Matériel : CD
Voir toutes les partitions de George Ezra
SKU: BT.EMBZ14619
English-German.
The piece was written in 2003, commissioned by the Budapest Spring Festival. The process of the work follows the line of the composer s personal interpretation of the original poem. In this song the original dark, grim ending appears as a sort of cathartic dénouement. The theme is love versus mortality. The work is a kind of wholly composed song written in the 21st century its form derives basically from the text. The narrator begins the story in Sprechgesang and in the final lines of the poem tries to sing in a normal singing voice. This acoustic line is followed by the merging of the sinus tones into the clarinet parts. Thus, basically, a peculiar change of toneintroduced for dramatic purposes constitutes the essence of the song. First performance: March 2003. Das Stück entstand 2003 im Auftrag des Budapester Frühlingsfestivals. Der Verlauf des Werkes folgt der eigenen Interpretationen des Gedichtsoriginales. Das ursprünglich finstere Ende erscheint in diesem Lied wie ein kathartischer Ausgang. Sein Thema ist im Gegensatz zur Vergänglichkeit die Liebe. Das Werk ist eine Art im 21. Jahrhundert entstandenes, durchkomponiertes Lied, seine Form basiert grundsätzlich auf dem Text. Der Erzähler beginnt die Geschichte im Sprechgesang, in den letzten Zeilen des Gedichtes versucht er jedoch bereits mit einer normalen Gesangstimme zu singen. Diesem akustischen Zug folgt die Umschmelzung der Sinustöne in die Klarinettenstimmen. Dadurch schafft einegrundsätzlich auf dramaturgischen Aspekten basierende Änderung im Klang das Wesen des Liedes. Premiere: März 2003.
SKU: BT.EMBZ15083
English-German-Hungari an.
Bartók probably first played pieces by Domenico Scarlatti in public in 1911. During the next two decades he featured them in his piano recitals more than 60 times. His dedication to Italian and French Baroque music is also illustrated by the fact that, in 1920, he signed a contract with the Budapest publisher Rozsnyai to edit seven volumes of Baroque keyboard music. His plan was to select compositions by Couperin and Rameau in addition to pieces by Scarlatti, but during the 1920s it ended up being only two volumes of Couperin and another two comprising ten compositions by Scarlatti. In editing these masterpieces, Bartók's aim was primarily to counterbalance or evenovershadow the works by the Mendelssohn-Schumann epigones used in primary and secondary music education. The present, single-volume collection comprises Bartók's two Scarlatti volumes, complete with an editorial preface, his detailed performing instructions, and his commentary. The editor recommends these compositions for pianists with at least five years' experience, and gives practical recommendations for the grouping of individual items to form charming sonatina-like sets of pieces. Bartók spielte wahrscheinlich 1911 erstmals Werke von Domenico Scarlatti öffentlich und in den folgenden zwei Jahrzehnten ließ er sie an seinen Klavierabenden mehr als sechzig Mal erklingen. Seine Verbundenheit mit der italienischen und französischen Barockmusik beweist sich auch darin, dass er 1920 einen Vertrag mit dem Budapester Verlag Rozsnyai über die Herausgabe von sieben Heften mit Werken der Klaviermusik schloss. Geplant war, dass er das Material der Bände sowohl mit Werken Scarlattis als auch mit Kompositionen Couperins und Rameaus zusammenstellte. Im Laufe der 1920er-Jahre kam es schließlich zur Herausgabe einer Couperin-Auswahl in zwei Heften sowie - ebenso in zwei Heften - von zehn Scarlatti-Kompositionen. Mit der Veröffentlichung dieser Meisterwerke beabsichtigte Bartók in erster Linie, den Mendelssohn-Schumann-Epig onen bereits in der Musikausbildung in der Grund- und Mittelstufe entgegenwirken und ihre Werke in den Hintergrund treten zu lassen.
