SKU: BA.BA10946
ISBN 9790006569748. 31 x 24.3 cm inches. Key: G minor. Preface: Schwemer, Bettina.
Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.The Concerto RV 531 is the only double concerto in Vivaldi’s uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.The edition is based on the careful evaluation of Vivaldi’s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA07566
ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
SKU: BA.BA10946-68
ISBN 9790006570010. 32.5 x 25.5 cm inches. Key: G minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerâ€℠s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA10946-82
ISBN 9790006569793. 32.5 x 25.5 cm inches. Key: G minor.
SKU: HL.50036870
UPC: 073999368703. 8.0x10.75x0.127 inches.
SKU: HL.50037560
8.0x10.75x0.148 inches.
SKU: HL.49001938
ISBN 9790001025003.
Padr e Martini was musical director in Bologna and a respected teacher of composition with whom studied Johann Christian Bach among others. Martini's compositions, between baroque and rococo as to style, are considered to be excellent works of Italian music of that time. The violoncello is treated by Martini as concertante instrument. The viola part can also be played by a third violin.
SKU: HL.49015910
ISBN 9790200202427. UPC: 073999317671. 5.25x7.5x0.135 inches.
For 2 violins, violoncello, strings and basso continuo.
SKU: HL.50036330
UPC: 073999869279. 8.0x10.5x0.12 inches.
SKU: HL.50489880
8.0x10.75x0.115 inches.
SKU: HL.50037720
UPC: 073999651584. 6.75x10.5x0.12 inches.
SKU: HL.50036560
7.75x10.5x0.122 inches.
SKU: HL.50036480
UPC: 073999446616. 8.0x10.5x0.111 inches.
SKU: HL.50489881
UPC: 073999715842. 8.0x10.5x0.118 inches.
SKU: HL.50036550
UPC: 073999288360. 8.0x10.5x0.109 inches.
SKU: HL.50037230
UPC: 073999696233. 8.0x10.75x0.117 inches.
SKU: HL.50037240
UPC: 073999255515. 8.0x10.75x0.12 inches.
SKU: HL.50036460
UPC: 073999054361. 8.0x10.75x0.112 inches.
SKU: HL.50037210
6.75x10.5 inches.
SKU: HL.50489877
UPC: 073999254617. 8.0x10.5x0.115 inches.
SKU: HL.50088770
SKU: HL.50037950
6.75x10.5x0.218 inches.
SKU: HL.50489883
7.75x10.5x0.182 inches.
SKU: HL.50038380
UPC: 073999946857. 8.0x10.75x0.148 inches.
SKU: HL.50037220
UPC: 073999372205. 8.0x10.5x0.086 inches.
