Cap Gun Western, A

Handbells (3-5 octaves) - Level 3+

SKU: LO.20-1113L

Composed by Tammy Waldrop. Concert, General. Handbell score. Lorenz Publishing Company #20/1113L. Published by Lorenz Publishing Company (LO.20-1113L).

UPC: 000308035414.

Ideal for concert or massed festival, this stunning original work is in a style that will delight audiences as it brings a picture of the beautiful southwestern sky to mind.

Concert Band - Grade 3.5

SKU: AP.48148S

Composed by Randall Standridge. Concert Band; Performance Music Ensemble; Single Titles. Alfred Concert Band. Light Concert. Score. 24 pages. Duration 4:30. Alfred Music #00-48148S. Published by Alfred Music (AP.48148S).

UPC: 038081554884. English.

Inspired by thoughts of the early American pioneers, this cinematic overture captures the essence of scores written for Westerns. It depicts travel to the western mountains, desert, and Great Plains and the sheer size of the landscape and vast openness. (4:30).

Concert Band - Grade 3.5

SKU: AP.48148

Composed by Randall Standridge. Concert Band; Performance Music Ensemble; Single Titles. Alfred Concert Band. Light Concert. Score and Part(s). 296 pages. Duration 4:30. Alfred Music #00-48148. Published by Alfred Music (AP.48148).

UPC: 038081554877. English.

Inspired by thoughts of the early American pioneers, this cinematic overture captures the essence of scores written for Westerns. It depicts travel to the western mountains, desert, and Great Plains and the sheer size of the landscape and vast openness. (4:30).

Composed by Joe Carr. Saddle-stitched. Book and online audio. Published by Mel Bay Publications, Inc (MB.98953M).

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Temple Blocks, Timpani, Trombone 1 and more. - Grade 3

SKU: CF.CPS240F

Composed by Richard Summers. Sws. Cps. Full score. 24 pages. Duration 3 minutes, 55 seconds. Carl Fischer Music #CPS240F. Published by Carl Fischer Music (CF.CPS240F).

ISBN 9781491157879. UPC: 680160916474. 9 x 12 inches.

Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, itas like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia. The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through. As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country. The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape. The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix. Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion. Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.
Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, it's like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia. The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through. As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country. The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape. The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix. Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion. Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.
Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, it’s like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia.  The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through.  As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country.  The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape.  The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix.  Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion.  Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Temple Blocks, Timpani, Trombone 1 and more. - Grade 3

SKU: CF.CPS240

Composed by Richard Summers. Folio. Cps. Set of Score and Parts. 16+4+8+8+8+4+4+4+4+4+4+8+ 8+8+4+4+6+6+6+4+8+2+2+4+2 +24 pages. Duration 3 minutes, 55 seconds. Carl Fischer Music #CPS240. Published by Carl Fischer Music (CF.CPS240).

ISBN 9781491157862. UPC: 680160916467. 9 x 12 inches.

Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, itas like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia. The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through. As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country. The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape. The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix. Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion. Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.
Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, it's like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia. The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through. As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country. The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape. The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix. Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion. Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.
Composing this piece was an interesting process. A piece of a melody or an idea takes shape, and after writing it down, it’s like planting a seed that starts to grow and develop. I got a snippet of a western idea and then thought of a monument in my hometown of Wheeling, West Virginia.  The statue is called Madonna of the Trail. The history part of this piece started to take shape as I researched this statue. There are twelve of them located in twelve states where the Old Trail Road, or National Road, passes through.  As the piece developed, I started to think about the travel of a pioneer woman and her family passing through various areas of our early country.  The 3,000 mile coast-to-coast National road was realized in the early 1900s but was based on six trails that date back to the 1700s. After developing the introduction and theme to this concert band piece, the story began to take shape.  The slower 3/4 section melody hints at Greensleeves (What Child Is This) which appropriately weaves itself into the mix.  Finally heading further west into New Mexico, Arizona, and California, the melody takes on a Spanish flavor and returns to the main theme before its conclusion.  Divisi parts that are optional can be utilized to add a richer sound. Feel free to experiment with octave changes in the woodwinds in the fuller sections, if students are comfortable playing up an octave. Always be aware of the musicality, blend, and especially legato playing when required.

by Joe Carr. For flatpick and plectrum guitar. Texas Music and Video. Western swing, western/swing. Level: Beginning-Intermediate. Book/CD Set. Method. Size 8.75x11.75. 48 pages. Published by Mel Bay Pub., Inc.

By Alan Lee Silva. For Full Score. Carl Fischer First Plus String Orchestra Series. Grade 1.5-2. Full score (large). Published by Carl Fischer

Concert Band - Grade 2

SKU: AP.31723S

Composed by Thomas Kahelin. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Young Symphonic. Score. 20 pages. Alfred Music #00-31723S. Published by Alfred Music (AP.31723S).

UPC: 038081345994. English.

From the Badlands of South Dakota to the cliffs of Big Sur, California, the western horizon is both an ending and a beginning. Standing in the grandeur of the American West, one senses the exuberance and wildness of a time long gone by. Gazing west, one imagines an astonishing variety of landscape unfolding beyond the horizon, leading to the beauty of California's sunset and the optimism of tomorrow. This piece celebrates the nostalgia, gusto and optimism of that western horizon. This title is available in MakeMusic Cloud.

