Chamber Concerto No. 1

Orchestra, Ensemble, Chamber Group (Score)

SKU: HL.14022263

Composed by Thea Musgrave. Music Sales America. Classical. Book [Softcover]. Composed 2002. 24 pages. Chester Music #CH55105. Published by Chester Music (HL.14022263).

8.25x11.75x0.131 inches.

Chamber Concerto No 1 was written in the winter of 1961-62. It is scored for oboe, clarinet, bassoon, horn, trumpet, trombone, violin, viola and cello. It is dedicated to Robin and Margaret Orr and was commissioned by the University of Glasgow.

Chamber Ensemble

SKU: HL.14018153

Composed by Anders Koppel. Music Sales America. Score Only. Edition Wilhelm Hansen #KP01513. Published by Edition Wilhelm Hansen (HL.14018153).

Danish.

Chamber Concerto for Oboe, Alto Saxophone, Violin, Cello, Double Bass, Piano and Percussion was composed by Anders Koppel in 2004. Chamber Concerto for Oboe, Alto Saxophone, Violin, Cello, Double Bass, Piano and Percussion was composed by Anders Koppel in 2004.

For Piano. Includes a printed music score on high-quality ivory paper; a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist, and a second performance minus you, the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -12% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience. Published by Music Minus One.

The Concerto for Clarinet, Violoncello and Chamber Orchestra is an alternative scoring of the originalConcerto for Clarinet and Viola Op. 91

Violin and chamber orchestra (PA REDUC) - difficult

SKU: HL.49012378

Composed by Werner Egk. This edition: Saddle stitching. Sheet music. Violin-Bibliothek (Violin Library). Classical. Piano Reduction with Solo Part. Composed 1928. 83 pages. Duration 24'. Schott Music #VLB 99. Published by Schott Music (HL.49012378).

ISBN 9790001128056.

The Violin Concerto, written in 1928, is one of Egk's most significant instrumental works. It is indicative of the contemporary climate of innovation as reflected in the development of new genres for chamber orchestra, ensembles and soloists, as for example in Hindemith's chamber music pieces, Weill's Concerto for Violin and Woodwind, Berg's Chamber Concerto, and the Concerto and Capriccio by Stravinsky. The chamber orchestra with 16 players was considered a type of instrumentation appropriately contemporary for variety of uses and was frequently referred to in contemporary literature and discussions on Neo-classicism, Neue Sachlichkeit, functional music, music for radio, etc.

Urtext der Neuen Bach-Ausgabe - Urtext of the New Bach-Edition. By Johann Sebastian Bach. Edited by Werner Breig. For Harpsichord, String orchestra, Chamber orchestra. Barenreiter Studienpartituren - Study scores. Pocket Score; Urtext Edition (paperbound). Published by Baerenreiter-Taschenparti turen (German import). (TP410)

By Antonio Vivaldi. Edited by John Craton. Chamber ensemble. For Violin, piano. Chamber Music. For violin scordatura and orchestra, this version is for violin and piano. Baroque. Score and part. 26 pages. Duration 15:00. Published by Wolfhead Music. (WM515) Level: Advanced.

Is written in two movements. The slower opening movement is impressionistic and crystalline with the marimba serving as an obligate over the orchestral harmonies. Only in the two cadenzas does the marimba texture thicken, reminiscent of Bennett's earlier writing for solo marimba. The driving second movement features a molto ritmico theme for the marimba which is punctuated by the orchestra. The movement builds to a fiendishly difficult in temp cadenza where the marimba, in effect, becomes the entire orchestra. A brief echo of the first movement is heard which leads to the dramatic close of the piece. Concerto for Marimba and Chamber Orchestra was commissioned by William Moersch and New Music Marimba. The premiere took place on March 11, 1988 with the Lehigh Valley Chamber Orchestra in Allentown, Pennsylvania with Mr Moersch as soloist

String Orchestra, Wind Instruments[Sextet]

SKU: HL.14020993

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Score. Composed 1999. 94 pages. Chester Music #CH61153. Published by Chester Music (HL.14020993).

ISBN 9780711952010. 5.5x8.5x0.222 inches.

The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers, now brought to the fore, are piccolo and alto flute, cor anglais, Eb and bass clarinets and contrabassoon. They make a motley group, diverse in colour as in register, and one of the tasks of the piece sets itself is to have them blend and cohere, both together as an ensemble and in partnership with the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo, recitatives for the alto flute, a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement, which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slow interventions, including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement, or sequence of short slow movements, followed by a dancing finale with its own slow episodes. Altogether this is music of songs and dances, heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe, having six chanters and a drone of variegated string texture. This work for woodwind instruments and string orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the ninth of ten concerti to be written for principal players of the Scottish Chamber Orchestra. The first performance was given in February 1995 by the Scottish Chamber Orchestra, conducted by the composer.

By Domineco Caudioso. Edited by John Craton. Chamber ensemble. For Mandolin, piano. Chamber Music. Concerto for mandolin and orchestra, arranged for mandolin and piano. Baroque. Score and part. 26 pages. Duration 15:00. Published by Wolfhead Music. (WM204) Level: Moderate.

By Johann Adolph Hasse. Edited by John Craton. Chamber ensemble. For Mandolin, piano. Chamber Music. An early classical concerto for mandolin and orchestra, arranged for mandolin and piano. Classical. Score and part. 10 pages. Duration 6:00. Published by Wolfhead Music. (WM209) Level: Moderate.

