Matériel : Partition + Accès audio
SKU: HL.49047264
ISBN 9783795731076. UPC: 196288176510. 9.0x12.0x0.205 inches.
The Easy Concert Pieces series features easy to moderately difficult works for double bass with piano accompaniment. Ordered by difficulty in three volumes, the pieces are suitable for auditions, competitions or exams. The series contains original works by Bottesini, Dragonetti, Gretchaninoff, Hindemith, Laska, Regner, Reinagle, Teppo Hauta-aho and others as well as orchestral excerpts by Beethoven, Dvorak, Haydn, Mahler and arrangements of famous classical masterpieces. All pieces are included on the accompanying audio, as a full version and as a piano accompaniment. Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position.
SKU: CY.CC3154
ISBN 9790530111222. 8.5 x 11 in inches.
Verdi's Requiem for orchestra, chorus and soloists is one of the great musical masterpieces. James Haynor has brilliantly arranged highlights from all the major sections of the work for 10-part Brass Ensemble, Timpani and Bass Drum. This 10 minute arrangement is appropriate for advanced performers. Instrumentation is for: 4 Trumpets in B-flat (Trumpet 1 also plays Flugelhorn), 2 Horns, 2 Trombones and 2 Tubas, Timpani and Bass Drum.
SKU: HL.50606645
ISBN 9781705199770. UPC: 196288153528.
This book is to some extent a continuation of Dr. Kiss's 2015 textbook A Practical Approach to Harmony: From the Birth of Polyphony to the Baroque Era. The aim of this book is to support conservatory students (aged 14-22) and their teachers with a collection of carefully selected material from which to learn the necessary musical concepts and practical knowledge of music theory, form, and harmony. The target era is the Viennese Classical period, which spans just under one hundred years between around 1730 and 1830. The focus ison the greatest representatives of their time: Haydn, Mozart, and Beethoven. The book concentrates on the practical aspects of studying music theory, form, and harmony. This means that all musical concepts become practical knowledge and are integrated into skills that a cultured musician needs (score reading, writing, singing or playing, composing, memorizing, transposing, arranging, analyzing, and so on). The book consists of ten units grouped into three levels of difficulty: Basic (units 1 to 5), Intermediate (units 6 to 8), and Advanced (units 9 and 10). The structure of each unit is identical: 1. Listening and Analysis Analysis of selected compositions based on the following considerations: the structure of melody, rhythm, harmony, tonality, instrumentation, and form. 2. Theory and Practice Learning theoretical concepts from masterpieces, and applying them to singing, playing, transposing, piano reduction writing, improvising, composing, and analyzing. 3. Keyboard Harmony Creative activities such as: writing and realizing figured basses; harmonizing melodies; and playing, composing, and transposing chord progressions. 4. Ear Training Harmonic singing exercises and notating chords and complex musical excerpts after listening to them. 5. Appendix The Appendix of each unit contains the solutions to the tasks in that unit.
SKU: FZ.1992
ISBN 9790230619929. 22.00 x 31.00 cm inches.
This facsimile of an original by Joseph Valette de Montigny is part of our French classical music collection. Edition : Paris, C. Ballard, 1711. Little known today, these very fine motets had a great reputation in the 18th century. The motet super flumina is a masterpiece. Preface by: Philippe Lescat: biography of Valette de Montigny,Jean Saint-Arroman: differences between the two editions - Avis of the publisher. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Toulouse (France). Anne Fuzeau Classique propose period copies of classical music scores.
