Concerto Grosso, Op. 6, No. 7 Allegro

SKU: HL.49010225

ISBN 9783795772017. UPC: 841886015210. 5.25x7.5x0.107 inches.

2 violins, obligato, strings and b.c.

SKU: HL.49009853

ISBN 9790200203172. 5.25x7.5x0.08 inches.

Preface * I. Largo e staccato-Allegro * II. Adagio-Allegro.

SKU: HL.49011755

ISBN 9790200215458.

SKU: HL.49011751

ISBN 9790200215410.

SKU: HL.49011754

ISBN 9790200215441.

SKU: HL.49011750

ISBN 9790200215397.

SKU: HL.49011752

ISBN 9790200215427.

SKU: HL.49011753

ISBN 9790200215434.

SKU: HL.49009840

ISBN 9790200203059. UPC: 073999888195. 5.25x7.5x0.096 inches.

Preface * Editorial Notes * I. Adagio-Allegro * II. Adagio * III. Allegro.

SKU: HL.49011758

ISBN 9790200215496. 9.0x12.0x0.01 inches.

SKU: HL.49009856

ISBN 9783795764685. UPC: 841886011052. 5.5x7.5x0.094 inches. German - English.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

SKU: HL.49011759

ISBN 9790200215502. 8.25x11.75x0.009 inches.

SKU: HL.49011761

ISBN 9790200215526. 9.0x12.0x0.033 inches.

SKU: HL.49009851

ISBN 9783795761516. UPC: 841886017931. 5.25x7.5x0.089 inches. German - English.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

SKU: HL.49011756

ISBN 9790200215465. 9.0x12.0x0.011 inches.

SKU: HL.49011757

ISBN 9790200215489. 9.0x12.0x0.01 inches.

SKU: HL.49011760

ISBN 9790200215519. 9.0x12.0x0.01 inches.

SKU: HL.49009843

ISBN 9790200203080. 5.25x7.5x0.09 inches.

Preface * Revisionsbericht * I. Largo e staccato * II. Allegro * III. Vivace.

SKU: HL.49009852

ISBN 9783795764104. UPC: 841886007925. 5.25x7.5x0.13 inches. German - English.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

SKU: BT.PWM4901

Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969), the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident, above all, in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem, while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations, emblematic for the whole piece and based on a constant, pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante), while retaining its concertato charakter, is, at the same time, an example of the composers ability to create emotionally serene lyrical moods, and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music, understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music, the constant mutabilityof the tonal situations, and the sophisticated, acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska, translated by Ewa Cholewka].

SKU: CY.CC2767

The Concerto Grosso for Three Trombones and Orchestra by Lyndol Mitchell was composed in 1961 as part of his Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The performers were six students of Emory Remington, including Ralph Sauer and Don King.

The work is is subtitled in stile Barocco and is in three movements.

Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists.

Movement II is a slow and serious Larghetto in C minor.

Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way.

The 13-minute work is appropriate for advanced performers.

The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.

SKU: CY.CC2775

The Concerto Grosso for Three Trombones with Piano accompaniment by Lindol Mitchell is a realization for Piano of the original orchestral score by Jeremy Niles Kempton. The original orchestral work was composed in 1961 as part of Mitchell's Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The solo performers were nine students of Emory Remington, including Ralph Sauer and Donald King.

The work is is subtitled in stile Barocco and is in three movements.

Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists.

Movement II is a slow and serious Larghetto in C minor.

Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way.

The 13-minute work is appropriate for advanced performers.

The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.

SKU: HL.49045226

ISBN 9790001159555. 9.0x12.0x0.237 inches.

The concerto takes the historical figure of the brutal impaler Vlad Tzepesch (1431-1476) as its starting point and subsequently develops the myth into an overwrought and gruesome piece of work: 1: 'Oderint dum metuant' is a raving Allegro with a Baroque ritornello structure and modern 'Draculisms'. 2: 'Luna su Tirgoviste' is a memoriam for the thousands of impaled victims who came to a violent end in today's Targoviste. 3: 'Il ballo transilvano' confronts a naive waltz rhythm with aggressive polyrhythmic reinterpretations - in the manner of the stick and the carrot. 4: 'Bacio di sangue' is Neo-Baroque horror music which has got out of hand, demanding extreme virtuosity from both soloists and ensemble. Enjott Schneider

Bassklar . * Fg. (auch Kfg.) - S. (Crot. * Vibr. * Marimba * Rohrengl. * Trgl. * 2 Beck. * Tamt. * kl. Tr. * 2 Tomt. * gr. Tr. * Chimes* Tempelbl. * Woodbl.) (2 Spieler) - Cemb. - Str. (6 Vl. * 4 Va. I * 4 Va. II * 3 Vc. I * 3 Vc. II * 3 Kb. [Die Streicher konnen auch solistisch besetzt werden.]).