Matériel : Conducteur et Parties séparées
SKU: KN.10414
UPC: 822795104141.
Selec ted and arranged by professional flutist/educator Amy Kempton and edited by Carl Strommen, these grade 6 editions will become valuable additions to the piccolo repertoire.Conten ts:Concerto (Cimarosa); Sonata In C Major (Fasch); The Wren (Damare).
SKU: MA.EMR-54924
1. Versailles Gardens / 2. Bell Concerto / 3. Spanish Drifts / 4. Holiday Island / 5. Legend Of The True Knight.
SKU: SU.80101386
Concerto piccolo (in memoriam Eberhard Kraus) (2017) is titled in memory of the prolific German composer Eberhard Kraus (1931-2003). In three movements: Capriccio, Arietta, Chorale. Instrumentation: Organ Duration: 11' Composed: 2017 Published by: Zimbel Press.
SKU: SU.50028150
(Reduction of string orchestra).Copyright 1991. Published by: Seesaw Music.
SKU: PR.114413500
UPC: 680160612338.
SKU: HL.48183620
UPC: 888680871055. 9x12 inches.
Edison Denisov: Concerto piccolo (Saxophone & Percussion).
SKU: HL.14043544
ISBN 9788759818176. 10.0x14.0 inches. English.
Concerto Piccolo for Accordion and Strings was composed by Anders Koppel in 2009.
SKU: MA.EMR-56571
1. Epic Fantasy / 2. Fantasia Italiana / 3. The Middle Age / 4. Fantasia Espanola / 5. The Conquest of The Oceans.
SKU: MA.EMR-56033
1. A Day In Edinburgh / 2. Cinderella / 3. Creatures Of Legend / 4. Dances From Olden Times.
SKU: MA.EMR-56156
1. Storm In My Soul / 2. Look In The Mirror / 3. Wild Heart / 4. Less Is More / 5. Funny Dream.
SKU: MA.EMR-56131
1. Venezia / 2. Oriental Pictures / 3. Showtime / 4. Discover / 5. Espana.
SKU: MA.EMR-54441
1. A Russian Fantasy / 2. Variations On A Nordic Song / 3. The Wild West Adventure / 4. The Conquest Of Space / 5. Sonata Classica.
SKU: PR.114417960
ISBN 9781491108994. UPC: 680160638680. 9x12 inches.
Carl David Hall was piccoloist of the Atlanta Symphony for 32 years and a dear friend to all his colleagues. In 1999, the NFA commissioned Martin Amlin to compose a piccolo concerto for Carl to premiere at their annual convention. Today, Amlin remembers Carl Hall with this 4-minute poem, a microcosm for flute and strings (also to be premiered at the NFA’s 2016 convention), published here in a setting for piccolo and piano. For advanced performers.
SKU: HL.14008367
ISBN 9780711975422. 8.25x11.75x0.105 inches.
Piccolo and Piano Reduction. This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 23 April 1997, by Stewart McIlwham and the Royal Philharmonic Orchestra, conducted by the composer. The three movements should be played without a break. The piccolo may have obvious limitations as a solo instrument, but Davies is not one to shirk a challenge. What he does is to play with the stereotypical modes of the instrument, so that the military pipe and drum effect is hinted at near the beginning of the third movement, while the jaunty manner is recalled at the close of the first, but as through a veil. A potentially comic partnership with the bass clarinet is also dignified when the two instruments engage in meditative dialogue in the second movement. Duration c. 15 minutes. Study Score on sale. Conductor's score and orchestral parts are available on hire.
SKU: HL.14008366
ISBN 9780711975415. 5.5x7.5x0.164 inches.
Orchestral study score. This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 23 April 1997, by Stewart McIlwham and the Royal Philharmonic Orchestra, conducted by the composer. The three movements should be played without a break. The piccolo may have obvious limitations as a solo instrument, but Davies is not one to shirk a challenge. What he does is to play with the stereotypical modes of the instrument, so that the military pipe and drum effect is hinted at near the beginning of the third movement, while the jaunty manner is recalled at the close of the first, but as through a veil. A potentially comic partnership with the bass clarinet is also dignified when the two instruments engage in meditative dialogue in the second movement. Solo part and piano reduction on sale. Conductor's score and orchestral parts are available on hire.
SKU: HL.14009826
UPC: 884088810931. 8.5x11.0x0.162 inches.
SKU: HL.14020993
ISBN 9780711952010. 5.5x8.5x0.222 inches.
The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers, now brought to the fore, are piccolo and alto flute, cor anglais, Eb and bass clarinets and contrabassoon. They make a motley group, diverse in colour as in register, and one of the tasks of the piece sets itself is to have them blend and cohere, both together as an ensemble and in partnership with the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo, recitatives for the alto flute, a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement, which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slow interventions, including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement, or sequence of short slow movements, followed by a dancing finale with its own slow episodes. Altogether this is music of songs and dances, heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe, having six chanters and a drone of variegated string texture. This work for woodwind instruments and string orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the ninth of ten concerti to be written for principal players of the Scottish Chamber Orchestra. The first performance was given in February 1995 by the Scottish Chamber Orchestra, conducted by the composer.
SKU: HL.14020989
ISBN 9780711952027. 9.0x12.0x0.433 inches.
The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers, now brought to the fore, are piccolo, alto flute, cor anglais, clarinet in Eb, bass clarinet in Bb and contrabassoon. They make a motley group, diverse in colour as in register, and one of the tasks of the piece sets itself is to have them blend and cohere, both together as an ensemble and in partnership with the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo, recitatives for the alto flute, a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement, which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slow interventions, including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement, or sequence of short slow movements, followed by a dancing finale with its own slow episodes. Altogether this is music of songs and dances, heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe, having six chanters and a drone of variegated string texture.