Recorded live. By ACDA Western Division Junior High School Honor Choir; ACDA Western Division Children's Honor Choir. Release date: 2014. Mark Records. Listening CD. Duration 43:28:00. Published by Mark Custom Music (MK.51152-MCD).

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

By William G. Andrews and Molly Sclater. Textbook - General. Book. 412 pages. Published by Alfred Publishing.

By John Taverner. Edited by Anthony G. Petti. For SATB Choir (SATB). Music Sales America. Baroque, Sacred, Choral. 48 pages

By Jack Curtis Dubowsky. Chorus. For TTBB choir and optional SA (TTBB choir and optional SA). Country Western; humor; cabaret; folk; Americana; Pythonesque. Sheet music. Composed 2006. Duration 3:10

By William G. Andrews, Molly Sclater. Textbook - General. Book. 352 pages. Published by Alfred Publishing.

SKU: FZ.5491

From Gregorian Chant to Bela Bartok. Edited by Philippe Lescat, Jean Saint-Arroman. Mnemosis: The Memory of Music Collection. Book and CD. Published by Anne Fuzeau Productions - France (FZ.5491).

ISBN 9782841690824. 17.00 x 22.00 cm inches.

Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique. 108 plans. A clever, useful and unique volume. A perfect vade-mecum, this book proves a precious help for students and teachers alike. . . 108 charts offer a chronological as well as synoptic view of Western music. a few essential landmarks lay out historical, social, technical and cultural background of each selected topic.

Grade 2.5

SKU: CL.031-2525-01

Composed by K. Harris. Jazz Ensemble. Extra full score. Composed 1993. C.L. Barnhouse #031-2525-01. Published by C.L. Barnhouse (CL.031-2525-01).

This bright tune with a western swing flavor really captures the feel and sound of that very popular style. Tasty written out piano fills help your budding Floyd Cramers to fit right in. The crowd pleasing potential is enormous and it’s sure to be a real confidence builder for young bands. Lots of Fun!

By Brent Mason. Hot Licks. Country Instruction. Softcover Video Online. With guitar tablature. 40 pages. Hot Licks #AM1012737. Published by Hot Licks (HL.14047858).

By David Lovrien. For concert band. Western Concert March. Official march of the Dallas Wind Symphony. Concert march. Full score and set of parts. Duration 4:30. Published by Lovebird Music. (103) Level: Grade 4 (Intermediate).

For voice. Format: vocal score (spiral bound). With vocal score and chord names. Gospel and Country. 9x12 inches. Published by Brentwood-Benson Music Publishing.
Clic k for Split Trax Cassette

Part 2. By William G. Andrews. Textbook - General. Book. 1 pages. Published by Alfred Publishing.

By William G. Andrews and Molly Sclater. Textbook - General. Book. 708 pages. Published by Alfred Publishing.

Band Concert Band - Grade 3

SKU: CF.CPS220

March. Composed by John Pasternak. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+8+4+8+16+16+4+4+4+4+4+4 +8+8+8+4+4+6+6+6+8+2+2+4+ 2+20+4 pages. Duration 2 minutes, 57 seconds. Carl Fischer Music #CPS220. Published by Carl Fischer Music (CF.CPS220).

ISBN 9781491152461. UPC: 680160909964.

An exciting new original march in classic American march form and style.  Composer John Paternak has captured the essence of the great marches of Sousa and Fillmore in a new tuneful and fresh sound traditional march.  The trio melody is essential catchy and the march is worthy of use as a solid warm-up march for festival by advancing level concert bands.
I wrote this piece for my friend Ralph Meyer and the members of the Western Reserve Community Band, who are always there for me when I need a group to read or record one of my compositions. I would also like to thank Larry Clark for helping this march come to life.There are a lot of sudden dynamic changes in this piece. It is crucial that there is dynamic contrast, so the piece can be performed effectively. There are also several instances with contrast in articulation styles. Make sure your group is playing short notes different from the legato passages. At m. 87 during the second time through, I have made the tempo jump to 152. Feel free to take it faster if your group is capable of it.

Band Concert Band - Grade 3

SKU: CF.CPS220F

March. Composed by John Pasternak. Concert Band (CPS). Full score. With Standard notation. 20 pages. Carl Fischer Music #CPS220F. Published by Carl Fischer Music (CF.CPS220F).

ISBN 9781491153147. UPC: 680160910649.

An exciting new original march in classic American march form and style.  Composer John Paternak has captured the essence of the great marches of Sousa and Fillmore in a new tuneful and fresh sound traditional march.  The trio melody is essential catchy and the march is worthy of use as a solid warm-up march for festival by advancing level concert bands.
I wrote this piece for my friend Ralph Meyer and the members of the Western Reserve Community Band, who are always there for me when I need a group to read or record one of my compositions. I would also like to thank Larry Clark for helping this march come to life.There are a lot of sudden dynamic changes in this piece. It is crucial that there is dynamic contrast, so the piece can be performed effectively. There are also several instances with contrast in articulation styles. Make sure your group is playing short notes different from the legato passages. At m. 87 during the second time through, I have made the tempo jump to 152. Feel free to take it faster if your group is capable of it.

From Five Sea Chanties, No. 3. By Irish Sea Chanty, Celius Dougherty. Arranged by Emily Crocker, Celius Dougherty. (SATB). Choral. Size 6.75x10.5 inches. 8 pages. Published by G. Schirmer, Inc.