Concerto for Violin No. 2 in D minor, Op. 22 - solo part

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

If Bach Was A Cellist-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello.The concerto in D minor (BWV 1043) for two violins string orchestra and continuo by Johann Sebastian Bach (1685-1750) is one of his most loved works. Indeed the slow movement may be one of the most popular and loved pieces in the instrumental literature. Traditionally it is believed to have been written in Köthen where he held the position of 'fürstlischer Kapellmeister' from 1717-1723 a town that saw the birth of the Brandenburg concertos and the solo works for violin and cello. The Dorian church mode (the absent Bflat in the key of Dminor) would also speak for the younger Bach. Recent research however has shown that the orchestral parts carefully written out by Bach himself and found among the papers of his son Carl Philip Emanuel date from around 1730. The sophistication of the composition also speaks for a later date than Köthen. The original score has been lost.Always in need of concert material for his 'Collegium Musicus' in Leipzig Bach made a version of the present concerto for two harpsichords (BWV 1062). The original key was transposed to C minor so that the top note would not exceed a D but remain within the range of a standard harpsichord. Another C minor concerto (BWV 1060) for two harpsi-chords often heard in an arrangement from the 1920's for violin and oboe by Max Schneider and Max Seiffert speaks for two concertos in D minor for two violins by Bach.When arranging an orchestral score for the pianoforte one has to remember that a double-bass sounds an octave lower than notated. This is a welcomed fact when dealing with two instruments that play the original solo parts an octave down. At the same time for a transcription of this kind the ambition must be to avoid the cello soloists playing in octaves with the violin tutti parts - which is what would happen were they to share the same material. This ambition made a piano reduction

Ces livres solos pour hautbois de 3 volumes qui contiennent plusieurs Concertos importants, devrait aider le jeune hautboïste encore inexpérimentés, à ses études. / Hautbois

RV580-Performed by Bojidara Kouzmanova violinAccompaniment: Tempi Concertati Chamber OrchestraConductor: Nayden TodorovThis wonderful and unique Baroque concerto features four magnificent violin parts withstring orchestra. A masterpiece in Vivaldi's oeuvre and a great learning tool as each of the four violin solo parts is of varying difficulty. You pick the part that's right for you and we supply the rest. We've even included aversion minus all violins so you can get together with a group and make great music! Tremendous fun with a sumptuously beautiful classic! This deluxe 2CD set includes a slow-tempo practice version of each accompaniment to help youget up to speed. Includes a newly-engraved edition of the concerto on high-quality ivory paper edited by Ms. Kouzmanova; and a digital stereo compact disc featuring a complete performance of the concerto with orchestra and allsoloists; then an additional performance minus you the soloist for each of the four violin solo parts as well as a bonus version minus all violins. Contains a second compact disc featuring -20% reduced-tempo versions of eachaccompaniment for practice purposes.

Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. From Rachmaninov's Second Piano Concerto to Mozart's Clarinet Concerto this collection features many of your favourites!

Vladimir Bodunov's challenging duet arrangements make it possible to achieve a rich orchestral-like sound with only two instruments. He has taken great care to make the instruments equal in importance- the solo and accompaniment roles constantly alternate.These six classical pieces enable (prospective) music students, advanced or professional musicians to give impressive recitals and auditions or to leave a lasting impression at parties and celebrations.- Impressive show pieces for many occasions- Both instruments of equal standing - Perfect for auditions, recitals, parties, and celebrationsContents- 'Concerto grosso? in D minor (Vivaldi)- 'Toccata and Fugue? in D minor (Bach)- Overture from 'The Marriage of Figaro? (Mozart)- Overture from 'The Barber of Seville? (Rossini)- Cavatina from 'The Barber of Seville? (Rossini)- 'On the Beautiful Blue Danube? (Strauss)The AuthorVladimir Bodunov (b. 1981) comes from Belarus and lives in Erlangen. He is a composer-arranger who plays violin, piano, and musical saw. / 2 Violons

La série 'Essential Collection' rassemble un fine séléction de solos de piano des périodes Baroque, Classique et Romantique. Un historique (en anglais) introduit la période et les compositeur l'ayant marquée. / Piano

Par BACH JOHANN SEBASTIAN. Bach ’s Harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the Violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today’s pianists also include these concerti in their standard repertoire. The first concerto in d minor is perhaps the most popular – not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach ’s Harpsichord concerti, G. Henle Publishers presents a Piano reduction and study edition (score) of the d-minorconcerto. None other than András Schiff, the outstanding Bach expert, has provided fingering suggestions. / Müllemann, Norbert / Répertoire / Piano et Orchestre