By John Craton. Chamber ensemble. For Mandolin, piano. Chamber Music. Concerto for mandolin and orchestra, arranged for mandolin and piano. Contemporary. Score and part. 36 pages. Duration 17:00. Published by Wolfhead Music. (WM205) Level: Advanced.

By Francesco Mancini. For Treble Recorder (Flute), 2 Violins and Continuo. Chamber Music, Early Music. Score and parts. 60 pages. Published by Ut Orpheus

Chamber Orchestra (Clarinet)

SKU: HL.14007479

Composed by Aulis Sallinen. Music Sales America. Piano Reduction. 44 pages. Music Sales #NOV957198. Published by Music Sales (HL.14007479).

UPC: 884088489465. 8.5x11.75x0.548 inches.

Piano reduction of the full score.

Reduction for Soprano Saxophone and Piano. Composed by James Macmillan. Boosey and Hawkes Chamber Music. Classical. Softcover. 48 pages. Boosey and Hawkes #M060136207. Published by Boosey and Hawkes

Book/Online Audio Oboe

SKU: HL.400379

Music Minus One Oboe. By Frantisek Kimmel. By Tomaso Giovanni Albinoni. Sheet music. Music Minus One. Classical. Softcover Audio Online. 16 pages. Music Minus One #MMO3400. Published by Music Minus One (HL.400379).

ISBN 9781596153479. UPC: 884088188894. 9.0x12.0x0.056 inches.

Italian Baroque Master Tomaso Albinoni is sometimes overlooked due to his fellow countryman Vivaldi's immense popularity, but this collection demonstrates the immense gifts which Albinoni exhibited as a composer. These three concerti are representative of his beautiful Baroque style. Includes a high-quality printed music score and recordings containing a complete performance with soloist, then a second version with the orchestral accompaniment, minus the soloist. Performed by Frantisek Kimmel, oboe Accompaniment: Czech Symphony Chamber Orchestra Conductor: Mario Klemens Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Chamber Orchestra

SKU: SU.36100440

For Chamber Orchestra. Composed by T.J. Anderson. Orchestra, Chamber Music, Larger Chamber Ensemble. Study Score. Subito Music Corporation #36100440. Published by Subito Music Corporation (SU.36100440).

1011; 1110; drm set, hp, pno; stgs Published by: Distributed Composer Performance materials available on rental only:.

Percussion and Piano

SKU: HL.14007495

Composed by Richard Rodney Bennett. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV360055. Published by Music Sales (HL.14007495).

8.5x11.75x0.45 inches.

Percussion and chamber orchestra. First performed 27 June 1990, Evelyn Glennie Percussion, Scottish Chamber Orchestra.Solo Part and piano reduction.

Chamber Ensemble

SKU: HL.14027933

Composed by Richard Rodney Bennett. Music Sales America. Classical. Score. 78 pages. Music Sales #NOV360059. Published by Music Sales (HL.14027933).

10.25x14.25x0.539 inches.

Horn Solo and Chamber Orchestra - Piano Reduction with Solo Part. Composed by Gy�¶rgy Ligeti. Brass Solo. Softcover. Schott Music #COR22. Published by Schott Music (HL.49045108).

This concerto is one continuous movement that is clearly divided into 3 main sections. The first movement is moderately fast and rhapsodic in charachter followed by a second section with an accompanied cadenza in the middle, the final movement is a fast-paced, energetic crescendo that leads to the climax of the work at the end. The solo part is a long and endlessly varied narrative that embraces the whole technical vocabulary of the cello available to both composer and soloist, with the harmonic aura being established by the orchestra from the beginning. The orchestra provides a platform of chords based on major and minor thirds which are the building blocks for the entire concerto both for soloist and orchestra. The harmonic scenery created by the orchestra is very much at the service of the soloist, always seeking to support and highlight the poetic and dramatic content of the solo part as well as providing a transparent and clear harmonic framework. The accompaniment for the piece is dense, at times polyphonic and sometimes multi-layered but only towards the very end is the orchestra allowed to dominate, in the final climax of the work. Commissioned by William Conway. First performed with the Scottish Chamber Orchestra in 1995

(Concert Mare Nostrum per a guitarra i orquestra). By Salvador Brotons. For guitar, piano. Chamber Music. Duration 20 minutes. Published by Brotons and Mercadal

Cello and Piano

SKU: HL.14007473

Composed by Sir Arthur Drummond Bliss. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV120348. Published by Music Sales (HL.14007473).

8.25x11.75x0.419 inches.

Arth ur Bliss' Concerto For Violoncello. Reduction for Cello and Piano.

This work was first performed at the Aldeburgh Festival on 24th June 1970 by Mstislav Rostropovich and the English Chamber Orchestra, conducted by Benjamin Britten.

Cello and Orchestra - Grade 4

SKU: HL.14037692

Composed by Per Norgard. Music Sales America. Score. Composed 2013. 108 pages. Edition Wilhelm Hansen #WH31033. Published by Edition Wilhelm Hansen (HL.14037692).

ISBN 9788759818886. 12.0x16.5x0.523 inches. English.

Momentum - Cello Concerto No. 2 for Violoncello Solo and Chamber Orchestra by Per Norgard .

Violin and Piano Reduction. By Isang Yun. Boosey and Hawkes Chamber Music. Size 9x12 inches. 60 pages. Published by Bote and Bock.