Format : Reduction
SKU: BA.BA04201-86
ISBN 9790006444878. 32.5 x 25.5 cm inches. Key: B-flat major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.TP00167
ISBN 9790006201457. 18.5 x 13.3 cm inches. Key: B-flat major.
Urtext der Hallischen Handel-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA04201-79
ISBN 9790006444854. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04202-75
ISBN 9790006444922. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04202-86
ISBN 9790006444977. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04202-78
ISBN 9790006444946. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04201-67
ISBN 9790006444823. 23.9 x 32.5 cm inches. Key: B-flat major.
SKU: BA.BA04201-65
ISBN 9790006444816. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04202-77
ISBN 9790006444939. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04201-80
ISBN 9790006444861. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04202-74
ISBN 9790006444915. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.TP00066
ISBN 9790006200542. 18.5 x 13.6 cm inches. Key: B-flat major.
SKU: BA.BA04202-79
ISBN 9790006444953. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04201-74
ISBN 9790006444830. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04201-75
ISBN 9790006444847. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04202-67
ISBN 9790006444908. 24 x 30.5 cm inches. Key: B-flat major.
SKU: UT.NAP-4
ISBN 9790215318373. 9 x 12 inches.
Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e CembaloNicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas. Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.
SKU: HL.49002070
ISBN 9790001022231. 9.0x12.0x0.361 inches.