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Arcangelo Corelli, the violin virtuoso of his time, published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published in nearly 100 editions, all based on Corelli s first edition which contains only the solo violin line above an unrealized bass line. Today, the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords, sometimes played by both hands. In addition, Bärenreiter s new scholarly-critical edition includes many embellishments. For the most part they have been found in handwritten documents by Tartini, Geminiani, McGibbon, Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli s original on the music stand. Complementing this Urtext edition are a historical introduction, a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli as well as a selection of embellished keyboard movements by Corelli s contemporaries. - Score with realization of the basso continuo by Tonelli as well as Corelli s unrealized figured bass line - With a separate Urtext violin part - With a separate unrealized figured continuo part - Includes a separate booklet with embellishments - Appendix with source descriptions, critical commentary (Eng) and preludes for keyboard instrument by Tonelli
SKU: HL.49044547
ISBN 9783795749422. UPC: 841886023338. 9.0x12.0x0.106 inches.
Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott.
SKU: BT.EMBZ12051
English-German-Hungari an.
The present edition contains Twelve Sonatas for Violin Solo and Basso Continuo, Op. 5 by Arcangelo Corelli. The first part of the series (Z. 12050: Sonatas No. 1-3, Z. 12051: Sonatas Nos. 4-6) comprises church sonatas (sonate da chiesa), while the second one (Z. 12265: Sonatas Nos. 7-12) chamber sonatas (sonate da camera). The present edition is based on the first edition of the work published in Rome in 1700. Der vorliegende Band enthält die zwölf Sonaten für Solo-Violine mit Basso continuo, Op. 5 von Arcangelo Corelli. Die erste Teil (Z. 12050: Sonaten 1-3, Z. 12051: Sonaten 4-6) umfasst die Kirchensonaten (sonate da chiesa), der zweite Teil (Z. 12265: Sonaten 7-12) die Kammersonaten (sonata da camera). Die vorliegende Ausgabe stützt sich auf die 1700 in Rom erschienene Erstausgabe des Werkes.
SKU: HL.49005469
ISBN 9790001058797. UPC: 884088097424. 9.25x12.0x0.258 inches.
SKU: HL.49005490
ISBN 9790001058995. UPC: 884088097042. 9.0x12.0x0.126 inches.
SKU: HL.49015156
ISBN 9790001059008. UPC: 196288104155. 9.0x12.0x0.166 inches.
SKU: HL.49005470
ISBN 9790001058803. UPC: 884088097431. 9.0x12.0x0.221 inches.
SKU: HH.HH364-FSP
ISBN 9790708092940.
Part ly on account of their instrumentation, the Op. 18 sonatas are closely modelled on Corelli's Opp. 1aEUR4, both in terms of style and violin technique. Each consists of four or five movements, at least one being a dance; most of the slow movements feature the familiar Corellian walking bass, while one of the fast movements in each sonata is fugal or based on imitative entries. In spite of their adherence to Italian models, however, the sonatas do display certain French elements, along with characteristics of Boismortier's individual style. The harmonic language is particularly rich, with a marked predilection for chords of the seventh, and two of the sonatas feature the composer's own version of a (loosely constructed) double fugue.
SKU: KU.GM-1119A
