Easy Keyboard Library Classic Hits Volume 2 Hits include Be My Baby Careless Whisper A Groovy Kind Of Love Heal The World I Got You Babe My Girl and more.
SKU: HL.14043144
ISBN 9781783054428. UPC: 888680017798. 9.0x12.0x0.225 inches. English.
A fine selection of some of the most famous orchestral works, containing both sheet music and full audio on CD. Every piece in Orchestral Gold has been composed, or specially arranged, for easy piano and is accompanied by high quality demonstration performances on a specially commissioned music CD. An essential addition to your piano library.
SKU: HL.130373
ISBN 9781480396104. UPC: 888680020859. 9.0x12.0x0.043 inches. Book with Online Audio Tracks.
10 songs carefully selected and arranged for first-year instrumentalists. Even novices will sound great! Audio demonstration tracks featuring real instruments are available via download to help you hear how the song should sound. Once you've mastered the notes, download the backing tracks to play along with the band! Songs include: Angels We Have Heard on High * Christ Was Born on Christmas Day * Come, All Ye Shepherds * Come, Thou Long-Expected Jesus * Good Christian Men, Rejoice * Jingle Bells * Jolly Old St. Nicholas * Lo, How a Rose E'er Blooming * On Christmas Night * Up on the Housetop. Online audio is accessed at halleonard.com/mylibrary.
SKU: BR.EB-8033
ISBN 9790004174364. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extant, since it is more stimulating for children to change the teaching material frequently. Jean-Philippe Rameau (1683-1764) is the second great keyboard master of the Baroque Age next to Couperin. His works are as unknown to pianists, with few exceptions, as they are famous among harpsichord players. The virtuosity and imaginativeness of his works lend themselves especially well to the sound of harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the harpsichord and clavichord, and no one would dare question their interpretation on the pianoforte. In order to introduce these Impressionists of the Baroque Era to piano instructions, the editor has added to this series a folio of both Couperin's (EB 8029) and Rameau's music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. Baroque dance forms and graceful character pieces (LaJoyeuse, L'Indifferente) are typical ofRameau's work. Simplifications to a small extent of the harpsichord setting and also of the omamentation in the original version were required, based on the teaching experience of the editor. The indications for phrasing and articulation are those of the editor. The Minuet on page 6 has been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series: what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the espective footnotes; these directions, however, are not obligatory. Indications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case by used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realisation of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: TA.TSPB-44
In Mainstream Mallets, Jason Hammond-Wood has compiled over 20 short, 2-mallet solos with optional piano accompaniment to challenge more experienced middle school students while offering high school percussionists more performance opportunities. All selections are familiar tunes, including classical favorites such as The Nutcracker, Sleeping Beauty, Anitra's Dance (from Peer Gynt), and The Barber of Seville. Also included are nonclassical melodies like The Stars and Stripes Forever, The Entertainer, and On Wisconsin (the university's fight song). All pieces are playable on xylophone, vibraphone, or marimba, and two of the solos are adapted to be performed as duets! The optional piano accompaniment may be performed with a pianist, or by using the provided audio accompaniment tracks. Mainstream Mallets includes these 24 pieces: On Wisconsin | J.S. Hubbard and Charles D. Rosa | (Med-Easy, :35) The Happy Farmer | Robert Schumann | (Med-Easy, :51) Bourree | Johann Sebastian Bach | (Med-Easy, 1:51) Infernal Galop | Jacques Offenbach | (Med-Easy, 1:06) Sonatina | Muzio Clementi | (Medium, 1:07) Hungarian Dance No. 5 | Johannes Brahms | (Medium, 1:47) Pizzicati | Leo Delibes | (Med-Easy, 2:07) Sleeping Beauty | Pyotr Ilyich Tchaikovsky | (Medium, 1:33) The Barber of Seville | Gioachino Rossini | (Medium, 1:22) The Royal Fireworks | George Frideric Handel | (Medium, 1:19) Anitra's Dance | Edvard Grieg | (Medium, 1:40) The Entertainer | Scott Joplin | (Medium, 2:10) Spring Season | Antonio Vivaldi | (Medium, 1:47) The Stars and Stripes Forever | John Phillip Sousa | (Medium, 2:12) Badinerie | Johann Sebastian Bach | (Med-Advanced, :57) The Chromatic Galop | Franz Liszt | (Medium, 1:19) The Sorcerer's Apprentice | Paul Dukas | (Med-Advanced, 1:43) Trepak [Russian Dance] | Pyotr Ilyich Tchaikovsky | (Med-Advanced, 1:10) Turkish March | Wolfgang Amadeus Mozart | (Med-Advanced, 1:52) Csardas | Vittorio Monti | (Med-Advanced, 1:44) Back Home Again | James F. Hanley | (Medium, 1:18) Raindrop | Frederic Chopin | (Medium, 1:45) Bourree [Duet Version] | Johann Sebastian Bach | (Med-Easy, 1:53) Sleeping Beauty [Duet Version] | Pyotr Ilyich Tchaikovsky | (Medium, 1:35) Mainstream Mallets ships as a fully-bound book with a sleek cover design by Bob Beck of Montreal's Design Society. Also included are reference recordings of each solo, PDF parts for duets, PDF parts for the piano accompaniment, and audio tracks with piano only, so that players can perform with just the piano accompaniment.
