SKU: HL.49001903
ISBN 9790001117586. UPC: 073999352245. 9.25x12.0x0.085 inches.
Clarinet and orchestra.
SKU: BT.DOW-07505-400
ISBN 9789043147538. English-German-French.
The Concertino Op. 26 in E-flat Major by Carl Maria von Weber belongs to the standard repertoire of every clarinettist. This edition allows the player to work through the piece systematically with the CD at 3 different practice tempi withaccompaniment, including a full concert version as well. We hope you enjoy playing from our DOWANI 3 Tempi Play Along editions!Het Concertino opus 26 in Es majeur van Carl Maria von Weber behoort tot het standaardrepertoire van iedere klarinettist. Deze uitgave geeft de leerling de mogelijkheid dit werk systematisch in te studeren met behulp van de cd, die drie verschillendeoefentempi met begeleiding omvat, evenals een volledige demoversie. We hopen dat je met veel plezier zult spelen uit onze DOWANI 3 Tempi Play Along-uitgaven!Da s Concertino in Es-Dur op. 26, von Carl Maria von Weber gehört zum Standardrepertoire jedes Klarinettisten. Die vorliegende Ausgabe bietet die Möglichkeit, das Werk systematisch und in drei verschiedenen Tempi mit CD-Begleitung zu erarbeiten.Außerdem beinhaltet die CD eine Konzertversion. Wir wünschen Ihnen viel Spaß beim Musizieren mit unseren DOWANI 3 Tempi Play Along-Ausgaben!Le Concertino Op.26 en mi bémol Majeur de Carl Maria von Weber fait partie du répertoire de chaque clarinettiste. Cette édition permet au musicien de travailler systématiquement le morceau avec CD, sur trois tempos d’entraînement différents, quiinclut aussi une version de concert. Nous espérons que vous prendrez du plaisir jouer nos éditions « DOWANI 3 Tempi Play Along » !
SKU: HL.49027614
ISBN 9790001117593. 9.5x12.5x0.3 inches.
SKU: HL.49001932
ISBN 9790001024983. 8.25x11.75x0.261 inches.
SKU: HL.49001904
ISBN 9790001117609. UPC: 884088027049. 9.0x12.0x0.136 inches.
SKU: IS.COR6095EM
ISBN 9790365060955.
Char les Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him.
SKU: KU.OCT-10201
ISBN 9790206205576. Key: Bb major.
Clarinet and Bassoon Soli, Orchestra
SKU: BO.B.3338
English comments: I finished writing the Porta Ferrada Double Concerto at the beginning of 2004. I was commissioned to write it for the Porta Ferrada International Music Festival (in Sant Feliu de Guixols).This double concerto for violin, cello and chamber ensemble represents the start of a period in which the pieces that I am working on are all for small ensembles: Davallament, for soprano and piano; Quinteto de la sala de Levante, for clarinet and string quartet; Palau d'hivern, for soprano, clarinet and string quartet; and Concertino Geminis for solo violin and 15 string instruments.Having written large-scale works, I have now gone back to writing chamber music.
We can see how, throughout my career, the sinfonia concertante form is omnipresent in almost all my earlier periods. I still haven't found a satisfactory answer to why I choose a dialogue between a soloist and an instrumental group so often. I would perhaps say that with a solo instrument it seems as if my music has to flow more effortlessly, allowing me to work more easily. Having a main character in the piece's discourse greatly helps me to develop the idea I have about the piece I want to write.
In this case there are two string soloists, the violin and the cello, which of course play a major part, but without this becoming a virtuosic. As for its form, the piece is based on three parts that meet without interruption.It was first performed on 10 August 2005 at the Teatre Auditori Municipal in Sant Feliu de Guixols as part of the 43rd edition of the Porta Ferrada International Festival, by the Porta Ferrada Simfonietta orchestra and the soloists Melodie Giot and Manon Philippe, conducted by Daniel Tosi.
Comentarios del Espanol: Acabe de escribir el Doble Concierto de la Porta Ferrada a principios del ano 2004. Nace como un encargo del Festival Internacional de Musica de la Porta Ferrada (Sant Feliu de Guixols).Este doble concierto, para violin, violonchelo y un conjunto de camara, abre un periodo en el que las obras que trabajo son todas para pequenos conjuntos: Davallament, para soprano y piano; Quinteto de la sala de Levante, para clarinete y cuarteto de cuerda; Palau d'hivern, para soprano, clarinete y cuarteto de cuerda; Concertino Geminis para violin solista y 15 instrumentos de cuerda.Despues de haber escrito obras de gran formato, ahora vuelvo a la musica de camara.
Podemos ver como la forma concertante, a lo largo de toda mi produccion, es omnipresente en casi todas las epocas precedentes. No he encontrado una respuesta satisfactoria al porque de elegir tan a menudo el dialogo entre un solista y un grupo instrumental. Como aproximacion, diria que con un instrumento solista parece ser que mi musica tenga que fluir mas facilmente y que pueda trabajar con mas comodidad. El hecho de tener un personaje principal en el discurso de la partitura me ayuda mucho a desarrollar la idea que tengo sobre la obra que quiero escribir.
En este caso se trata de dos solistas de cuerda, el violin y el violonchelo, que, como es natural, toman un papel primordial sin que, sin embargo, lleguen a alcanzar una parte virtuosistica. La obra, formalmente, se basa en tres partes que se tocan sin interrupcion.
El estreno tuvo lugar el 10 de agosto de 2005 en el Teatre Auditori Municipal de Sant Feliu de Guixols, en el marco del 43 Festival Internacional de la Porta Ferrada, por la orquesta Simfonietta Porta Ferrada y las solistas Melodie Giot y Manon Philippe, bajo la direccion de Daniel Tosi.