Concerto for Violin in D Major, Op. 77

Facilement identifiable par son ISBN 9790201860053 cette pièce Violin Concerto D major op. 77 appartient à la collection désormais incontournable Roesner, Linda Correll / Struck, Michael.Composée pour Violon par le célèbre compositeur Brahms Johannes ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Violon / Edition Complète

Cadenzas for the Violin Concerto D major op. 61-Authoritative Henle Urtext edition of Ludwig van Beethoven's Violin Concerto D Op.61 Cadenzas. With foreword and transcription after Beethoven's original cadenzas for the piano version by Wolfgang Schneiderhan.

J. C. Pepusch's Concerto F Major Op.8/I for 2 Treble Recorders 2 Flutes (Oboes Violins) and Basso Continuo (2 Tr-Rec 2 Fl (Ob Vn) & bc).

Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.

Arrangeur: Cho-Liang Lin. Over the wonderfully enjoyably years of conducting, there have been so many fine encounters with the Mozart Violin Concertos - mostly with very gifted players like Menuhin, Oistrakh, Stern and, more recently, Cho-Liang (Jimmy) Lin. There have, however, been instances (only a few, I'm pleased to say) when I've come, in the performances, to dread the onslaught of those cadenzas, which sound like a send up of Paganini, or belong to the wrong century with a plethora of double-stopping lasting too long, venturing into tonalities Mozart would not have recognized. After several performances with Jimmy came a request from him for suitable cadenzas that showed off the solo violin while commenting on Mozart's music he had just played. They worked, and Sony asked us to record them all and, with the welcome inclusion of Jaime Laredo, all the rest of Mozart's violin and orchestra repertoire. This led to in an invitation from Schott to have the cadenzas published, and this is the result. / Classique / Recueil / Violon

Par SUZUKI SHINICHI. This volume is part of the worldwide Suzuki method of teaching. The companion recording is recommended for each volume also. This revised edition of the Suzuki Violin School was made by and is a continuing cooperative effort of the International Suzuki Violin Committee using Dr. Shinichi Suzuki's texts and methodology. / Méthode en français / Méthode / Violon

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Violin Concerto no. 4 D major K. 218 tout le talent de Mozart. Cette partition a été composée pour Violon Et Piano. C'est l'éditeur Henle qui a publiée cette oeuvre. / Violon Et Piano / Partition

25 Favorite Classical Pieces in Intermediate Level Arrangements. Par . This collection features some of the most beloved melodies from classical music in arrangements for violin and piano designed to be playable by intermediate-level violinists. From Händel to Rossini these pieces should provide hours of fun music-making. A separate pull-out part for the violin part is included. / Date parution : 2023-06-01/ Recueil / Violon et Piano

D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale