Celebration and Fanfare

SKU: HL.4005839

UPC: 888680923808. 9.0x12.0x0.084 inches.

Franz Joseph Haydn's famous melody from the second movement of his “Emperor Quartet” (String Quartet, Op. 76) was the basis for the national anthem of Austria for more than a century and is frequently heard in hymns, anthems and alma maters worldwide. In this celebratory extended fanfare, composer James Curnow skillfully weaves this majestic melody into a work which is both exuberant and energetic. Recorded by the Cobb Wind Symphony (Marietta, GA) – Alfred Watkins and Robert Cowles conductors, premiered during their performance at the Midwest Clinic, December 2018. Dur: 4:25.

SKU: BT.CMP-0026-95-020

Lone Star Celebration werd door James Curnow gecomponeerd ter gelegenheid van het 150-jarig bestaan van de staat Texas. Het werk begint met een briljante openingsfanfare, gevolgd door een scherzo. Een ballade met een overpeinzendkarakter zorgt voor een rustig middengedeelte. Het slot wordt gevormd door een opzwepend allegro, dat wordt ingeleid door een terugkeer van de openingsfanfare.

SKU: BT.CMP-0026-95-120

Lone Star Celebration werd door James Curnow gecomponeerd ter gelegenheid van het 150-jarig bestaan van de staat Texas. Het werk begint met een briljante openingsfanfare, gevolgd door een scherzo. Een ballade met een overpeinzendkarakter zorgt voor een rustig middengedeelte. Het slot wordt gevormd door een opzwepend allegro, dat wordt ingeleid door een terugkeer van de openingsfanfare.

SKU: CF.CPS259

ISBN 9781491161487. UPC: 680160920112.

Fanfa re for Hope was commissioned in honor of the inauguration of Father James P. Burns, the 14th President of Saint Mary's University of Minnesota. The theme of the inauguration was Saint Mary's: A Sign of Faith, Hope, & Knowledge. The fanfare is based on the hymn tune Melita, more commonly known as the Navy Hymn, Eternal Father, Strong to Save, with the text My hope is built on nothing less ... serving as the inspiration for the piece. The opening brass fanfare features the uplifting first notes of the tune transitioning into a legato treatment for the woodwinds and horns. The theme builds as the brass and percussion eventually return leading back to the original fanfare. The music ends triumphantly with the entire ensemble joining in celebration.
Fanfare for Hope was commissioned in honor of the inauguration of Father James P. Burns, the 14th President of Saint Mary's University of Minnesota. The theme of the inauguration was Saint Mary's: A Sign of Faith, Hope, & Knowledge. The fanfare is based on the hymn tune Melita, more commonly known as the Navy Hymn, Eternal Father, Strong to Save, with the text My hope is built on nothing less ... serving as the inspiration for the piece. The opening brass fanfare features the uplifting first notes of the tune transitioning into a legato treatment for the woodwinds and horns. The theme builds as the brass and percussion eventually return leading back to the original fanfare. The music ends triumphantly with the entire ensemble joining in celebration.
Fanfare for Hope was commissioned in honor of the inauguration of Father James P. Burns, the 14th President of Saint Mary's University of Minnesota. The theme of the inauguration was “Saint Mary’s: A Sign of Faith, Hope, & Knowledge”. The fanfare is based on the hymn tune Melita, more commonly known as the Navy Hymn, Eternal Father, Strong to Save, with the text “My hope is built on nothing less …” serving as the inspiration for the piece. The opening brass fanfare features the uplifting first notes of the tune transitioning into a legato treatment for the woodwinds and horns. The theme builds as the brass and percussion eventually return leading back to the original fanfare. The music ends triumphantly with the entire ensemble joining in celebration.

SKU: PR.44641256L

UPC: 680160596010. 11 x 17 inches. Key: A major.

Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall a each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall -- each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements.I. FanfareThe opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall — each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience.II. Reminiscence and CelebrationThe 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.

SKU: PR.446412560

ISBN 9781598063738. UPC: 680160596003. 9x12 inches. Key: A major.

Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall a each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall -- each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements.I. FanfareThe opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall — each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience.II. Reminiscence and CelebrationThe 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.

SKU: CF.CPS259F

ISBN 9781491161692. UPC: 680160920372.

Fanfa re for Hope was commissioned in honor of the inauguration of Father James P. Burns, the 14th President of Saint Mary's University of Minnesota. The theme of the inauguration was Saint Mary's: A Sign of Faith, Hope, & Knowledge. The fanfare is based on the hymn tune Melita, more commonly known as the Navy Hymn, Eternal Father, Strong to Save, with the text My hope is built on nothing less ... serving as the inspiration for the piece. The opening brass fanfare features the uplifting first notes of the tune transitioning into a legato treatment for the woodwinds and horns. The theme builds as the brass and percussion eventually return leading back to the original fanfare. The music ends triumphantly with the entire ensemble joining in celebration.
Fanfare for Hope was commissioned in honor of the inauguration of Father James P. Burns, the 14th President of Saint Mary's University of Minnesota. The theme of the inauguration was “Saint Mary’s: A Sign of Faith, Hope, & Knowledge”. The fanfare is based on the hymn tune Melita, more commonly known as the Navy Hymn, Eternal Father, Strong to Save, with the text “My hope is built on nothing less …” serving as the inspiration for the piece. The opening brass fanfare features the uplifting first notes of the tune transitioning into a legato treatment for the woodwinds and horns. The theme builds as the brass and percussion eventually return leading back to the original fanfare. The music ends triumphantly with the entire ensemble joining in celebration.

SKU: BT.DHP-0940570-220

Dit feestelijke werk van Johan Nijs werd in het jaar 1993 bekroond in de compositiewedstrijd van Fedekam, België. Het bestaat uit drie delen: een openingsdeel, een intermezzo en een mars. Met zijn verschillende door elkaar gewevenmaatsoorten is Celebration Fantasy een interessant concertwerk.

SKU: CL.011-4713-01

Steven Reineke's Celebration Fanfare is a brilliant and majestic concert opener, and has become standard repertoire for mature ensembles. This arrangement for the Barnhouse Command series by Rob Romeyn skillfully and carefully adapts this classic work for less-experienced groups. All of the powerful flair of the original remains. Look no further for a shimmering way to begin a concert or festival performance!

SKU: BT.DHP-0940570-020

Dit feestelijke werk van Johan Nijs werd in het jaar 1993 bekroond in de compositiewedstrijd van Fedekam, België. Het bestaat uit drie delen: een openingsdeel, een intermezzo en een mars. Met zijn verschillende door elkaar gewevenmaatsoorten is Celebration Fantasy een interessant concertwerk.

SKU: CL.011-4713-00

Steven Reineke's Celebration Fanfare is a brilliant and majestic concert opener, and has become standard repertoire for mature ensembles. This arrangement for the Barnhouse Command series by Rob Romeyn skillfully and carefully adapts this classic work for less-experienced groups. All of the powerful flair of the original remains. Look no further for a shimmering way to begin a concert or festival performance!

SKU: HL.4007560

UPC: 196288064855. 9.0x12.0x0.08 inches.

This powerful work for band is composed in two main sections. The opening slow section features stunning impact points mixed with moments of majestic lyricism and distinctive harmonies. The energetic Presto section in 3/4 is introduced using a percussion ostinato with heroic and fanfare-like figures layered in from various sections of the band. The piece builds to an exciting finish resulting in a true celebration of sound! Dur: 3:40.