A wonderful collection of melodies gathered from across the globe. Complete with an accompanying CD recording of all forty-three tunes performed by Jessica Walsh.

Kay Charlton's Bollywood Blast - Flute is produced by the Bollywood Brass Band (BBB) and is designed to get you playing Flute in the Bollywood style.As you work your way through this book you will learn how to play like the BBB and also find out about Brass Bands in India and the UK Indian weddings and of course about Bollywood films the music and the stars.

For Guitar and Flute Plus Percussion-Here is a collection of Latin masterpieces arranged for flute guitar and percussion. From the fabled Granada and Franþois Borne's rousing Fantasy on Themes from Bizet's Carmen to Brasilian superstar Celso Machado's magnificent Suite Popular Brasileira and Astor Piazzolla's Libertango there is a wealth of thrilling music for every flutist. Listen to virtuosi Katarzyna Bury and Christian Reichert perform these classic pieces in a complete reference recording. Then you take Mr. Richert's place alongside Mr. Reichert and the percussionist for a Latin music-fest that you will never forget! Bravo! Includes a newly engraved authoritative printed solo part and a compact disccontaining a complete version with soloist in digitally recorded stereo then a digital stereo version of the accompaniment minus the soloist. Performed by Christian Reichert guitar Accompaniment: Katarzyna Bury flute Jochen Hank percussion

Ten Latin style numbers with CD backing tracks to play along with. Recorded by Piano Bass Drums Perc Trp Tbn and Saxes.

Five short contrasting pieces transporting us from Norway to the Caribbean via Hungary France and Spain.Bryan Kelly was born in Oxford in 1934 and studied at the R.C.M. and in Paris with Nadia Boulanger. He was on the staff of the Royal Scottish Academy of Music then moved to the Royal College in London where he taught Harmony Counterpoint and Orchestration for twenty years. He has also lived and worked in the U.S.A. Eygpt Italy and France. His musical output is copious and includes many works for orchestra solo instruments and voices. He appears regularly as a solo pianist and is co-founder of the Zodiac Ensemble.

An exciting and evocative album inspired by rhythms and melodies of South America. Attractive and fun performance repertoire.

A second collection of Latin-American pieces for flute and piano edited by Trevor Wye. Suitable for players from grade 5 standard.

Four pieces in a Latin-American style: Brazilian Bombshell Beach Party Salvador Sunset and Across The Bay.Grade: 3 - 4

Description Transcribed for flute and piano. Great Performer's Edition. Songlist Aria (Bachianas Brasileiras No.5) [Villa-Lobos, Heitor]

Si l'on vous invite à un voyage de découverte, qui plus est au Brésil, le refuserez-vous 'C'est à cela que nous convie Alain Vérité, dans le parcours de ses pièces pour flûte et guitare, écrites avec un soin méticuleux. Elles permettent à des élèves encore au début de leur apprentissage de ces deux instruments, de découvrir un côté souvent caché de cette richissime musique brésilienne, et ce plaisir partagé ne peut que les encourager dans leur passion naissante. Merci Alain, pour ce musical cadeau que tu leur (et nous) fais. Yannick Le Goff La musique du Brésil est un monde en soi, riche, chaleureux, et divers. Les pièces de ce recueil, aux rythmes variés, appartiennent au style Chôro , caractérisé par son aspect très chantant, dansant, et... ensoleillé . Et illustré aussi bien par Villa-Lobos que par Jobim, par N. Freire que Caetano Veloso ! Car le mélange de tournures mélodiques et harmoniques européennes et de figures rythmiques créoles le place au carrefour du classique et de nombre de musiques actuelles , du Brésil mais aussi du Cap-Vert ou des Caraibes. On trouvera ici des Chôrinhos ( petits chôros ) vifs et syncopés, des Rumbas nonchalantes, une Romanza et une Valsinha ( petite valse ), mélodiques et rêveuses. L'association de la flûte traversière et de la guitare, très fréquente dans le chôro depuis son apparition (fin du XIXe siècle, à Rio) jusqu'à nos jours, est trop peu publiée, et presque toujours pour des niveaux plus avancés (comme ceux que l'on trouve chez l'excellent, et actuel, Celso Machado). Quoi qu'il en soit, elle convient particulièrement bien à l'esprit de cette musique, que l'on découvrira donc au mieux, avec le profit et le plaisir partagé du jeu en duo. C'est en tout cas le désir, et le souhait, de l'auteur. Alain VéritéCompositeur/Auteur : VERITE Alain
Discipline/Instrument : flûte et guitare
Collection : Junior de Thierry Masson
Support : Partition
Style/Genre : classique
Date de parution : août-06 Nombre de pages : 14 14

Contenu : Danza triste - Zambra Compositeur/Auteur : GRANADOS Enrique
Discipline/Instrument : flûte et guitare
Collection : Rivoal Yvon
Support : Partition
Style/Genre : classique
Date de parution : févr.-98
Niveau de difficulté : 3
Nombre de pages : 9 5 4

Partition pour flûte et piano Nombre de pages : 35 15 Niveau : 3
Contenu :
Huayno (Bolivie) - Cumbia (Colombie) - Dos Bailecitos (Bolivie) - Boléro (Amérique Latine) - Chacarera (Argentine) - Tango (Argentine) - Vals (Vénézuela) - Zamba (Argentine) - Samba (Brésil) - Son Jarocho (Mexique)

The Flute in Cuban Popular Music (En La Musica Popular Cubana)Langues: anglais/espagnolTO ALL LOVERS OF CUBAN FLUTE MUSIC(A TODOS LOS AMANTES DE LA FLAUTA CUBANA)This book dedicated to the flute in popular Cuban music is a method in which I have tried to include all the technical and stylistical aspects that are of interest to the musician who wishes to become acquainted with the world of Latin music.On the one hand, the book presents the most important genres of our music where the flute plays an outstanding role as a solo instrument; on the other hand, it introduces the most essential characteristics of the individual genres the flutist should be familiar with when performing Cuban music.This method mainly focusses on technical aspects comprising the knowledge of the clave, articulations, embellishments and the like, presented along with exercises, examples and the analysis of flute solos.I would like to recommend you this book written with deeply-felt dedication by one of Cuba's greatest contemporary flute players. This excellent work, I have had the pleasure of viewing before its publication, has been created by supreme effort by a good friend of mine who I have worked with at work sessions, on stage and in the recording studio for a long time.I hope that this wonderful concept will help to give worldwide publicity to an instrument of fundamental importance to Cuban music of all times. (Orlando Valle 'Maraca')