Die vorliegende Publikation versammelt in einem Band das Material der beiden mit Bartóks Vorwort, detaillierten Vortragsanweisungen und Anmerkungen erschienenen Scarlatti-Hefte. Der Herausgeber empfiehlt PianistInnen diese Kompositionen seit mindestens fünf Jahren zum Klavier spielen und gibt auch praktische Vorschläge dafür, wie man die einzelnen Stücke zu einem attraktiven Sonatina-artigen Ganzen gruppieren kann.
SKU: BT.EMBZ30
In 1916, as part of the series Az elemi zongorajáték gyakorlati tananyaga [Practical Repertory for Elementary Piano Playing], Rózsavölgyi & Co. published Bartók's selection of twelve pieces from the collection usually given the title Notenbüchlein für Anna Magdalena Bach. A revised 1923 edition added one more piece. The contents of our edition are an identical reprint of the 1923 version, including Bartók's in-depth preface in both Hungarian and German and the footnotes he added to the individual pieces (also provided here in an English translation).Johann Sebastian Bach gave his second wife Anna Magdalena two manuscript music-books which contain, besides his own works,compositions by other contemporaries. The present selection includes 13 pieces from the second book (dated to 1725). In der beim Budapester Musikverlag Rózsavölgyi & Co. erschienenen Reihe Az elemi zongorajáték gyakorlati tananyaga [Praktischer Lehrstoff des elementaren Klavierspiels] wurde 1916 eine aus 12 Stu cken bestehende Auswahl Béla Bartóks aus der unter dem Titel Notenbu chlein fu r Anna Magdalena Bach bekannten Sammlung veröffentlicht. Deren im Jahre 1923 veröffentliche revidierte Ausgabe wurde durch ein weiteres Stu ck ergänzt. Der Inhalt der vorliegenden Ausgabe deckt sich mit dem der Edition das Jahres 1923 (die Noten bringen wir als Reprint) einschließlich des Vorworts Bartóks in ungarischer und in deutscher Sprache sowie seiner Randnotizen zu den einzelnen Stu cken, die wir auch in englischer Übersetzung wiedergeben.
Johann Sebastian Bach schenkte seiner zweiten Frau, Anna Magdalena, zwei handgeschriebene Notenhefte, in die er neben eigenen Werken auch Stu cke anderer zeitgenössischer Komponisten aufnahm. Die vorliegende Auswahl beinhaltet die 13 Stu cke des im Jahr 1725 erstellten zweiten Heftes.
SKU: HL.50488406
9.0x12.0x0.208 inches.
SKU: BT.EMBZ3480
Hungarian.
The composer, choirmaster, musicologist and music educator Lajos Bárdos was born on the 1st of October 1899 in Budapest and studied composition with Zoltán Kodály at the Music Academy in Budapest. As choirmaster, he worked with the Palestrina Choir and the Cecilia Choir, which he united in 1941, thus founding the Budapest Choir. From 1928 until his retirement in 1966 he worked as a teacher of the Budapest Music Academy and taught several subjects. His compositional work, consisting mainly of choral works, comprises almost 600 pieces, but he has also composed chamber music.From 1918, Lajos Bárdos was president of the Hungarian Cecilia Society, participated in the direction ofthe Hungarian Singing Association, as well as the Bartók Association. In addition, he founded in cooperation with György Kerényi and Gyula Kertész in 1931, the magazine and the publishing company Magyar Kórus (Hungarian Choir).Lajos Bárdos has passed away on the 18th of November 1986 in Budapest. This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.
SKU: BT.EMBZ3426
The composer, choirmaster, musicologist and music educator Lajos Bárdos was born on the 1st of October 1899 in Budapest and studied composition with Zoltán Kodály at the Music Academy in Budapest. As choirmaster, he worked with the Palestrina Choir and the Cecilia Choir, which he united in 1941, thus founding the Budapest Choir. From 1928 until his retirement in 1966 he worked as a teacher of the Budapest Music Academy and taught several subjects. His compositional work, consisting mainly of choral works, comprises almost 600 pieces, but he has also composed chamber music.Lajos Bárdos was from 1918 president of the Hungarian Cecilia Society, participated in the direction of theHungarian Singing Association, as well as the Bartók Association. In addition, he founded in cooperation with György Kerényi and Gyula Kertész in 1931, the magazine and the publishing company Magyar Kórus (Hungarian Choir).Lajos Bárdos has passed away on the 18th of November 1986 in Budapest. Territorial restrictions may apply. Please ask before ordering.
