Format : Sheet music + CD
SKU: HL.48185042
UPC: 888680880743. 9.0x12.0x0.097 inches.
“for 2 trumpets, horn, trombone, euphonium and tuba”.
SKU: CY.CC3118
ISBN 9790530110966. 8.5 x 11 in inches.
Jesu, Joy of Man's Desiring, composed in 1723 by J. S. Bach from Cantata BWV 147, is one of the most recognized works in the Classical repertoire and often performed at wedding ceremonies, as well as Christmas and Easter services. This 3 1/2 minute arrangement by Gordon Cherry for Brass Trio is scored for Trumpet (parts in B-flat and E-flat), Horn and Trombone (Euphonium or Tuba) and is appropriate for moderately advanced performers.
SKU: CY.CC2893
O Come, O Come, Emmanuel is an Advent hymn translated from the original Latin - Veni, Veni, Emmanuel first published in the 12th Century. The words and the music developed in separate paths and were linked together in a 1851 publication by Thomas Helmore.Jay Hilfiger's beautiful arrangement for 10-part Brass Ensemble and Percussion (Cymbals & Side Drum) is about 3 minutes in length and appropriate for intermediate to moderately advanced performers.Instrumentation is for:3 Trumpets in B-flat2 Horns in F3 TrombonesEuphonium and TubaCymbals and Side DrumListen to the digital audio sample track below to get a rough example of this work.
SKU: CF.YPS148F
ISBN 9781491141281. UPC: 680160629343. 9 x 12 inches.
Johann Pachelbel's Canon in D has long been one of the most popular classical pieces, and has already been connected to Christmas through various setting of the piece. In this arrangment, the Canon is combined with popular Christmas carols as part of the fabric of the piece. Carols like Hark, the Herald Angels Sing and The First Noel fit nicely over the harmonic progression of Pachelbel's famous canon. This arrangement will work nicely with band alone or with the option to include choir (CM9401).
SKU: CY.CC2783
Hodie Christus natus est (Today Christ is Born) is an a cappella double-choir choral motet from Gabrieli's famous Sacrae symphoniae of 1597. Mr. Chasanov has arranged this music beautifully for a 10-part brass ensemble of two 5-part choirs (double brass quintet).The music is full of remarkable rhythmic counterpoint demanding full concentration from the performers.The 4 minute arrangement is appropriate for moderately advanced performers.This is an ideal choice to be used for general recitals or as a jubilant work for the Christmas period.Instrumentation:4 Trumpets in B-flat2 Horns in F2 Trombones or Euphoniums2 Tubas (or Bass Trombones)substitute Trombone parts for the Horn parts.
SKU: CF.FPS54
ISBN 9780825861734. UPC: 798408061739. 9 X 12 inches. Key: Bb major.
Arranger Joseph Compello brings us a nice holiday collage that features the percussion section playing real street beats. Beside being an effective and fun arrangment, your percussion section will learn different roll-offs and streets that will be useful for parades or other events where street beats are needed. Well done Joe!
SKU: CF.SPS78
ISBN 9781491152553. UPC: 680160910052. Key: Bb major.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert. Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it. The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music. .
SKU: CF.SPS78F
ISBN 9781491153239. UPC: 680160910731.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert. Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it. The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music. .
SKU: P2.PZA90187
Concert Duets is a collection of 14 arrangements of works by prominent 18th-century composers, mostly taken from Trio Sonatas. Duet 11 is a Jim Self original work in the Rococo style; and Duets 12, 13 and 14 are arrangements of the three-movements of the Bach Concerto for Two Violins. Included with this edition are play-along recorded tracks by tubist Zach Collins, who also served as editor of the current edition.I created these duets as Christmas gifts for my tuba playing friends, with the first duet being arranged in 1976. All 14 of the duets are challenging and fun to play and are especially effective as concert pieces.As a young musician I had the privilege of playing duets with many of the world’s finest tubists including Harvey Phillips, John Fletcher, Bob Pallansch, Chester, Schmitz, Dan Perantoni, Toby Hanks, Ron Bishop, Winston Morris and Tommy Johnson. I learned more about playing music in these duo sessions than from any other musical activity I have ever experienced. Duets are powerful teaching tools for learning and mastering rhythm, phrasing and intonation and for developing overall musicianship.Jim Self:Self (b. 1943) is a Los Angeles free-lance musician, a veteran of thousands of Hollywood motion pictures, television shows and records, and tuba soloist on many prominent movies. His tuba was the “Voice of the Mothership” in Close Encounters of the Third Kind. He is Principal Tuba/Cimbasso with the Pacific and Pasadena Symphonies and the Los Angeles Opera and Hollywood Bowl Orchestras. Formerly he was in The U.S. Army Band and tuba / euphonium professor at the University of Tennessee. He holds a DMA from the USC Thornton School of Music where he is Adjunct Professor of Tuba and Chamber Music. His compositions and arrangements include works for solo tuba, brass quintet, other brass, string and woodwind chamber music, wind band and orchestra. Jim has produced many solo jazz and classical recordings. His music and recordings are available from Potenza Music and www.jimself.com. Jim Self is a Yamaha Performing Artist.Zach Collins, editor:Zach Collins is professor of Tuba and Euphonium at Indiana University of Pennsylvania. In 2019, he released his first solo album, Chronicle. It was recognized with the 2021 ITEA Roger Bobo Award for Excellence in Recording for the best Solo Tuba Album.His interpretation of William Kraft’s Encounters II for Solo Tuba was released on Cambria Master Recordings. Zach performs with Eastern Standard, a horn, tuba, piano trio he formed with Heidi Lucas and Jacob Ertl. The ensemble has released two commercial albums, Eastern Standard and Wanderlust.Zach regularly performs with the Keystone Chamber Winds, Altoona Symphony Orchestra, and West Virginia Symphony Orchestras. His compositions and arrangements for brass and for tuba and euphonium can be purchased from Cimarron Music and Eighth Note Publications. Zach earned degrees from Texas Christian University and the University of Southern California. His primary teachers have been Richard Murrow, Jim Self, Tommy Johnson, and Norm Pearson. Zach Collins is a Miraphone artist.
SKU: CF.PPS47F
ISBN 9781491147801. UPC: 680160905300. 9 x 12 inches.
Imagine if you can the north pole where Santa keeps all of his reindeer. Someone, whether Santa himself or the elves in his employ, has to keep them fed, warm, and happy if they are to do the impossible again in a year's time. Old St. Nicholas Had a Farm has some fun with this idea by mashing up the classic song Old MacDonald with popular Christmas Carols. Using only the first six notes of the Bb scale and only two repeated eighth notes as the most challenging rhythm, students will feel comfortable playing the sound of sleigh bells, the crack of Santa's whip, and the thunder of reindeer hoofs. This piece will make a perfect addition to your next holiday concert and audiences will delight in participating.
SKU: CF.YPS168F
ISBN 9781491143995. UPC: 680160901494. 9 x 12 inches.
The Merry Kings is a clever arrangement of two Christmas songs about kings, We Three Kings and Good King Wenceslas.A,A Arranger Andrew Balent has put some interesting harmonic twists on these old favorites, occasionally shifting into modal treatments of the carols.A,A A fresh take on old classics for your next holiday concert.