Sequence

SKU: HL.275459

9.0x12.0x0.087 inches.

Score and Parts for Anna Thorvaldsdottir's Sequences. Written for bass flute, bass clarinet, baritone saxophone and contrabassoon. Composed for the International Contemporary Ensemble (ICE) for the ICEcommons Project and the New York Public Library. The first performance was given on 2 February 2013 at Kaldalon Hall, Harpa Centre, Reykjavik, Iceland. Duration: c. 8 minutes.

SKU: GI.G-VHS-396

This hands-on video focuses on one of the most important educationaltools to be developed in recent years: the MIDI Sequencer. This video featuresdozens of examples of how the MIDI Sequencer can be used with children inreal teaching situations including chorus, classroom singing, listeningand rhythm activities, Orff ensembles, recorders and electronic piano lab.Like the piano or stereo, the MIDI sequencer is becoming an indispensibletool for music teachers. Why? What can you do with one? Looking for newteaching ideas? This video is for you!

SKU: GI.G-9543

ISBN 9781622772568.

The Complete Choral Warm-Up Sequences represents the first truly pedagogically sequenced collection of choral warm-ups in print and the culmination of work begun three decades ago by Frauke Haaseman and James Jordan. The goal of these twenty sequenced choral warm-ups is to build vocal technique and enduring musical skill in ensembles, regardless of age or experience. By synthesizing the most essential elements of the best-selling book The Choral Warm-Up, authors James Jordan and Jesse Borower assemble a practical and easy-to-use resource for conductors and teachers. The warm-up sequences provide a daily “diet” of vocal technique development based onthe latest research in voice science coupled with exercises to develop intonation and audiation according to the principles of Edwin E. Gordon’s Music Learning Theory. This package includes a book for conductors, a book for accompanists, and links to important online audio and video downloads. Written in an easy-to-use format for choral conductors, this valuable resource is a rich collection of cutting-edge pedagogy and the latest in voice science. Features include: An introduction and concise overview of choral and vocal pedagogy Vocal exercises composed within a harmonic context, designed to strengthen each singer’s audiational skill while training legato, register consistency, range extension, and more Concise descriptions of what to listen for in each exercise and solutions to remedy common vocal issues Aural Immersion Exercises that will quickly attune an ensemble to the modality needed for any repertoire Chants that will heighten both the essential musicianship of each singer and the sensitivity of the ensemble as a whole Entire warm-up sequences designed to prepare a stylistically appropriate sound for multiple genres while developing real and enduring vocal and musical skill.

SKU: FP.FSD03

ISBN 9790570503827.

Stee le's superb song-cycle Autumn Sequence was written for the pupils of Stockport Grammar School, and is scored for speaker, solo voices, chorus, flute or piccolo or recorder, tubular bells, handbells, organ pedal and piano, being the rather idiosyncratic resources then available at the school. It was first performed on October 3rd 1969 in the schools Hallam Hall, where the composer had been responsible for the specification of the recently installed organ. Douglas Steele himself played the piano part in his own inimitable style extending and improvising the cadenzas between the movements. A recording is available on Campion Cameo 2040/1 featuring Richard Baker narrating and choirs from Carlisle Cathedral, with John Turner on recorder.

Autumn Sequence can be heard on the album Autumn Sequence: The Music of Douglas Steele and his circle.

SKU: GI.G-6855

UPC: 785147685500. English. Text source: Sequence Ascr. Wipo of Burgundy, d. 1048; Translation: Peter Scagnelli.

Utilizin g a recurring refrain for the assembly, this lively setting of the sequence will be immediately accessible at your Easter liturgies. The gospel acclamation draws on the same melodic material as the response to the sequence. Scored for organ and mostly unison choir singing in alternation, the setting includes a simple, but engaging, part for tambourine, combined with additional percussion instruments, the Renaissance-like qualities of the piece will come alive! Percussion part is for tambourine.