O Sole Mio G Major

SKU: BR.OB-5287-30

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

ISBN 9790004333242. 9 x 12 inches.

It was long overdue: a complete, source-critical new edition of this ever popular Boccherini Concerto. The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy. All preceding manuscripts are lost. Still available, however, is Friedrich Grutzmacher's pioneer edition (EB 3596, PB/OB 3842), which features a middle movement (the Adagio in G minor) originally found in the Violoncello Concerto in G major No. 7.

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

SKU: BR.OB-5287-16

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

ISBN 9790004333211. 9 x 12 inches.

It was long overdue: a complete, source-critical new edition of this ever popular Boccherini Concerto. The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy. All preceding manuscripts are lost. Still available, however, is Friedrich Grutzmacher's pioneer edition (EB 3596, PB/OB 3842), which features a middle movement (the Adagio in G minor) originally found in the Violoncello Concerto in G major No. 7.

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

SKU: BR.OB-5287-15

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

ISBN 9790004333204. 9 x 12 inches.

It was long overdue: a complete, source-critical new edition of this ever popular Boccherini Concerto. The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy. All preceding manuscripts are lost. Still available, however, is Friedrich Grutzmacher's pioneer edition (EB 3596, PB/OB 3842), which features a middle movement (the Adagio in G minor) originally found in the Violoncello Concerto in G major No. 7.

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

SKU: BR.OB-5292-16

ISBN 9790004338230. 10 x 12.5 inches.

Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.

Mozart' s last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.

SKU: BR.OB-5292-19

ISBN 9790004338247. 10 x 12.5 inches.

Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.

Mozart' s last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.

SKU: BR.OB-5292-23

ISBN 9790004338254. 10 x 12.5 inches.

Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.

Mozart' s last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.

SKU: BR.OB-5292-15

ISBN 9790004338223. 10 x 12.5 inches.

Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.

Mozart' s last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.

SKU: BR.OB-5292-30

ISBN 9790004338278. 10 x 12.5 inches.

Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.

Mozart' s last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.

SKU: BR.OB-5292-27

ISBN 9790004338261. 10 x 12.5 inches.

Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.

Mozart' s last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.

SKU: BR.PB-5298-07

ISBN 9790004211786. 6.5 x 9 inches.

Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.

Mozart' s last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.

SKU: BR.OB-15117-15

In Cooperation with G. Henle Verlag

ISBN 9790004340417. 10 x 12.5 inches.

The Urtext edition of what is arguably the most often played double-bass work of all was long overdue. The work was previously available only in an abridged and arranged form. The edition departs from the sole extant source, a set of parts from the estate of the composer and double-bass virtuoso Johannes Sperger. The score and orchestral parts as well as the piano reduction are printed in E major as well as D major so as to make the work playable both in orchestral or Viennese tuning as well as in solo tuning. The piano reduction contains additional cadenzas by the editor.I hope players will convert to this edition.(Clifford Bartlett, in: Early Music Review, No. 142, June 2011)An exciting addition to the bassist's library. This definitive score will assist teachers and performers alike.(Marian Heckenburg, AUSTA Stringendo).

SKU: BR.OB-15117-16

In Cooperation with G. Henle Verlag

ISBN 9790004340424. 10 x 12.5 inches.

The Urtext edition of what is arguably the most often played double-bass work of all was long overdue. The work was previously available only in an abridged and arranged form. The edition departs from the sole extant source, a set of parts from the estate of the composer and double-bass virtuoso Johannes Sperger. The score and orchestral parts as well as the piano reduction are printed in E major as well as D major so as to make the work playable both in orchestral or Viennese tuning as well as in solo tuning. The piano reduction contains additional cadenzas by the editor.I hope players will convert to this edition.(Clifford Bartlett, in: Early Music Review, No. 142, June 2011)An exciting addition to the bassist's library. This definitive score will assist teachers and performers alike.(Marian Heckenburg, AUSTA Stringendo).