SKU: BT.EMBZ8539
Latin.
The composer, choirmaster, musicologist and music educator Lajos Bárdos was born on the 1st of October 1899 in Budapest and studied composition with Zoltán Kodály at the Music Academy in Budapest. As choirmaster, he worked with the Palestrina Choir and the Cecilia Choir, which he united in 1941, thus founding the Budapest Choir. From 1928 until his retirement in 1966 he worked as a teacher of the Budapest Music Academy and taught several subjects. His compositional work, consisting mainly of choral works, comprises almost 600 pieces, but he has also composed chamber music.From 1918, Lajos Bárdos was president of the Hungarian Cecilia Society, participated in the direction ofthe Hungarian Singing Association, as well as the Bartók Association. In addition, he founded in cooperation with György Kerényi and Gyula Kertész in 1931, the magazine and the publishing company Magyar Kórus (Hungarian Choir).Lajos Bárdos has passed away on the 18th of November 1986 in Budapest. Territorial restrictions may apply. Please ask before ordering.
SKU: BT.EMBZ8331
SKU: BT.EMBZ8540
SKU: HL.50487377
ISBN 9790080129517. 6.75x9.5x0.064 inches. Latin. Lajos Bardos.
The composer, choirmaster, musicologist and music educator Lajos Bardos was born on the 1st of October 1899 in Budapest and studied composition with Zoltan Kodaly at the Music Academy in Budapest. As choirmaster, he worked with the Palestrina Choir and the Cecilia Choir, which he united in 1941, thus founding the Budapest Choir. From 1928 until his retirement in 1966 he worked as a teacher of the Budapest Music Academy and taught several subjects. His compositional work, consisting mainly of choral works, comprises almost 600 pieces, but he has also composed chamber music.Lajos Bardos was from 1918 president of the Hungarian Cecilia Society, participated in the direction of the Hungarian Singing Association, as well as the Bartok Association. In addition, he founded in cooperation with Gyorgy Kerenyi and Gyula Kertesz in 1931, the magazine and the publishing company Magyar Korus (Hungarian Choir).Lajos Bardos has passed away on the 18th of November 1986 in Budapest.
SKU: BT.EMBZ14056
Ferenc Farkas (1905-2000) was one of Hungary's most important 20th-century composers. He studied with Leó Weiner and Albert Siklós at the Academy of Music in Budapest from 1922 to 1927, then continued his studies in Rome at the Accademia di Santa Cecilia with Ottorino Respighi. From 1935 he taught at the Higher Music School in Budapest, then at the Conservatory in Kolozsvár, and later at the Székesfehérvár Conservatory (he was also director of the latter two). In 1949 he was appointed teacher and later head of the department of composition at the Academy of Music Budapest. His oeuvre of more than 700 works comprises almost every musical genre. His technical virtuosity as acomposer and his knowledge of style won him international recognition.
SKU: BT.EMBZ14476
Hungarian-English-Germ an-French.
Editio Musica Budapest is launching a new series entitled Musica da camera. As its very general title indicates, the publishers' intention is that the volumes in this series, which is designed specifically for music school students, will include works composed for chamber ensembles of every kind, from the trio to the sextet. The first two volumes contain mostly transcriptions for three and four flutes respectively, selected from every period of music history from the late Renaissance to the present day. This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.Unter dem Titel ‚Musica da camera' bringt Editio Musica Budapest eine neue Serie auf den Weg. Bereits dieser sehr allgemeine Titel zeigt an, dass in die Bände dieser neuen Serie den Wünschen des Verlags entsprechend Werke für Kammerensembles der unterschiedlichsten Besetzung - vom Trio bis zum Sextett - aufgenommen werden. Die ersten beiden Bände enthalten grösstenteils Bearbeitungen für drei oder vier Flöten aus allen musikgeschichtlichen Epochen von der Spätrenaissance bis zur Gegenwart.
