Concerto for Piano and Orchestra, Op. 42 (score)

Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ; it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano… In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara's wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann 's genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann 's Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann 's compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstuck, Op. 92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at / Date parution : 2019-12-12/ Répertoire / Piano et Orchestre

Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.5 In E-Flat Op.73.Features:Urtext edition at the cutting edge of scholarshipAn ideal reference edition for pianists students conductors and librariesEach score contains an introduction by Barry Cooper (Ger/Eng)Format 17.5 x 22.5 cmBarenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s Piano concertos. The study scores can now also be purchasedindividually.The musical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.

Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.1 In C Op.15.Features:Urtext edition at the cutting edge of scholarshipAn ideal reference edition for pianists students conductors and librariesEach score contains an introduction by Barry Cooper (Ger/Eng)Format 17.5 x 22.5 cmBarenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s Piano concertos. The study scores can now also be purchased individually.Themusical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.

For Piano and Orchestra Includes Demonstration and Backing Tracks Online-Performed by David Syme pianoAccompaniment: Stuttgart Symphony OrchestraConductor: Emil KahnThis concerto one of only two Mozart wrote in a minor key is by far the most famous of all his pianoconcerti and is filled with profound music of the highest order as well as lively and charming themes. Among its later most ardent admirers were Beethoven and Brahms. Demands sensitivity from the soloist and is an important workfor every pianist to study and learn. This deluxe 2CD set includes a slow-tempo practice version to help you get up to speed. Includes a printed music score on high-quality ivory paper; a digital stereo compact disc featuring acomplete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20%slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.

for Piano and OrchestraInstrument : Piano and OrchestraType : study scoreNombre de Pages : 140Content : Vivace molto ritmico e preciso - II Lento e deserto - III Vivace cantabile - IV Allegro risoluto, molto ritmico - V Presto luminoso

for Violin Piano and String Orchestra-Hans Abrahamsen's Double Concerto for Violin Piano and String Orchestra (2011). Commissioned by The Royal Danish Orchestra and The Swedish Chamber Orchestra.Parts are available on hire: hire@ewh.dk Violin solo part: WH32498 Piano solo part: WH32499   Ensemble Violin SoloPiano Solobring a Marimba mallet for playing inside the PianoString Orchestra (6-6-4-4-2)the number of string players may be doubled; 12-12-8-8-4if doubling the strings then Desk 1 means Desk 1+2 Desk 2 means 3+4 etc. Performance Notes General:The set-up on stage is important with two Violin groups on each side on the platform: Vilin 1 lefts and Violin 2 right as seen from the audience1st Movement:In bar 1 & 7 the entire string group should adjust their intonation to the Double Basses and their natural harmonics. In the rest of the movement normal intonation should be used.The slow and rhythmical vibrato pulse should follow the accents2nd Movement:The 10/5 meter is divided into two beats and the dotted lines show the position of the second beat in each bar3rd Movement:no comment4th Movement:The very high harmonics are intended as mostly a high 'airy' sound. The small gliss/portamenti that will invariably occur in the fast shofts of positions are intended

Par BACH JOHANN SEBASTIAN. Bach ’s Harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the Violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today’s pianists also include these concerti in their standard repertoire. The first concerto in d minor is perhaps the most popular – not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach ’s Harpsichord concerti, G. Henle Publishers presents a Piano reduction and study edition (score) of the d-minorconcerto. None other than András Schiff, the outstanding Bach expert, has provided fingering suggestions. / Müllemann, Norbert / Répertoire / Piano et Orchestre

Hawkes Pocket Scores HPS 94-Hawkes Pocket Score for the Concerto For Piano with full instrumentation for Orchestra.

Par VINE CARL. Two piano rehearsal score. First performed Piers Lane and the Sydney Symphony Orchestra, Carl Vine s vibrant Piano Concerto No.2 (2012) is an attractive 25-minute work comprising three movements. A Rhapsody and Nocturne lead to a finale entitled Cloudless Blue , a dazzling presto that captures all the brilliance of the Australian summer / Piano Music, Scores / Répertoire / Piano