Ce Concerto a inspiré et écrit en l'honneur de Zoltán Kodály. Hartmann a été inspiré pour écrire un morceau de musique se caractérise par une saveur hongroise, aussi bien dans les passages libres ressemblant à cadence qui rappelle la musique tsigane dans le troisième mouvement ' Fantasie ' comme dans la vivacité ' danse variations ' du deuxième mouvement. / Clarinette, Quatuor A Cordes Et Orchestre A Cordes
SKU: HL.14022263
8.25x11.75x0.131 inches.
Chamber Concerto No 1 was written in the winter of 1961-62. It is scored for oboe, clarinet, bassoon, horn, trumpet, trombone, violin, viola and cello. It is dedicated to Robin and Margaret Orr and was commissioned by the University of Glasgow.
SKU: HL.14037563
ISBN 9788759855003. Danish.
Vagn Holmboe's Concerto No.11 Op.44 For Trumpet And Orchestra is part of a series of 'Chamber' concertos written for soloists with smaller accompaniment groups. Concerto no.11 is based upon the concertos of Joseph Haydn, and features the fast-slow-fast formal structure typical of the Classical concerto. Holmboe's melodic writing is modelled upon the motivic and thematic developments that are highly characteristic of Haydn's melodic constructions, lending the work a timeless air.
SKU: HL.14018153
Danish.
Chamber Concerto for Oboe, Alto Saxophone, Violin, Cello, Double Bass, Piano and Percussion was composed by Anders Koppel in 2004. Chamber Concerto for Oboe, Alto Saxophone, Violin, Cello, Double Bass, Piano and Percussion was composed by Anders Koppel in 2004.
SKU: SU.80102965
Harp solo, flute, clarinet, 2 violins, viola, cello (a bass part may be added if a small string orchestra is used) The Chamber Concerto is in one movement. A few special effects are called for in the solo part Duration: 15' Score and harp part are included Other instrumental parts are on rental from the publisher 60 pages Published by: Columbia University Music Press.
SKU: HL.49012378
ISBN 9790001128056.
The Violin Concerto, written in 1928, is one of Egk's most significant instrumental works. It is indicative of the contemporary climate of innovation as reflected in the development of new genres for chamber orchestra, ensembles and soloists, as for example in Hindemith's chamber music pieces, Weill's Concerto for Violin and Woodwind, Berg's Chamber Concerto, and the Concerto and Capriccio by Stravinsky. The chamber orchestra with 16 players was considered a type of instrumentation appropriately contemporary for variety of uses and was frequently referred to in contemporary literature and discussions on Neo-classicism, Neue Sachlichkeit, functional music, music for radio, etc.
SKU: BA.BA04016
ISBN 9790006442973. 33.1 x 26 cm inches.
For performance material please see BA 4209-4220.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.14020993
ISBN 9780711952010. 5.5x8.5x0.222 inches.
The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers, now brought to the fore, are piccolo and alto flute, cor anglais, Eb and bass clarinets and contrabassoon. They make a motley group, diverse in colour as in register, and one of the tasks of the piece sets itself is to have them blend and cohere, both together as an ensemble and in partnership with the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo, recitatives for the alto flute, a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement, which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slow interventions, including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement, or sequence of short slow movements, followed by a dancing finale with its own slow episodes. Altogether this is music of songs and dances, heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe, having six chanters and a drone of variegated string texture. This work for woodwind instruments and string orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the ninth of ten concerti to be written for principal players of the Scottish Chamber Orchestra. The first performance was given in February 1995 by the Scottish Chamber Orchestra, conducted by the composer.
SKU: HL.14024639
8.25x11.75x0.165 inches.
Tirol: Concerto for Piano and Orchestra by Philip Glass was premiered at the Klanspuren Festival in Tirol, Austria and written with the support of the Stuttgart Chamber Orchestra and the Tirol Tourish Board. Glass studied sound documents and sheet music of Tyrolese folk-music, using this source material directly as the basis for the concerto.
SKU: HL.14007479
UPC: 884088489465. 8.5x11.75x0.548 inches.
Piano reduction of the full score.
SKU: HL.400379
ISBN 9781596153479. UPC: 884088188894. 9.0x12.0x0.056 inches.
Italian Baroque Master Tomaso Albinoni is sometimes overlooked due to his fellow countryman Vivaldi's immense popularity, but this collection demonstrates the immense gifts which Albinoni exhibited as a composer. These three concerti are representative of his beautiful Baroque style. Includes a high-quality printed music score and recordings containing a complete performance with soloist, then a second version with the orchestral accompaniment, minus the soloist. Performed by Frantisek Kimmel, oboe Accompaniment: Czech Symphony Chamber Orchestra Conductor: Mario Klemens Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
