Bruch Max - Concerto No. 1 G Minor Op. 26 - Violin And Orchestra

The First Violin Concerto in G Minor is one of German composer Max Bruch’s most enduring works filled with exuberant melody and colourful orchestration richly displaying the virtuoso role of the violin solo. This work remains today one of the most performed and recorded concertos in the violin repertoire.

1st Position-Concerto In G Minor Op.26 in 1st position composed by Max Bruch for violin and piano arranged by K .W. Rokos.

Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?' The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Violon 2 (Partie Séparée)

Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. From Rachmaninov's Second Piano Concerto to Mozart's Clarinet Concerto this collection features many of your favourites!

La série EULENBURG AUDIO + score combine avec plus de 80 titres, les chefs-d'oeuvre les plus importants de concert et de la littérature orchestrale, le rendant idéal pour les étudiants et les amateurs de musique classique le point de départ idéal pour entrer dans le monde de la lecture de partitions.En plus de l'image d'impression excellente en format convivial et préface détaillée en allemand et en anglais toutes les dépenses fournir un représentant, l'enregistrement complet sur CD directement! Avec les nouvelles top 10 des packages reCoivent chacun une collection complète du répertoire de la musique internationale à un avantage de prix attractif. / Violon Et Orchestre

The Easy to Play series has been so stupendouly successful and we are delighted to present another book in the series!Max Bruch's Violin Concerto No. 1 in G minor Op. 26 is one of the most popular Violinconcertos in the repertoire. It continues to be performed and recorded by many violinists and is Bruch's most famous composition. Adagio the slow second movement often admired for its melody and generallyconsidered to be the heart of the concerto is arranged here for easy to play Grade 3-4 solo Piano.

Par SAURET EMILE. Émile Sauret, violin virtuoso, teacher and composer, was admired by some of the greatest composers of his time, including Brahms, Tchaikovsky, Bruch, Wagner, Grieg and Mahler. He gave numerous concerts with Liszt, Rubinstein, and Moszkowski, and often played duets with Sarasate. He is predominantly remembered for the fiendishly difficult cadenza he composed to Paganini?s first violin concerto. Sauret?s 24 Etudes Caprices for solo violin are a substantial virtuoso journey through every major and minor key. Written while he was a professor of violin at the Royal Academy of Music in London, they are notable for the exceptional variety of filigree detail and variation in nuance, dynamic, fingering, bowing and phrasing, creating etudes far more substantial than is typical in this genre. Unavailable since their first publication early in the 20th century, the Etudes Caprices are edited by leading violinist and Sauret specialist, Nazrin Rashidova, who has made the first complete recording of the Etudes Caprices, performing them on Sauret?s own Stradivarius. Using the original Simrock edition as a basis, this edition supplements Sauret?s original bowings and fingerings with Rashidova?s own suggestions. An extensive preface gives further insights into performance and contextualizes the life of the composer. / Date parution : 2022-11-29/ Répertoire / Violon