SKU: BT.EMBZ14335
The material of this volume consists of the dances most popular in Vienna at he beginning of the 19th century: ländler, écossaises and German dances. They were originally piano pieces, but were certainly performed on all sorts of instruments at social gatherings and in public places of entertainment. This transcription for children's orchestra of these miniature compositions is a modern continuation of the old tradition of their 'transcription'. Die Leggerierissmo-Rei he von Editio Musica Budapest umfasst Stücke, mit und an welchen Kinderstreichorchester wachsen können. Jede Ausgabe ist in der ersten Lage spielbar und enthält Partitur und Stimmen (Violine 3 entspricht Viola).Die Ausgabe Schubert: Tänze enthält Tänze, die im Wien des beginnenden 19. Jahhunderts sehr beliebt waren: Ländler, Écossaises und Deutsche Tänze. Enthaltene Stimmen: 3x Violine 1, 3x Violine 2, 3x Violine 3, 2x Cello.La collection Leggiero & Leggierissmo proposée par Editio Musica Budapest est une édition enrichie de pièces pour Orchestre Cordes Junior, dans un arrangement de degré de difficulté facile. Elle comprend des œuvres de compositeurs classiques et contemporains ainsi que des transcriptions de pièces faciles. La possibilité de substituer la partie d'alto par un 3e violon facilite l'interprétation des morceaux. Ces arrangements, qui favorisent l'acquisition d'une expérience musicale complète, sont l'œuvre des meilleurs pédagogues et compositeurs. Les annotations figurent en langue française. Le recueil Schubert: Danses rassemble des danses les pluspopulaires Vienne au début il du 19ème siècle. Pièces de musique festive écrites l'origine pour piano, elles ont été interprétées par de nombreux instruments. Transcrites présent pour orchestre cordes junior, ces miniatures raviront musiciens et auditoire.Instrumentation : 3 vl1, 3 vl2, 3 vl3, 2 vlc.
SKU: BT.EMBZ14407
This volume in Leggierissimo series contains character pieces and dances, most of them transcriptions of piano pieces, though they also include excerpts from the ballets Swan Lake, The Nutcracker and The Sleeping Beauty. This volume in the Leggierissimo series contains character pieces and dances, most of them transcriptions of piano pieces, though they also include excerpts from the ballets Swan Lake, The Nutcracker and The SleepingBeauty.Instru mentation: 3 vl1, 3 vl2, 3 vl3, 2 vlcThe Leggierissmo series - growing repertoire for children's and youth string orchestras (position 1)Die Leggerierissmo-Rei he von Editio Musica Budapest umfasst Stücke, mit und an welchen Kinderstreichorchester wachsen können. Jede Ausgabe ist in der ersten Lage spielbar und enthält Partitur und Stimmen (Violine 3 entspricht Viola).Die Ausgabe Tchaikovsky: Dreizehn leichte Stücke enthält Charakterstücke und Tänze, die meisten davon ursprünglich für Klavier geschreiben, aber auch Auszüge aus Schwanensee, dem Nussknacker und Dornröschen. Enthaltene Stimmen: 3x Violine 1, 3x Violine 2, 3x Violine 3, 2x Cello.La collection Leggiero & Leggierissmo proposée par Editio Musica Budapest est une édition enrichie de pièces pour Orchestre Cordes Junior, dans un arrangement de degré de difficulté facile. Elle comprend des œuvres de compositeurs classiques et contemporains ainsi que des transcriptions de pièces faciles. La possibilité de substituer la partie d'alto par un 3e violon facilite l'interprétation des morceaux. Ces arrangements, qui favorisent l'acquisition d'une expérience musicale complète, sont l'œuvre des meilleurs pédagogues et compositeurs. Les annotations figurent en langue française. Le recueil Tchaikovsky: Treize Etudes Légères contient des piècesde caractère et des danses, transcrites pour orchestre cordes junior, mais également des extraits du Lac des Cygnes, Casse-Noisette, et La Belle au Bois Dormant.Instrumentati on: 3 vl1, 3 vl2, 3 vl3, 2 vlc.
