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You've selected:
Hesse
Sheetmusic to print
196 sheet music found
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176
Hesse - 5,6,7 Warmup Routine for Trumpet
Hesse - 5,6,7 Warmup Routine for Trumpet
#
Trumpet
#
EASY
#
Instructional
#
Hesse, Mick
#
Hesse - 5,6,7 Warmup Routine f
#
Gordon Cherry
#
SheetMusicPlus
Composed by Hesse, Mick. Instructional, Standards. Individual part. 15 pages. Gordon Cherry #3638615. Published by Gordon Cherry...
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Composed by Hesse, Mick. Instructional, Standards. Individual part. 15 pages. Gordon Cherry #3638615. Published by Gordon Cherry
$12.50 ≈
11.67€
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
#
Jacques Offenbach
#
Nicole Elyse DiPaolo
#
Vous aimez le danger/Ah! que j
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.35€
Hessen - Three Pavans
Hessen - Three Pavans
#
Brass ensemble
#
INTERMEDIATE
#
Hessen
#
Ian D
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Hessen - Three Pavans
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Grumpy Mule Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.949112 Composed by Hessen (Moritz, Landgraf von Hessen). Arranged by Ian D. Crew. Christmas,Concert,Renaissance,Stand...
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Brass Ensemble - Level 3 - SKU: A0.949112 Composed by Hessen (Moritz, Landgraf von Hessen). Arranged by Ian D. Crew. Christmas,Concert,Renaissance,Standards,Wedding. Score and parts. 17 pages. Grumpy Mule Music #4354785. Published by Grumpy Mule Music (A0.949112). These three stately pavans are reminiscent of the canzonas by Gabrieli. They are ideal for ceremonial and liturgical use, and will also serve well as a concert item. Moritz, Landgraf von Hessen-Kassel (1572 - 1632) is a fascinating lesser figure of the late Renaissance, and has left us a legacy of wonderful choral and instrumental music.
$12.00 ≈
11.20€
Pavane by Moritz Landgraf von Hessen for Trombone Quintet
Pavane by Moritz Landgraf von Hessen for Trombone Quintet
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Trombone ensemble
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ADVANCED
#
Renaissance
#
Moritz Landgraf von Hessen
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Jörg Richter
#
Pavane by Moritz Landgraf von
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Jörg Richter
#
SheetMusicPlus
Brass Ensemble,Trombone Quintet - Level 5 - SKU: A0.798889 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. Score and par...
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Brass Ensemble,Trombone Quintet - Level 5 - SKU: A0.798889 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. Score and parts. 10 pages. Jörg Richter #5985369. Published by Jörg Richter (A0.798889). The famous Pavane written by Moritz Landgraf von Hessen in an arrangement for Trombone Quintet. (Note: 1st and 2nd trombone are available in Alto clef as well as in Tenor clef.).
$13.99 ≈
13.06€
Pavane by Moritz Landgraf von Hessen for French Horn Quintet
Pavane by Moritz Landgraf von Hessen for French Horn Quintet
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Horn Ensemble
#
INTERMEDIATE/ADVANCED
#
Renaissance
#
Moritz Landgraf von Hessen
#
Jörg Richter
#
Pavane by Moritz Landgraf von
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Jörg Richter
#
SheetMusicPlus
Horn Quintet - Level 4 - SKU: A0.798893 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. 8 pages. Jörg Richter #5985419....
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Horn Quintet - Level 4 - SKU: A0.798893 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. 8 pages. Jörg Richter #5985419. Published by Jörg Richter (A0.798893). The famous Pavane written by Moritz Landgraf von Hessen in an arrangement for French Horn Quintet.
$12.99 ≈
12.12€
Pavane von Moritz Landgraf von Hessen für Horn Quintett
Pavane von Moritz Landgraf von Hessen für Horn Quintett
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Renaissance
#
Moritz Landgraf von Hessen
#
Jörg Richter
#
Pavane von Moritz Landgraf von
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Jörg Richter
#
SheetMusicPlus
Horn Quintet - Level 4 - SKU: A0.798892 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. 8 pages. Jörg Richter #5985417....
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Horn Quintet - Level 4 - SKU: A0.798892 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. 8 pages. Jörg Richter #5985417. Published by Jörg Richter (A0.798892). Die berühmte Pavane von Moritz Landgraf von Hessen in einer Bearbeitung für Horn Quintett.
$12.99 ≈
12.12€
Pavane von Moritz Landgraf von Hessen für Posaunenquintett
Pavane von Moritz Landgraf von Hessen für Posaunenquintett
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Trombone ensemble
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ADVANCED
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Renaissance
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Moritz Landgraf von Hessen
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Jörg Richter
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Pavane von Moritz Landgraf von
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Jörg Richter
#
SheetMusicPlus
Brass Ensemble,Trombone Quintet - Level 5 - SKU: A0.798888 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. Score and par...
(+)
Brass Ensemble,Trombone Quintet - Level 5 - SKU: A0.798888 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. Score and parts. 10 pages. Jörg Richter #5985363. Published by Jörg Richter (A0.798888). Die berühmte Pavane von Moritz Landgraf von Hessen in einer Bearbeitung für Posaunenquintett. (Beachte: 1. und 2. Posaune liegen sowohl im Alt-, als auch im Tenorschlüssel vor.).
