Hinshaw-Music - Choral SATB

Folk-This work in the songs of the World Series is a lively addition to the Hinshaw catalogue by the Cuban composer Rene Banos and Venezuelan arranger Ana Maria Raga. With the great interest in multicultural choral music these days this would be a fantastic addition to a fall or spring concert.

Though new to the Hinshaw catalogue Jay Althouse is no stranger to choral directors everywhere. This simple anthem for mixed chorus and piano set to a text by Samuel Longfellow has many possibilities in worship settings from general use to Advent.

By now well-known to those familiar with the Hinshaw 'family' of composers Ms. Ford has woven together Isaiah 55 and Psalm 98 with exciting results. Flute tambourine and claves add yet more liveliness to the original music. All instrumental parts are in the octavo with the flute part both above the keyboard and alone on the back page.

With a unique combination of Psalm 150 and 1 Corinthians this majestic work for mixed choir with keyboard accompaniment is dedicated to longtime Hinshaw friend and accompanist Karl Schmidt. This piece is another winner by Carl Hygard and is perfect for music ministry Sunday and even Easter.

Over the past few years Hinshaw Music has been proud to publish a number of Advent and Christmas pieces by church musician Neil Harmon. All of the pieces are melodic inventive and are accompanied by keyboard or chamber orchestra. This particular piece on a text of Christina Rossetti calls for mixed chorus with piano or harp strings and chimes. Try it alone or in combination with other Harmon settings.

New to the Hinshaw catalogue composer Rick Nichols states in the opening notes that The Song of Love portrays a longing to put into words feelings that can only be expressed in song. Each of the three verses expresses a different song: the song of the dawn the song of the dusk and the song of love. Scored for SATB chorus with piano try it on your next spring concert.

For years Gerre Hancock was associated with St. Thomas church in New York City. Now on the faculty at the university of Texas this is his first anthem in the Hinshaw catalogue. On a text from Isaiah the work is scored for organ and mature voices.

This work was originally edited by Dr. Gordon spice from manuscripts in the Moravian music foundation archives and it received its first modern performance at the 1984 Moravian music festival in Winston-Salem. The present choral score is based on Dr. Spice's orchestral score of 1984 from which orchestral parts for performance with orchestra are also extracted.-K. Kope Fairly easy piece from our Moravian Music Foundation series

27-year-old Mary Dana to express her grief at the recent deaths of her husband brother wrote the words and music sister and infant son. Since then it has been used in funeral processions and even crossed over into blues and folk music. Contemporary composer John Carter was the ideal musical talent to arrange this hymn for a medium-easy choral group.

All My Trials is one of the most popular arrangements by choral master Norman Luboff. A Bahamian spiritual composer James Green makes use of the Luboff arrangement and superimposes the language and stylistic characteristics of the Cherokee Native Americans. Scored for SATB chorus solo C instrument and optional percussion try it for American Music Month.

Written specifically to showcase the beauty of good choral sound through the simplicity of the music and text.

From the familiar Choral Masterworks Series this edition uses the original organ reduction and combines the original French text with an English translation designed to fit the music as well as possible. The interpretive markings are as they appear in the original.

Instrumental Available (HMB197a): 2 Vln Vla Cello Bass And Full Score._x000D_Nicola Porpora(1686-1768) born in Naples was highly regarded during_x000D_his own lifetime as both a composer and singing teacher. The majority_x000D_of Porpora's musical output centered around vocal music - operas cantatas oratorios and sacred choral works. The majority of choralworks were written for treble voices this Kyrie being one of thecomposer's few works for mixed voices.

An original spiritual for mixed chorus and piano accompaniment with words and music by choral conductor Stephen Hopkins