TWV 51:a1 A minor, 51:D9 D major, 51:g1 G minor. Par TELEMANN GEORG PHILIPP. Three Concertos for Violin A minor TWV 51: a1; D major TWV 51: D9; G minor TWV 51: g1 No fewer than twenty-five violin concertos by Georg Philipp Telemann (1681-1767) have come down to us over the years - presumably only a fraction of his total output in this geme. But even this corpus, though reduced by time, reveals that Telemann, like other composers of his day, regarded the violin as the most important and most versatile of all solo instruments. Two of his operas - Der neumodische Liebhaber Damon (1719, TWV 21:8) and Die last-tragende Liebe oder Emma und Eginhard (1728, TWY 27:25) - open with introductory violin concertos; there are eight concertos for twoviolins; and the violin plays an important role in virtually all his concertos for two or more solo instruments. Urtext of the Telemann Edition Performance material available for hire/ Répertoire / Violon et Orchestre

Selections from the Student Repertoire. Par DIVERS AUTEURS / ARR.BARBARA BARBER. Selection from the student repertoire. Compiled and edited by Violinist Barbara Barber. Includes Violin Part and Piano Part/ Recueil / Violon et Piano

Features 16 of Bach's transcriptions for solo keyboard instruments (piano and harpsichord) of concertos for violin and other non-keyboard instruments by Vivaldi, Telemann, and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann. Content :
Concerto No. 1 in D major, BWV 972 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 9)
[ALLEGRO]. LARGHETTO. ALLEGRO.
Concerto No. 2 in G major, BWV 973 (based on a violin concerto by Antonio Vivaldi, op. 7, book 2, no. 2)
[ALLEGRO]. LARGO. ALLEGRO.
Concerto No. 3 in D minor, BWV 974 (based on an oboe concerto by Allessandro Marcello)
[ALLEGRO]. ADAGIO. PRESTO.
Concerto No. 4 in G minor, BWV 975 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 6)
[ALLEGRO]. LARGO. GIGA: PRESTO.
Concerto No. 5 in C major, BWV 976 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 12)
[ALLEGRO]. LARGO. ALLEGRO.
Concerto No. 6 in C major, BWV 977 (source unknown)
[ALLEGRO]. ADAGIO. GIGA.
Concerto No. 7 in F major, BWV 978 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 3)
ALLEGRO. LARGO. ALLEGRO.
Concerto No. 8 in B minor, BWV 979 (source unknown)
[ADAGIO]-ALLEGRO. ADAGIO. ALLEGRO.
Concerto No. 9 in G major, BWV 980 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 1)
[ALLEGRO]. LARGO. ALLEGRO.
Concerto No. 10 in C minor, BWV 981 (based on a concerto by Benedetto Marcello, op. 1, no. 2)
[ADAGIO. VIVACE. [LARGO]. PRESTISSIMO.
Concerto No. 11 in B-flat major, BWV 982 (based on a violin concerto by Duke Johann Ernst of Saxe-Weimar, op. 1, no. 1)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 12 in G minor, BWV 983 (source unknown)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 13 in C major, BWV 984 (based on a concerto by Duke Johann Ernst of Saxe-Weimar)
[ALLEGRO]. ADAGIO E AFFETTUOSO. ALLEGRO ASSAI.
Concerto No. 14 in G minor, BWV 985 (based on a violin concerto by Georg Philipp Telemann)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 15 in G major, BWV 986 (source unknown)
[ALLEGRO]. ADAGIO. ALLEGRO.
Concerto No. 16 in D minor, BWV 987 (based on a violin concerto by Duke Johann Erns of Saxe-Weimar, op. 1, no. 4)
[GRAVE]-PRESTO. ALLEGRO.

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

Par BACH JOHANN SEBASTIAN. Standard violon étudiant répertoire - magistralement enseigné par Zakhar Bron. Le tournage d'une classe de maître dans la salle blanche du palais Sheremetjev à Saint-Pétersbourg. DVD avec la partie de violon Solo, préparé et annoté par Zakhar Bron. Zakhar Bron est un violoniste exceptionnelle et enseignant de renommée mondiale qui a reçu de nombreux prix et professeurs, plusieurs de ses étudiants, tels que Vadim Repin, Maxim Vengerov, Erik Schumann et Mayuko Kamino, appartiennent à l'élite mondiale des solistes de violon. / Niveau : Intermédiaire / Classic - Methods / Méthode / Violon