SKU: HL.4008565
UPC: 196288180029.
Compo ser Otto M. Schwarz completed his first Concerto for trumpet in October 2009. Schwarz displays a special knack in writing for this instrument, thanks to his trumpet studies undertaken with Professor Josef Pomberger at the Music Conservatory in Vienna. Concerto for Trumpet No. 1 'Trumpet Town' was commissioned by the police-orchestra of Upper Austria, under the baton of Andreas Schwarzenlander. The work was premiered on 17 November 2009. The soloist for the evening was trumpeter Franz Wagnermeyer, who also studied at the Vienna Conservatory and who currently performs with, amongst others, the international group “Ten of the Bestâ€. A rapid flourish in 12/8 time opens Concerto for Trumpet No. 1 'Trumpet Town'. The metric changes that follow affect the pulse rhythmically and melodically, in exciting and unexpected ways. The solo trumpet's displays of technical prowess and bravura alternate with the film-score-like tutti sections of the brass ensemble. The slow, almost elegiac, central section can be performed on the flugel horn, while the closing reprise demands that both the soloist and the orchestra give of their best as the piece comes to an exciting, colourful, and uplifting finale. This piece is also available for trumpet and piano.
SKU: BR.MR-1848B
ISBN 9790004484357. 9 x 12 inches.
Edited by Robert P. Block make it possible to play the work both on a B-flat trumpet as well as on a D instrument. The Concerto in D was published around 1715 in a collective edition that comprised six concerti and mentioned three composers' names, one of them being Giuseppe Torelli, to whom the work can be attributed unequivocally on stylistic grounds. Particularly striking is the fact that the parts of the two violins are sometimes worked out in a more virtuoso manner than that of the solo trumpet, which is only called for in the outer movements.The edition for trumpet and piano contains two solo parts, which make it possible to play the work both on a B-flat trumpet as well as on a D instrument.
SKU: HL.48181191
UPC: 888680787806. 9.0x12.0x0.104 inches.
The concerto is composed in B-flat Major; the solo part is for Trumpet in C. Finished in 1948, the Concerto for Trumpet and Orchestra was composed by the French composer, conductor and the 1927 winner of the Grand Prix de Rome, Henri Tomasi (1901-1971), and lasts approximately 14 minutes. Dedicated to the trumpeter Ludovic Vaillant, soloist at the National Orchestra, the Concerto for Trumpet and Orchestra was premiered in Paris in 1949. The first part, which lasts 7 minutes, Allegro and Cadenza, begins with a trumpet cadenza and a quiet snare drum background. The Nocturne follows as the second part of this Concerto, and the Finale, the shortest part of the concerto, ends up with a cheerful cartoon-music theme. Henri Tomasi also composed a variety of concerti for alto saxophone and for trombone, as well as some ballades.
SKU: BR.OB-4760-12
ISBN 9790004320693. 10 x 12.5 inches.
Joseph Haydns Trumpet Concerto in E flat major Hob VIIe:1 was composed in 1796 for the Vienna court trumpeter Anton Weidinger. The key trumpet which he developed possessed a broader range of notes than the trumpets of that time, and allowed chromatic sequences as well.The cadenzas to be played in Haydns trumpet concerto have not been transmitted. The present piano reduction contains a cadenza suggestion for the first movement; in the final movement, the performer is encouraged to invent an original cadenza.
SKU: HL.4008564
ISBN 9798350110661. UPC: 196288180012.
SKU: PR.114419070
ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches.
Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. .
SKU: CA.5009409
ISBN 9790007223229. Key: A flat major. Language: all languages.
We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.
SKU: HL.49045552
ISBN 9790001162845. UPC: 888680876951. 9.0x12.0x0.1 inches.
For many years, the trumpet had played a rather subordinate role in Penderecki's work. In his symphony Seven Gates of Jerusalem, however, the instrument, in the form of the bass trumpet, was given, apart from cadences of Joseph Haydn's Concerto in E flat major, a brilliant part representing the voice of God. A similar task is assigned to the instrument in Symphony No. 8. In 2015, after 20 concert works for other solo instruments, Concertino was the first trumpet concerto composed by Penderecki.2 (2. auch Picc.) * 2 * 2 (2. auch Bassklar.) * Sopransax. * 2 (2. auch Kfg.) - 2 * 2 * 2 * 1 - S. (Glsp. * Crot. * Xyl. * Rohrengl. * Trgl. * hg. Beck. * Beckenpaar * Kuhgl. * 2 Tamt. * Tamb. * kl. Tr. * Mil. Tr. * gr. Tr. * Ratsche) (3 Spieler) - Cel. - Str.