/ Alto Et Piano
SKU: BA.BA10982-85
ISBN 9790006565559. 32.5 x 25.5 cm inches. Key: D minor.
Johann Joseph Rosler (1771-1812) was a composer, conductor and pianist who was active in Prague and Vienna. Later he was in the service of Prince Franz Joseph von Lobkowitz. His Piano Concerto No. 2 in E-flat major of 1803 is a fitting companion to the piano concertos of Beethoven; indeed, his first Piano Concerto in D major was mistakenly attributed to Beethoven until 1925.Now Rosler's second Piano Concerto is appearing in print for the first time. This is due to editor Alena Honigova discovering and identifying an autograph score which is the only preserved source in the Prague Conservatory archive. In this Urtext edition Honigova takes into account the distinctive features of Rosler's handwriting and the division of parts in the score, as befits the performance practice of his day.
SKU: BR.OB-5509-27
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
ISBN 9790004338506. 9 x 12 inches.
The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.
SKU: HL.48180251
UPC: 888680846367. 9.75x12.5x0.088 inches.
This famous Concerto for Double Bass and Piano accompaniment by Edouard Nanny is part of the?Double Bass Classics. It is the famous piece No. 23 of this collection which, even though attributed to Dragonetti, is commonly acknowledge as a tribute to him composed by Edouard Nanny. The book features a score and double bass part. Written in A major and divided in three parts, Allegro Moderato, Andante and Allegro Giusto, all its movements start with the piano which is later joined by the double bass. This latter then becomes the main element, the piano accompaniment being mainly chords. Quite difficult, this piece would fit the skills and abilities of advanced players, for recitals or concerts. Edouard Nanny (1872-1942) was a well-known French double bass player, composer and professor.
SKU: HL.48025440
ISBN 9781784549060. UPC: 196288216391.
Leoka diya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920. The Piano Concerto (1900) is Kashperova's earliest surviving orchestral work, and it was premiered by the composer the following year in Moscow and St Petersburg, bringing her much wider recognition and paving the way for an international career. Cast in three movements and in a Romantic idiom, pianistic virtuosity is often channelled into the pianist's left hand, which is required to negotiate widely-spaced 'extreme' arpeggios – awkwardly angular when adagio, fiendishly technical when molto allegro. Kashperova's orchestral colours are achieved by felicitous solos for the woodwind, horns and brass. Noteworthy, too, are unexpected glimpses of chamber music when, in the last movement for example, the piano combines fleetingly with solo violin and solo cello in passages. The concerto's quick music (Molto allegro and Allegro con anima) admirably portrays the vivacious personality of their composer, described in 1906 as offering those around her 'an abundance of joy, excitement and fun'. The central movement, by contrast, is a tender Adagio which offers the listener a gem of musical poetry.
SKU: BA.BA10422-85
ISBN 9790260108165. 32.5 x 25.5 cm inches. Key: A minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerâ€℠¢s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