$13.99 ≈
13.06€
Pavane von Moritz Landgraf von Hessen für Fagott Quintett
Pavane von Moritz Landgraf von Hessen für Fagott Quintett
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5 Bassoons
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INTERMEDIATE/ADVANCED
#
Renaissance
#
Moritz Landgraf von Hessen
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Jörg Richter
#
Pavane von Moritz Landgraf von
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Jörg Richter
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon - Level 4 - SKU: A0.798890 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. 8 ...
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Woodwind Ensemble,Woodwind Quintet Bassoon - Level 4 - SKU: A0.798890 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. 8 pages. Jörg Richter #5985387. Published by Jörg Richter (A0.798890). Die berühmte Pavane von Moritz Landgraf von Hessen in einer Bearbeitung für Fagott Quintett.
$12.99 ≈
12.12€
Pavane by Moritz Landgraf von Hessen for Bassoon Quintet
Pavane by Moritz Landgraf von Hessen for Bassoon Quintet
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5 Bassoons
#
INTERMEDIATE/ADVANCED
#
Renaissance
#
Moritz Landgraf von Hessen
#
Jörg Richter
#
Pavane by Moritz Landgraf von
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Jörg Richter
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon - Level 4 - SKU: A0.798891 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. 8 ...
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon - Level 4 - SKU: A0.798891 Composed by Moritz Landgraf von Hessen. Arranged by Jörg Richter. Renaissance. 8 pages. Jörg Richter #5985391. Published by Jörg Richter (A0.798891). The famous Pavane written by Moritz Landgraf von Hessen in an arrangement for Bassoon Quintet.
$12.99 ≈
12.12€
Schneider-Polka sur des Themes de la Grande Duchesse de Gerolstein
Schneider-Polka sur des Themes de la Grande Duchesse de Gerolstein
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Piano solo
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Jacques Offenbach
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L
#
Schneider-Polka sur des Themes
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.10147 Composed by Jacques Offenbach. Arranged by L. Roques. Portraits. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins Un...
(+)
Piano - SKU: LV.10147 Composed by Jacques Offenbach. Arranged by L. Roques. Portraits. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10147). Schneider-Polka sur des Themes de la Grande Duchesse de Gerolstein. Composee et Arrangee pour le Piano par L. Roques. Musique de J. Offenbach. Published [n.d.] by G. Brandus et S. Dufour, Editeurs, Rue Richelieu, 103 in Paris. Composition of da capo with trio with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
A quoi bon la richesse (aria from the opera Cendrillon) for Soprano, Violin, and Piano
A quoi bon la richesse (aria from the opera Cendrillon) for Soprano, Violin, and Piano
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Nicolo Isouard, Charles-Guilla
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Joel Jacklich (ASCAP)
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A quoi bon la richesse
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Joel Jacklich
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Violin,Voice - Level 4 - SKU: A0.723183 Composed by Nicolo Isouard, Charles-Guillaume Etienne. Arranged by Joel Jack...
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Instrumental Duet Instrumental Duet,Violin,Voice - Level 4 - SKU: A0.723183 Composed by Nicolo Isouard, Charles-Guillaume Etienne. Arranged by Joel Jacklich (ASCAP). Classical,Concert,Opera. Score and parts. 19 pages. Joel Jacklich #6717839. Published by Joel Jacklich (A0.723183). The aria A quoi bon la richesse from the opera Cendrillon (Cinderella) by Nicolo Isouard, for soprano, violin and piano. Libretto is by Charles-Guillaume Etienne.
$9.99 ≈
9.32€
10,000 Reasons (Bless The Lord) Piano Solo
10,000 Reasons (Bless The Lord) Piano Solo
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Piano solo
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Matt Redman
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Ryan Chesser
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10,000 Reasons
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RyanChesser
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SheetMusicPlus
By Matt Redman. Arranged by Ryan Chesser. 3 pages. Published by RyanChesser (H0.183575-217545). - - - RyanChesser...
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By Matt Redman. Arranged by Ryan Chesser. 3 pages. Published by RyanChesser (H0.183575-217545). - - - RyanChesser
$4.99 ≈
4.66€
So im Vorüberwehn
So im Vorüberwehn
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Choral SATB
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Albrecht Haaf
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So im Vorüberwehn
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and piano - intermediate to advanced - SKU: S9.Q43076 Zyklus über fünf Gedichte von Hermann Hesse. Composed by Albrecht Haaf...
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Mixed choir (SATB) and piano - intermediate to advanced - SKU: S9.Q43076 Zyklus über fünf Gedichte von Hermann Hesse. Composed by Albrecht Haaf. This edition: choral score. Downloadable, Choral score. Schott Music - Digital #Q43076. Published by Schott Music - Digital (S9.Q43076). German.An impressionist setting of five poems by Hermann Hesse which is characterized by influences from pop and jazz music, but from the Romantic era as well. Haaf set the texts in five movements, each of which being complete in itself, yet together forming an integral work.
