Instrumentation : piano Number of Pages : 32 Arranger : SchUngeler, Heinz Dieses Heft enthält eine Auswahl aus dem Notenbuch, das der Salzburger Kapellmeister Leopold Mozart im Jahre 1759 für seine Tochter, das Nannerl anlegte. Diese handschriftliche Sammlung verschiedenartiger Klavierkompositionen von großenteils nicht genannten Musikern jener Zeit hat eine besondere Bedeutung, weil sie auch als erster Übungsstoff für den jüngeren Bruder Wolfgang verwendet wurde. Bei mehreren Stücken ist genau vermerkt, wann er sie erlernte und wie lange er daran übte. Contenu - Acht Menuette - Marche - Scherzo - Allegro - Menuet - Scherzo - Andante - Menuet - Menuet - Allegro - Menuet (I) - Menuet (II) - Allegro - Andante - Marche
SKU: HL.50488260
ISBN 9790080000519. Bach (23 x 30,2 cm) inches. Hungarian, German. Lajos Hernadi.
Die hier vorliegenden kleinen Klavierstucke konnen in zwei Gruppen geteilt werden. Einige stammen von Mozart selbst. Es sind seine eigenen Kompositionen, welche er als sechs-achtjahriger Knabe schrieb. Die anderen findet man in den sogenannten Notenbuchlein, d. h. in den Heften, welche Mozarts Vater: Leopold Mozart, fur seine Kinder, also fur Wolfgang und Marianne (Nannerl) zusammengestellt hat. Bei den Stucken dieser Gruppe habe ich freilich die Namen der Komponisten nicht angeben konnen. Allerdings kann es sich nur um deutsche Meister aus Mitte des XVIII. Jahrshunderts handeln. Dort, wo Mozart als Autor nicht in Frage gestellt werden kann, ist sein Name mit der betreffendenNummer des Kochel-Verzeichnisses angedeutet. ... Lajos Hernadi.
SKU: BT.YE0030
An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (notSpartan).Programme Note:As a young professional player in the 1960s, my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleledopportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail, research was far more challenging than it is today. Eastern Europe was particularly difficult to access, withmanycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing, even though they had no specific interest in one's own particularspecialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation, and one can quickly be side-tracked into political and social issues that have only slender bearing on the job inhand!).In the early 1970s James Brown, the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time, stumbled across a small collection of double bass manuscripts at the RoyalDanish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756, d. Copenhagen 7 June 1815), a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen.Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos, some chamber music, and various naïve fragments. Although hardly the work of a Mozart or Haydn,the style is characteristic of the period. For an instrument such as the double bass, whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use, Keÿper's music is easily approachablein its.
SKU: HL.50510290
ISBN 9790080141724. UPC: 073999922905. Bach (23 x 30,2 cm) inches. Hungarian, English, German.
We recommend this volume to those who would like to play the melodic instruments (tubular bells, marimba, vibraphone, xylophone) that are gaining an increasingly important role in the rapidly developing teaching of percussion instruments. Starting from the first steps, familiarization with the notes, it provides varied, colourful musical material sufficient for several years, including not only folk melodies of different nations but also works by many important composers (Beethoven, J.C.F. Fischer, Handel, Kodaly, Lully, Leopold and Wolfgang Mozart, Praetorius, Purcell and Schubert). Together with duets and pieces with piano accompaniment, which are particularly suitable for concert performance, exercises to develop skill in score reading are included in the teaching material, in the compilation of which the author drew on several decades of teaching experience. The textual instructions are provided in three languages: German, English and Hungarian.
