Play Flute Today! (Flute)

In this comprehensive DVD master teacher and performer Kaye Clements guides you through all the basics to play the Flute. Specially designed for the very beginner it's a quick and fun way to learn the parts and assembly of the instrument breathing and posture and the essentials of producing a good tone. This DVD can also be used as a supplement to the Play Flute Today! Level 1. Includes: Assembly and maintenance Producing sound Music reading Playing songs with a backup band Learn at your own pace and open the door to the world of Flute music!

Learn to play some of today's biggest hits with Guest Spot Today's Biggest Hits for Flute.This collection of songs will have your audience tapping their feet and singing along as you play hits such asBig When I Was Little Walks Like Rihanna Let Her Go and many more.Why not strut your stuff as you play along to recent artists like Eliza Doolittle with easy play-along tracks forFlute.Listen and watch Big When I Was Little by Eliza Doolittle here:

Joachim Andersen (1847-1909) was a Danish virtuoso flautist and composer who travelled widely throughout Europe becoming one of the best concert flautists of his generation. He is best known today for his eight volumesof Etudes for Flute which he wrote throughout his career. They are still used by top professionals all over the world to improve their technique and musicianship. Twenty-Four Short Studies Op.33 is anessential volume for any aspiring Flute player.

A collection of pieces all carefully selected and arranged to provide supplementary material for today's young flautists. Each piece offers suggestions and guidelines to breathing dynamics and tempo together with technical tips performance notes and a simple but effective piano accompaniment. Contains a variety of musical styles ranging from folk and classical through to showtunes and popular songs.

A collection of pieces all carefully selected and arranged to provide supplementary material for today's young flautists. Each piece offers suggestions and guidelines to breathing dynamics and tempo together with technical tips performance notes and a simple but effective piano accompaniment. Contains a variety of musical styles ranging from folk and classical through to showtunes and popular songs.

The ultimate self-teaching method designed to offer quality instruction terrific songs and professional-quality audio with 71 full-demo tracks included to download. This series can be used by students who want to teach themselves or by teachers for private or group instruction. Simply follow the tips and lessons in the book as you listen to the teacher on the demo.

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

Fifteen hit pop songs from today's charts for Flute in easy melody line arrangements.Complete with song background notes and playing hints and tips.Have fun playing along with the specially recorded CD for a moreprofessional performance.Contents: U2 - Beautiful DayLeona Lewis - Bleeding LoveJames Morrison feat. Nelly Furtado - Broken StringsSnow Patrol - Chasing CarsColdplay - FixYouAlexandra Burke - HallelujahBeyonce - If I Were A BoyLady GaGa - Just DanceWill Young - Leave Right NowMichael Buble - LostSara Bareilles - Love SongTake That -ShineRihanna - Take A BowDuffy - Warwick AvenueWestlife - You Raise Me Up

Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

The Music for the Royal Fireworks was first performed in 1749 at a fireworks display in Green Park London to celebrate the Treaty of Aix-la- Chapelle. La Rejouissance is a fanfare-like piece still much loved today.

for Flute or Violin and Continuo-?Methodical? was how Telemann?s six sonatas were described when they were published in 1732 because they included a second ornamented version of the simple melody line of the solo instrument for the slow opening movements andfor the second movement of the c-minor sonata. This is music that is both instructive and also a delight to play and G. Henle Publishers can highly recommend it to the flautists and violinists of today. This lavishly appointednew edition has separate solo and bass continuo parts that contain the other part in each case for orientation purposes. There is also an additional part featuring only the figured bass line. This edition includes the score whichalso features a historically faithful realisation of the figured bass. The first volume of ?Methodical Sonatas? has already been published (HN 1266); this means that all twelve of Telemann?s sonatas are now available as HenleUrtext editions.

Instrumental Play-Along-Solo instrumentalists will love this collection of 15 of today's hottest hits! Includes online access to full-accompaniment play-along tracks.

pour la Flûte-Having studied the Flute with virtuosos Paul Taffanel Adolphe Hennebains and Philippe Gaubert at the Paris Conservatoire Marcel Moyse (1889-1984) soon became a virtuoso of the instrument himself. Etudes Et Exercices Techniques For Flute was the first of many popular study books from the renowned flautist. During his career Moyse frequently played solo Flute with many orchestras including performing the main concertos of the repertory. As well as performing and composing Moyse was responsible for the training of a brilliant generation of flautists at the Paris Conservatoire. Following WWI the composer moved to theUnited States where he continued to perform compose and teach. It is during his time in the USA that Moyse composed his extensive number of instructive books on instrumental technique including Etudes Et Exercices Techniques which today remain universally accepted and popular. Moyse's book is essential to all aspiring advanced flautists.

Having studied the Flute with virtuosos Paul Taffanel Adolphe Hennebains and Philippe Gaubert at the Paris Conservatoire Marcel Moyse (1889-1984) soon became a virtuoso of the instrument himself. His editions of Soussmann's 24 Daily Studies for Flute is one of many popular study books compiled by the renowned flautist. During his career Moyse frequently played solo Flute with many orchestras including performing the main concertos of the repertory. As well as performing and composing Moyse was responsible for the training of a brilliant generation of flautists at the Paris Conservatoire. Following WWI thecomposer moved to the United States where he continued to perform compose and teach. It is during his time in the USA that Moyse composed his extensive number of instructive books on instrumental technique including Soussmann's 24 Daily Studies which today remain universally accepted and popular. Moyse's book is essential to all aspiring advanced flautists.