Arrgt: Eric Vireton. Par SATIE ERIK. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Trompette et Quatuor à Cordes : 1 Trompette 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 40 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Erik SATIE - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Trompette 2 Violons 1 Alto 1 Violoncelle

Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert.Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian 'St. Wenceslas? hymn. The hymn's message - a plea for the well-being of the Czech people, directed at their patron saint - was immediately understood by the audience.The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914 - the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ.This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583 - study score TP 583) and another for string orchestra (BA 9584).The orchestral version differs in some details and has an added part for double bass. - First Urtext edition / Quatuor A Cordes

Par BEETHOVEN LUDWIG VAN. Many anecdotes surround String Quartet op. 131: Beethoven is said to have considered it to be his finest quartet and of his late period works, the one dearest to his heart. It is also believed that the composer invested so much of himself in it: his ailing health, the social isolation brought about by his deafness and the suicide attempt of his nephew Karl. In addition it was reported that Franz Schubert asked to hear this piece once more on his deathbed. Even if these anecdotes are not all true, they reveal what generations of musicians felt they heard in this quartet: Beethoven’s most personal musical idiom and a vulnerable message from the final period of his life. This new edition by Jonathan Del Mar represents a thorough revision of this highly complex work. Meticulously incorporated are Beethoven’s pencil markings that were previously almost completely ignored./ Répertoire / Quatuor à Cordes

Par CALMEL ROGER. / Niveau : Difficile / classique / Répertoire / Violoncelle et Piano

in B-flat major. Par BEETHOVEN LUDWIG VAN. / Classique / Répertoire / Quatuor à Cordes

Par WEBER CARL MARIA VON. Violon/Fl - Violoncelle - Piano/ Répertoire / 3 Pianos

La référence CC3026 de l'éditeur Billaudot dont l'auteur célèbre est Romberg Bernhard-Heinrich, qui a pour titre CONCERTO Nø10 EN MI MAJEUR OPUS 75, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition

Boccherini, un des plus grands violoncellists du XVIIIe siècle, a quitté nombreux concertos pour son instrument de prédilection. Dans le premier de ces oeuvres, le style personnel du compositeur est indéniable. Transparence et sens classique du formulaire, easil / Violoncelle Et Orchestre A Cordes 2 Cors Ad Libitum