This anthology contains 12 original works by composers of the Classical period, including pieces by Giordani, Haydn, JC Bach and Beethoven.The anthology covers a wide stylistic range of material and, as with the other volumes in the series, is ideal for any players interested in gaining an insight into the richness and variety of the Classical piano repertoire. The collection is accompanied by a CD featuring each of the pieces performed by Nils Franke, and is suitable for students of 7 or more years of playing experience, or those of grades 7-8. / Piano
SKU: BR.EB-8870
Wonderful that these soprano volumes from the OperAria project are now available to provide just the right sort of assistance we need. (Juliane Banse, Patron Soprano)
ISBN 9790004184608. 9 x 12 inches. German / English.
Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available on CD with volume 1 and 2, for download under more information to volume 3 and 4.Wonderful that these soprano volumes from the OperAria project are now available to provide just the right sort of assistance we need. (Juliane Banse, Patron Soprano).
SKU: BR.EB-8869
ISBN 9790004184592. 9 x 12 inches. German / English.
SKU: BA.BA04539-01
ISBN 9790006450206. 33 x 26 cm inches.
Urtext der Neuen Mozart Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: UT.MC-52.4
ISBN 9790215327313. 9 x 12 inches.
Practica l Harmony is a monumental anthology in four volumes comprising nearly two hundred compositions by Italian, German, English and Austrian composers chosen by Clementi in his combined role of editor and, in some cases, arranger. Above all, the double and self-evident destination for organ and piano, in itself not new but nevertheless not so frequent, since it deals with a choice of compositions mostly concerning the so-called stile osservato. The name of each instrument is printed on the same line and in the same font. If then, we add to this that an appropriate number of pieces is taken from what can more correctly be called the harpsichord repertoire, the anthology acquires what could be described as a distinctive and even more interesting ‘keyboard eclecticism’.
SKU: HL.49046906
ISBN 9781847615466. UPC: 196288082057. 9.0x12.0x0.243 inches.
Author of the Baroque Recorder Anthology series, Peter Bowman, along with Kathryn Bennetts presents the second in a series of four volumes dedicated to recorder music from the Renaissance period. Featuring a variety of interesting pieces scored for recorder and keyboard accompaniment, this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers. Suitable for students of ca. 4-5 years of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Kathryn Bennetts.
SKU: BA.BA11558
ISBN 9790260108653. 30 x 23 cm inches. Language: German. Preface: Kubeckova, Barbora. Johann Wolfgang von Goethe.
The Czech composer Zdenek Fibich (1850–1900) had a keen interest in classical German literature. It therefore comes as no surprise that he had already set songs to texts by Johann Wolfgang von Goethe while still a student at the Leipzig Conservatory.Betw een 1865 and 1871 he composed 16 songs on texts by this famous German author for voice and piano. Ten of them have survived: the song “An den Mondâ€, dating from 1869, and nine further songs from Goethe’s novel “Wilhelm Meisters Lehrjahre†were composed immediately after Fibich’s return to Prague in 1871. All ten now appear here in a single-volume Urtext edition edited by Barbora Kubecková.
SKU: HL.49046465
ISBN 9783795715083. UPC: 840126930818. 0.382 inches.
Peter Bowman and Kathryn Bennetts present the fourth and final volume in the Renaissance Recorder Anthology. Standard Renaissance works are included alongside lesser known works for treble (alto) recorder and piano (keyboard). The pieces are all of an intermediate to advanced level of difficulty (UKGrade 7-8 UK). Detailed information on the composers, dance forms and pieces is alsoincluded.
