumpets, 2
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Thomas Oboe Lee
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Requiem Octet ... In Memoriam
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869389 Composed by Thomas Oboe Lee. 20th Century,Baroque,Clas...
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Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869389 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 pages. Thomas Oboe Lee #431995. Published by Thomas Oboe Lee (A0.869389). I was in the midst of composing this octet for Eric Hewitt and the Boston Conservatory Wind Ensemble when I heard that Gunther Schuller died, on Sunday June 21, 2015. Gunther was my first composition teacher when I was a graduate student at the New England Conservatory of Music in Boston. On impulse I decided to redirect this work to Gunther Schuller, in memoriam. The title is Requiem Octet. All the melodies in the octet are coupled with the Latin text from the requiem. There are eight movements. 1. Requiem aeternam ... 2. Dies irae, dies illa ... 3. Tuba mirum ... 4. Recordare ... 5. Confutatis maledictis ... 6. Lacrimosa ... 7. Libera me ... 8. In paradisum ...RIP, Gunther Schuller, 1925-2015.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/requiem-octet-in-memoriam-gunther-schuller-2015
$9.99 ≈
$13.63
Requiem in D Minor K. 626 - I. Introitus: Requiem aetermam
Requiem in D Minor K. 626 - I. Introitus: Requiem aetermam
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Piano solo
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Chris Hsu
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Requiem in D Minor K. 626 - I.
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Chris Hsu
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.503144 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Hsu. Classical. Score. 8 pages. Chris Hsu #...
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Piano Solo - Level 5 - Digital Download SKU: A0.503144 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Hsu. Classical. Score. 8 pages. Chris Hsu #115342. Published by Chris Hsu (A0.503144). This is my arrangement of Introitus: Requiem aeternam from Mozart's Requiem for advanced solo piano.
$10.00 ≈
$13.64
Requiem: Kyrie: Close now thine eyes from Eternal Light: A Requiem (Downloadable)
Requiem: Kyrie: Close now thine eyes from Eternal Light: A Requiem (Downloadable)
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Howard Goodall
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Requiem: Kyrie: Close now thin
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano voice solo, SATB choir, and piano - Medium - Digital Download SKU: MQ.56-0049-E Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae. 1...
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Soprano voice solo, SATB choir, and piano - Medium - Digital Download SKU: MQ.56-0049-E Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae. 15 pages. Duration 9 minutes, 13 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0049-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0049-E). English.Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. The “Kyrie†uses Francis Quarles’ “Close now thine eyes and rest secure†as the opposing English text. After the choir begins the requiem text in Latin (“Requiem aeternam†through the “Kyrie eleison,â€) the soprano soloist has a 27-measure solo in which the English text appears. Then the solo is repeated over choir accompaniment and the opening Latin text reappears to close the movement. Duration 9:13.
$3.35 ≈
$4.57
Peace grant unto them (Requiem)
Peace grant unto them (Requiem)
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Choral 3-part
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EASY
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Christian contemporary
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Sacred music
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Margaret Woodley
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Peace grant unto them
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Margaret Woodley
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.991640 Composed by Margaret Woodley. Contemporary,Sacred. Octavo. 4 pages. Margaret Woodley #5000...
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.991640 Composed by Margaret Woodley. Contemporary,Sacred. Octavo. 4 pages. Margaret Woodley #5000235. Published by Margaret Woodley (A0.991640). A short setting for 3 upper voices (SSA) and piano of the words Requiem Aeternam and Peace grant unto them.
$2.99 ≈
$4.08
Introitus - Requiem Aeternam (Requiem KV 626) - Clarinet Quartet
Introitus - Requiem Aeternam (Requiem KV 626) - Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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Classical
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Wolfgang Amadeus Mozart
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Introitus - Requiem Aeternam
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Juan A. Perez
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SheetMusicPlus
Clarinet Quartet - Digital Download Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Juan A. Perez. Classical Period, Sacred. Score, Set o...
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Clarinet Quartet - Digital Download Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Juan A. Perez. Classical Period, Sacred. Score, Set of Parts. 14 pages. Published by Juan A. Perez
Arrangement of the Introitus - Requiem Aeternam. It is the first part of the Requiem composed by W.A. Mozart.
$4.99 ≈
$6.81
Requiem K.626 – Lacrimosa – Introitus Requiem Aeternam
Requiem K.626 – Lacrimosa – Introitus Requiem Aeternam
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Concert band
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INTERMEDIATE
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Classical
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Spiros A
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Spiros A
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Requiem K.626 – Lacrimosa
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SheetMusicPlus
By Spiros A. Cheimarios. By Wolfgang Amadeus Mozart (1756- 1791). Arranged by Spiros A. Cheimarios. Classical. Score and parts. 31 pages. Spiros A. Che...
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By Spiros A. Cheimarios. By Wolfgang Amadeus Mozart (1756- 1791). Arranged by Spiros A. Cheimarios. Classical. Score and parts. 31 pages. Spiros A. Cheimarios #704457. Published by Spiros A. Cheimarios
$50.00 ≈
$68.21
Requiem Aeternam: Introit
Requiem Aeternam: Introit
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Classical
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Felice Anerio
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Requiem Aeternam: Introit
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Hal Leonard Europe
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SheetMusicPlus
Choral Choir,Voice - Digital Download SKU: HX.338090 By Felice Anerio. This edition: scorch. Choral. Classical. Octavo. 2 pages. Hal Leonard Europe #7522...
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Choral Choir,Voice - Digital Download SKU: HX.338090 By Felice Anerio. This edition: scorch. Choral. Classical. Octavo. 2 pages. Hal Leonard Europe #75228. Published by Hal Leonard Europe (HX.338090).
$1.70 ≈
$2.32
Requiem aeternam
Requiem aeternam
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Christian contemporary
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Sacred music
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Maurizio Chiavaroli
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Requiem aeternam
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Maurizio Chiavaroli
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790390 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Sacred,Standards. 2 p...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790390 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Sacred,Standards. 2 pages. Maurizio Chiavaroli #3479693. Published by Maurizio Chiavaroli (A0.790390). Composizione originale per soprano e pianoforteOriginal composition for soprano voice and piano.
$4.99 ≈
$6.81
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REQUIEM AETERNAM