$11.99 ≈
11.19€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward ...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting go”. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my door”. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean” of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdom”. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeterna”. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen” [“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning”] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben” [“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold”]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus” [“And my soul spread its wings wide. Flew through the still country as if homeward bound.”]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed” occupation with the “old” country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomer”. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
52.26€
12 Preludes for Organ op. 17
12 Preludes for Organ op. 17
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Organ
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EASY
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August Freyer
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Ascalon
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12 Preludes for Organ op. 17
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Ascalon
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1207714 Composed by August Freyer. Arranged by Ascalon. Christian,Classical,Religious. Score. 12 pages. Ascalon #805840. Publi...
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Organ - Level 2 - SKU: A0.1207714 Composed by August Freyer. Arranged by Ascalon. Christian,Classical,Religious. Score. 12 pages. Ascalon #805840. Published by Ascalon (A0.1207714). The collection contains 12 easy preludes for organ without a pedal. The preludes lend themselves very well to a church service and are excellent pedagogical material.August Freyer (15 December 1801 – 28 May 1883) was a Polish musician and composer, specializing in both performance and composition on the organ.August was born in Saxony in 1801. He moved to Warsaw and began his musical career there as a double bass player. He became organist at the Warsaw Evangelical Church, had the organ rebuilt, and turned his church into a prominent musical location while becoming the prominent organist and organ teacher in Warsaw. He made a tour of northern Germany as an organist, from which he received wide acclaim.August was a musical pupil of Józef Elsner. He became a close associate of Adolf Friedrich Hesse. He promoted Hesse's music to Mikhail Glinka, successful in his performance to the point of reducing his listener to tears. At an early age Stanisław Moniuszko became his pupil, his parents relocated to Warsaw in order to have Stanisław study with Freyer. He died in 1883.Freyer was largely responsible for the revival of organ music in Poland. He was a master at music balance, both homophonic and polyphonic. His playing was appreciated by Felix Mendelssohn and Louis Spohr. In addition to the aforementioned German concerts, he toured Paris to enthusiastic reception. His most famous composition was a set of Concert Variations of which the final-movement fugue is the most recognized.
$6.99 ≈
6.52€
America, the Beautiful
America, the Beautiful
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Brass Quartet
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Ward
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Hesse
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America, the Beautiful
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BrassWorks4 - Digital
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SheetMusicPlus
Composed by Ward. Arranged by Hesse. Score and parts. Published by BrassWorks4 - Digital (BX.BW009). - score and parts - - BrassWorks4 - Digital...
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Composed by Ward. Arranged by Hesse. Score and parts. Published by BrassWorks4 - Digital (BX.BW009). - score and parts - - BrassWorks4 - Digital
$14.00 ≈
13.07€
Dona Nobis Pacem
Dona Nobis Pacem
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Brass Quartet
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Christmas
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Anonymous
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Hesse
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Dona Nobis Pacem
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BrassWorks4 - Digital
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SheetMusicPlus
Composed by Anonymous. Arranged by Hesse. Christmas. Score and parts. Published by BrassWorks4 - Digital (BX.BW045). - score and parts - Christmas - BrassWorks4...
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Composed by Anonymous. Arranged by Hesse. Christmas. Score and parts. Published by BrassWorks4 - Digital (BX.BW045). - score and parts - Christmas - BrassWorks4 - Digital
$14.00 ≈
13.07€
Concerto for Two Trumpets (Bb)
Concerto for Two Trumpets (Bb)
Brass & Strings
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Classical
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Antonio Vivaldi
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Hesse
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Concerto for Two Trumpets
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BrassWorks4 - Digital
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by Hesse. Score and parts. Published by BrassWorks4 - Digital (BX.BW070). - score and parts - - BrassWorks4 -...
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Composed by Antonio Vivaldi (1678-1741). Arranged by Hesse. Score and parts. Published by BrassWorks4 - Digital (BX.BW070). - score and parts - - BrassWorks4 - Digital
$25.00 ≈
23.33€
Concerto for Two Trumpets (C)
Concerto for Two Trumpets (C)
Brass & Strings
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Classical
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Antonio Vivaldi
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Hesse
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Concerto for Two Trumpets
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BrassWorks4 - Digital
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by Hesse. Score and parts. Published by BrassWorks4 - Digital (BX.BW071). - score and parts - - BrassWorks4 -...
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Composed by Antonio Vivaldi (1678-1741). Arranged by Hesse. Score and parts. Published by BrassWorks4 - Digital (BX.BW071). - score and parts - - BrassWorks4 - Digital
$25.00 ≈
23.33€
Crawling in the Dark
Crawling in the Dark
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Guitar notes and tablatures
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Rock
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Hoobastank
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Crawling in the Dark
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Hoobastank. By Doug Robb, Daniel Estrin, Markku Lappalainen, and Chris Hesse. Pop/Rock. 8 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PS-00...
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By Hoobastank. By Doug Robb, Daniel Estrin, Markku Lappalainen, and Chris Hesse. Pop/Rock. 8 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0001830). - - Pop/Rock - Alfred Music - Digital Sheet Music
$2.99 ≈
2.79€
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